Editorial, Main

“Flower Boy” Should Have Won Best Rap Album

Allow me to begin with the obvious: I have nothing but love for K. Dot and I cannot think of…

Allow me to begin with the obvious: I have nothing but love for K. Dot and I cannot think of anyone in mainstream hip-hop who deserves more respect than he does. Overly Dedicated and Section.80 are criminally underrated projects. good kid, M.A.A.D. city is a triumphant work of conceptual art. I do not think it is out of line to declare To Pimp A Butterfly one of the top 20 albums of the last decade. Most recently, DAMN. earned Kendrick Grammy nods for, among other categories, Best Rap Album and Album of the Year. He won the former and, in a sad yet unsurprising turn of events, Bruno Mars took home the latter.

Now, to be clear, I love DAMN. I think it includes some of Kendrick’s most brilliant material to date: “DNA.,” “ELEMENT.,” “FEEL.,” “FEAR.,” “DUCKWORTH.,” and the first two and a half minutes of “XXX.” (I hit skip as soon as I hear Bono’s voice). Unfortunately, I think it also includes some of Kendrick’s weakest material to date, namely “LOYALTY.” featuring Rihanna and “LOVE.” featuring Zacari. Alternatively, the album that I think should have earned the honor of Best Rap Album, Tyler, the Creator’s Flower Boy, is just about flawless.

The hype for the Odd Future founder’s fifth full-length project began when he dropped arguably his two best singles to date: “Who Dat Boy” featuring A$AP Rocky and “911/Mr. Lonely” featuring Frank Ocean and Steve Lacy. The former is an outlandish banger anchored by a cinematic string section and Tyler’s incredible charisma. The second track rides a funky, soulful instrumental and showcases a vulnerable Tyler as he addresses the extreme loneliness with which he has struggled since achieving superstar fame. From an instrumental perspective, the third Flower Boy single, “Boredom,” is Tyler’s masterpiece. The chugging drums, melancholy keys, and blissful violins that conclude the track put Tyler’s genius on full display. The fourth and final hype track, “I Ain’t Got Time,” is a hand-clapped, throttling solo effort which reminds the listener that Tyler truly operates in his own lane.

 

As much as I love these four singles, the remainder of Flower Boy is far from filler. The opening track, “Foreword,” sets the tone for the album with some of the strongest bars Tyler has dropped in his career: “How many cars can I buy until I run out of drive? / How much drive can I have until I run out of road? / How much road can they pave until I run out of land? / How much land can it be until I run in the ocean?” With guest vocals from Kali Uchis, “See You Again” is a masterfully layered track which features gorgeous harmonies and one of the best rap flows in Tyler’s catalogue. Perhaps the most discussed song in the tracklist, “Garden Shed” is a delicate, confessional ballad on which Tyler solemnly addresses his deepest insecurities.

I could go on and on about all fourteen tracks on Flower Boy, but I think you get the point. It is a revealing and sonically diverse exploration of fame, depression, and identity that demonstrates Tyler, the Creator’s immense talents as a rapper, songwriter, and producer. It is a landmark in both a career and a life, and it is better than DAMN.

I am an economics student at The University of Massachusetts Amherst. Beyond my studies, I work as a DJ at the university radio station: 91.1 FM WMUA Amherst. Back in July, a good friend of mine launched a political debate website called The Dialectic, where I currently work as a staff writer and the Editor-In-Chief. I love all genres of music - everything from hip-hop to post-rock to hardcore punk. Aspiring writer. Avid reader. Coffee addict.
Main, New Music, unsigned hype

Jae Mansa – “Blessings” Ft. Tee Grizzley

Today, Jae Mansa debuts a hypnotic trapped out jam called “Blessings” featuring “First Day Out” rapper Tee Grizzley and UK…

Today, Jae Mansa debuts a hypnotic trapped out jam called “Blessings” featuring “First Day Out” rapper Tee Grizzley and UK rapper SL on the hook. The song finds the group perfectly riding a celestial beat while they stay on their rap game hustle.

“We’re blessed to be in the position that we in today,” says Jae Mansa. “We could be doing worse. We switched up our lifestyle and grateful we’re able to do music. Touch the people. Everything is a blessing, people out here starving. We stay humble while we doing it. Everything we drop we just hope it do better than the last. We trying to grow.”

