Editorial, Main, rileysbest

#SALUTE: Slick Rick’s Debut Turns 29

As the gap between the old school and new school becomes broader and more apparent, so does the necessity for…

As the gap between the old school and new school becomes broader and more apparent, so does the necessity for icons like Slick Rick to be honored. On this, the 29th anniversary of his classic Def Jam debut The Great Adventures Of Slick Rick, we thought we’d take a few minutes to help newer/younger fans understand why us “old heads” hold Ricky D in such reverence after all these years.

It’s kind of hard for anyone under 25 to conceptualize a time when Hip Hop wasn’t a well-oiled machine with multiple touchpoints and sub-genres, but there was a time when it was a lot more … straightforward, for lack of a better term. Much like Rakim, who came in the game with a level of wordplay that blew people away, Slick Rick — a member of Dougie Fresh’s Get Fresh Crew — brought a level of storytelling to the genre that has carried forward and created a platform for generations of artists after him to bring that thematic, content-rich song layout to the game.

“Children’s Story” and “Mona Lisa” were marvels on so many levels; the way that Rick switched up his voice to give life to multiple characters, his crystal clear vocals, the friendly/approachable English accent — it changed the game. His entire debut was full of gems, like “Moment I Feared,” which follows Rick on a possibly the most unfortunate series of back to back events ever, or “Kit,” where he and the infamous car from Nightrider attempt to find Rick’s stolen crown (a reference to bummy impersonators).

“I was never the type to say freestyle raps, I usually tell a story, and to do that well I’ve always had to work things out beforehand.“ — Slick Rick

Then there was the letter to the youth of the late 80’s “Hey Young World,” which I’ve written about in detail in the past:

“The average (young) hip-hop head in NYC in the late 80’s, early 90’s lived through some arguably wild shit. 1989–1993 saw the highest crime rates in the history of the city, teen pregnancy levels were at an all-time high, and the effects of the crack epidemic were everywhere. This was the breeding ground for much of the golden era that hip-hop heads revere so much. It was also during this time that Slick Rick addressed the youth of the time with his classic record.”

Rick did suffer some setbacks in the 90s after catching an attempted murder charge for shooting at former bodyguard — also clipping a bystander in the foot. However, Behind Bars, released during his incarceration, is in my top 50 records ever list, and his Art Of Storytelling LP was a cornerstone of my High School years.

All that to say, if you were born in the 90s, Rick hasn’t done very much for you. However, your fave artist with a storytelling style was likely influenced by another artist who was affected by the greatness of Ricky D. Lets revisit some of our fave cuts from his debut, below.

Salute.

Riley here — father, artist, videographer, professional writer and SERIOUS hip-hop head. I'm a member of the Universal Zulu Nation, and I think everything is better on vinyl. Add me on Twitter! @specialdesigns
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Heavy Hitters’ DJ Flee is About to Takeover

28-year-old DJ Flee, also known as Bodega Flee, is one of the hottest new tastemakers in Hip Hop. The Uptown…

28-year-old DJ Flee, also known as Bodega Flee, is one of the hottest new tastemakers in Hip Hop. The Uptown New York Dominican is a lustrious member of the legendary Hip Hop faction, The Heavy Hitters (DJ Enuff, Tony Tone). The former Basketball player made a name for himself in the city with his signature Uptown sound and irreparable tricks on the turntables.

Discovered by the same legends responsible for presenting the world to today’s legends from across the U.S. like DJ Felli Fel, Bootleg Kev, and Peter Parker. Flee has quickly become one of the most notable faces of the brand with his fast-growing fanbase and credible ear for breaking the undeniable next superstars to the East Coast.

Through his journey in radio, Flee has had the opportunity to discover plenty of new genres of Hip Hop that would help transform his style. Experimenting with trendy genres like Dirty South and Gangsta bouncing West Coast with a blend of his Dominican roots.

In Boston, Miami, Orlando, and New York, Flee is the most sought-after radio DJ in the ever-changing broadcast market. Keeling the prestigious pride and name of the Heavy Hitters brightly lit outside of the East Coast. Artists like Zoey Dollaz can credible a large amount of their popularity to DJ Flee’s exposure.

Hard work, dedication, experience has earned DJ Flee the tastemaking position he firmly sits in within today’s Hip Hop. Ready to transition himself into superstar status, the promising DJ continues to develop a signature style that infusion the old school traditions and new school evolution to the East Coast. Heatseeking, DJ Flee is easily becoming one of the biggest DJs in Hip Hop today, honestly, it’s only a matter of time before he is the biggest DJ in today’s Hip Hop. So stay tuned.

DJ Flee’s journey continues on, follow the Heavy Hitter sound today via Instagram and Twitter.