“Blessings,”follows the release of the duo’s latest album Yung Kingz available now via their distribution deal with Roc Nation. The album has gained over 6 Million plays on Spotify alone and features the singles “Fate” and “I Swear.”

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Main, New Music, unsigned hype

@camjamesraps – “Shoot”

Today rapper Cam James releases his new single “Shoot” which is an infectious Summer anthem pushing women to make the…

Today rapper Cam James releases his new single “Shoot” which is an infectious Summer anthem pushing women to make the first move and shoot their shot.

Rising from dorm rooms to major stages, culminating in selections for some of the largest national music festivals in the late 2010s (A3C ’16, SXSW ’17), Cam James has made great strides in a short period of time.

“It’s a story from beginning to end,” Cam James said. “We’re capturing listeners from the jump and giving them a ride through the song’s super-relatable party scenario.”

With a bouncy, soul-tinged backdrop produced by THAIBEATS and an accompanying self-directed music video inspired by the 2001 Black cinema classic Brown Sugar, this is a track that’ll get stuck in your head for weeks.

Influenced by Nas, OutKast and 90’s R&B and using that as a foundation to build his own sound 2011 at Georgia Tech, he started turning his spoken word pieces into raps. These rough and unpolished sessions became cohesive solo projects over the course of six years and five independent projects.

Following his first TV placement on BET’s Being Mary Jane in September 2017, he announced his independent sophomore album, leviTAPE.

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Main

Vevo and YK Osiris Release Live Performance of “Worth It”

Vevo just released a live performance from their newly announced LIFT artist YK Osiris. The 2019 XXL Freshman from Jacksonville,…

Vevo just released a live performance from their newly announced LIFT artist YK Osiris. The 2019 XXL Freshman from Jacksonville, FL artist performs an intimate version of his Billboard Hot 100 hit “Worth It.”

The premiere of “Worth It” is the first of three pieces of content Vevo will release as part of YK Osiris’s LIFT campaign. Vevo’s LIFT initiative connects today’s up-and-coming artists to audiences around the globe through video content. Launched in 2011, Vevo’s artist development program shines a spotlight on the world’s freshest new talent. Vevo LIFT alumni include the likes of Sam Smith, Halsey, Khalid, Jorja Smith, SZA, Julia Michaels, Billie Eilish and CNCO.

Stream it, below.

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Main

It’s Treezus Season: The DC Rapper Is On A Run

The summer season is in full swing, and Washington DC’s Treezus — part of the international arts collective Yellow Cloud…

The summer season is in full swing, and Washington DC’s Treezus — part of the international arts collective Yellow Cloud — has been making some season buzz with his pack of recent singles, “IB2” and “Brainfood, both of which have received dope (AnxiouStoner filmed) visual treatments.

https://www.instagram.com/p/BwfyqtEhFRF/?igshid=12ljyf5t2nr6a

The Birdie Bands produced “IB2” has an insanely eclectic vibe; Treezus’ wildly unique cadence, with peppered pockets of rapid-fire delivery, body the beat. The visual, which was shot throughout Italy (Venice, Naples, a farm in Tuscany and Florence) offers breathtaking scenery, with a dizzying pace that rarely lets you break the engagement. The Hidden Oasis banger “Brain Food,” a smoking anthem (originally released on 4/20) was appropriately shot in Amsterdam. This record gives this strange Bone Thugs vibe as he goes in with his machine gun flow during the latter half of the verse. It’s actually captivating.

Relevant: Work Fi Mi: An Interview With Yellow Cloud

The visuals were directed and edited by Treezus himself; and both really take the songs to new heights, in my humble opinion. The music we’ve featured in the past definitely range in terms of the aesthetic, but real talk, Treezus is more than in his element — and the international story arc he’s on is making his brand sparkle.

Check out “IB2” and “Brain Food” below.

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Sonny Digital Drops Off Two New Tracks: “Keep It Real” and “Love My Plug”

Sonny drops “Keep It Real” and “Love My Plug” featuring recurrent collaborator Black Boe.

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