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@KorleonKOJ – “Motion”

Today RichBoy Ent. CEO and founder Korleon aka “The King of Jackson (K.O.J).” releases his new song, “Motion,” debuting the new track with a music video on YouTube.  Released just…

Today RichBoy Ent. CEO and founder Korleon aka “The King of Jackson (K.O.J).” releases his new song, “Motion,” debuting the new track with a music video on YouTube.  Released just in time for Memorial Day, the highly anticipated music video for “Motion” precludes a host of releases by the ATL veteran by way of Jackson, Mississippi. Hoping to continue the momentum, Korleon will drop his mixtape The Four in the coming weeks, which will be followed up by Strictly 4 My Sippers this Summer.

Basically I’m just tappin in with the ladies. They rock with me and I rock with them equally so I felt I needed to satisfy my female fan base and cater to them. I wanted to create something that they could vibe to and something where I remained true to myself,” Korleon K.O.J. explained. “I feel like it’s a way better look for me to be with 7 different women in all shades and colors around the city, rather than me rolling around with 20 of my ni**as.”

Within the last two years Korleon launched a new studio in Atlanta called Walker St. 2.0 where his RichBoy Ent. team has been building a movement. To date Korleon and his team have recorded a host of artists including multi-platinum artist Slim Jxmmi of Rae Sremmurd, Mase, Jose Guapo, Big Bank Black and of course D4L’s Fabo.

“We opened back up the studio in March of 2017, we’ve had a lot of indies, superstars and its just been a blessing, I’m just glad that we have been able to make it happen. Its been a whole host of people to record there over the past few years,” Korleon said of his studio. “Of course me and Fabo been working on music together and I got The Four project that will preclude the Strictly 4 My Sippers project. I got the visual coming for Colorado soon and I got some stuff coming up with DJ Twin in the immediate future sometime in July.”

K.O.J. is often seen touring alongside and has frequently collaborated with on tracks with Fabo, who he says is his brother and day 1.

“Fabo my brother, Giksquad! Those my brothers. We been down since day one and we gonna be down forever, that’s my brother. He stays booked out and if you go through the archives, I’m at most shows, so it’s really just mores what’s continuing to go on. We were at Rolling Loud and everything, he stays booked.”

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#IndieSpotlight: Major D-Star Drops Off “Stack Pray & Stay Out The Way” Visual

Gotta love when an artist you like drop a project you’re feeling, and proceeds to give a visual identity to…

Gotta love when an artist you like drop a project you’re feeling, and proceeds to give a visual identity to the records you were feeling the most. That’s the case for AAHH mainstay Major D-Star; after releasing his long-awaited Trap Star  mixtape back in February, he is dropping off “Stack Pray & Stay Out The Way,” a song I personally described as an illustration of his immense focus on his “current hustle of choice, music.”

RECENT: Major D-Star Drops “Trap Star” Mixtape

The video, like his others, delivers on quality. Directed by Wally Woo, with a multitude of scenery interspersed around a loose storyline of himself working as a mechanic — which he playfully describes as his way of “stacking and staying out the way” in the into — it gives ample life to one of his project’s most infectious earworms. If you have yet to bump his full mixtape, go ahead and click here; either way, press play on this catchy little banger, below.

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#IndieSpotlight: Silas Luster’s “W.A.V.” Is A Slice Of Subversive Goodness

Provincetown, Massachusetts, MC Silas Luster released a brand new EP W.A.V. on March 29th that I’ve meant to share my…

Provincetown, Massachusetts, MC Silas Luster released a brand new EP W.A.V. on March 29th that I’ve meant to share my thoughts on, but to be honest, it was a dense listen. Not in an unapproachable way, mind you. Instead, it’s like an onion made of many, discussion worthy layers, painted atop lush soundscapes that are (at points) reminiscent of OG EL-P production from the early Def Juxx days.

RELEVANT: Getting To Know Provincetown Artist Silas Luster

 
The EP kicks off with “Sion,” which starts with his wordy flow over a head-nodding instrumental that switches up halfway through, into this bongo drum pattern over which he drops the strongest verse easily on the project; I’d love to see it live. “Diewittit” is another song that I found myself revisiting over and over. His cadence and rhyme schemes at times have this loose appeal that reminds me of the Freestyle Fellowship-esque aura that dominated college radio in the 90s.

 
He speaks a lot about his journey, and also a lot of spiritual topics — from the universe to putting meditation over medicine. It’s a lot to unpack, in a good way. You can hear the spoken word elements that seem to be the backbone of his bars — check the acapella interlude “What’s Love?” as a great example of what I mean.

The almost haunting chorus on “O.S.H.N” wasn’t necessarily jarring but did set the song apart as a black sheep of the EP. Not that it’s a bad song — it’s one of the strongest tracks — but, it’s just a different vibe that stuck out to me.

Overall, I dig this EP a lot. If you find yourself a little inundated with the sea of Lil rappers, and the endless sea of meh that often dominates the mainstream consciousness, Silas offers up a slice of subversive Hip Hop. It’s music crafted to both cathartically get things off of his chest and also get your thinking — depending on your aptitude on some of his topics, maybe even get you googling and reading shit.

He is currently touring throughout New England and the Tri-State. Check the schedule.

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