Main, Reviews

Did Denzel Curry’s Ta13oo live up to its hype? (mostly)

During the week of July 23rd, Denzel Curry (aka Ultimate Denzel Curry aka Zeltron aka Aquarius Killer aka Denny Cascade…

During the week of July 23rd, Denzel Curry (aka Ultimate Denzel Curry aka Zeltron aka Aquarius Killer aka Denny Cascade aka the Black Metal Terrorist) dropped his long-awaited album, Ta13oo.

According to Curry’s Twitter, he waited 13 months to drop the project that had been ready for the shelves since 2017, building up hype and making multiple public statements on the state of Hip Hop culture during the interim. Ta13oo serves as a follow up to the well-received album Imperial which was first released as a free album on Soundcloud and then tweaked for major distribution in 2016.

When news came that Curry’s album was going to drop the Carol City emcee claimed that it would be a game-changing album designed to shake up the rap world. To further differentiate himself from other artists he dropped the album in three parts (or acts) on three different days. Each act was labeled Light, Gray, and Dark respectively. And as if this wasn’t enough of a statement in itself, Curry further promoted his album by dropping the highly sophisticated single and video “CLOUT COBAIN | CLOUT CO13AIN” a week prior; a song that is designed to be an introspective and critical examination of dangerous trends in Hip Hop and the commoditization of the modern artist.

Upon my first listen I was surprised to hear how different this album was compared to Curry’s previous work. Act One: Light, packs in his smoothest and most positive songs at the head of the album; leaving the listener unprepared for the dark turn it quickly makes. And while the title track that opens act one is a sad love song that drones about a girl who has suffered abuse and touches on the idea of our society’s taboos, it hails in darkness compared to supercharged songs like “BLACK METAL TERRORIST” that finish out the album. Act Two holds some very impressive bangers reminiscent of Imperial’s first version, including my favorite track “MAD I GOT IT,” which describes envy from different perspectives while stomping over a bass heavy, head pounding instrumental produced by pop outlet Hippie Sabotage and Finatik N Zak.

Unfortunately, at this point in the project, a lot of songs sounded very familiar. If you were on the edge of your seat waiting on this project to drop like I was, you know that most songs were released as singles even before acts One Two and Three came out. In fact, six of the project’s 13 songs were dropped beforehand which made the scattered album drop feel awkward and spread out; especially since each four-song act dropped separately in the midst of all these singles. On Friday the 27th every single and act were reverted back to one album on all major streaming platforms and remain that way now.

 
Despite its awkward and fragmented release, Ta13oo is a much better listen when similar to grayscale with Denzel’s anger and social commentary growing more and more intense as it progresses; eventually combining to become a dark, dark album. Zeltron fans probably expected this after his EP, 13, dropped last summer, giving us six tracks of absolute insanity. The EP was hyper-aggressive in production as well as lyricism with songs like “Hate Government” and “Heartless,” that foreshadowed Ta13oo’s approach and sound.

The project does shift gears away from Denzel’s older music, especially my favorite Curry project to date: Planet Shrooms. Planet Shrooms was a bold and experimental project that used unconventional beats and vocal distortion to display its psychedelic themes and imagery. It sounds like a rap album from the future- with imagery describing drive by’s on hoverboards, green colored guns, and an obsession with the year 2077. This EP was also stacked with features from some of Curry’s go-to guys like JK the Reaper and Nell who added some of the project’s most memorable bars and supported Denzel’s phonkiest, most out there tracks. Much of the production also included live instrumentation which really made it stand out and feel extremely advanced for a free project released on Soundcloud- where it remains exclusively today.

The HiphopDX community rated Ta13oo a bit above 4.5/5, and overall the project has been very well received by fans and reviewers. I think this album did live up to its hype and will age better than 2018’s other notable releases because of its lyrical complexity and flawless production. Stream the album today and check out the provocative video for “Clout Cobain” if you haven’t already.

Currently obtaining my undergrad for Film & Media Studies in beautiful Tampa Bay Florida, I love hiking, biking, rock climbing, surfing, and most importantly: hip hop. My favorite rapper is MF DOOM and my top writer is Hunter S. Thompson.
Related Articles
Reviews, unsigned hype

“Play To Win” Is A Celebration Of Getting Over And Going For The W

A new EP that landed on our desk this week is Play To Win by Dre Steelo. Hailing from Michigan,…

A new EP that landed on our desk this week is Play To Win by Dre Steelo. Hailing from Michigan, Dre dives head first into a sea of familiar soundscapes but manages to distinguish himself sticking to not only a decree of keeping it real with those that matter most but also an endearing level motivation to rise above, layered over a humble base of blessings that he is more than aware of.

Sitting at 6 tracks, the album’s production is tightly curated, keeping the vibe consistent — but varied enough so that there isn’t time to get bored at all. The project starts off strong with the salute to his team “Don’t Matter” produced by Aham — who produced “I Can Tell” from his 2018 effort Over Tha Top. Here he drops introspective gems like he doesn’t have friends — but rather brothers — and a reminder that he’s from the (bottom) bottom. He follows up with the determination anthem, “Win.”

“I Know,” with its hard drums and dope muffled looped up sample has a more reflective aesthetic about it, as he gives everything he overcame before putting it all into the bars. “Let em knwo you human,” he says on the chorus, referencing the track’s slightly more personal touch.

The album project ends off with the massive “Miracles,” which caps off what stands as a strong collection of tracks to add to his already impressive catalog. Winning by adding personality and unique perspective to an already surfable wave, he manages to command attention without fading into the baseline. He has come a long way, and in many ways, Play To Win is a reflection of that, as he sorts out trust issues, comes to terms with truths, and does his best to get where he wants to ultimately be.

Check out Dre Steelo’s Play To Win, below.

Continue Reading
Featured, Main

Last ‘On The Cusp’ Playlist Of 2018

On The Cusp is a living playlist dedicated to showcasing the buzzing new music on our radar — as curated…

On The Cusp is a living playlist dedicated to showcasing the buzzing new music on our radar — as curated by our writer Riley Wallace. For all inquiries and submissions, hit up the playlist’s official Twitter feed.

This week’s cover artist is EverythigOShaun.

Continue Reading
#IndieSpotlight, Main

#IndieSpotlight: Dylan 333 Is Breaking The Mold

Some follow the obvious that optically appears to be the most comfortable; North Carolina native Dylan 333 is breaking the…

Some follow the obvious that optically appears to be the most comfortable; North Carolina native Dylan 333 is breaking the mould. With only a month having elapsed since he first decided to try his hand at a career in music, he managed to amass some admirable number and gain the attention of one of the SoundCloud generation’s most notorious influencers, Adam22.

“The first week of my second song release — ‘Drum Talk’ — I caught the attention of Adam22 [nojumper] and was posted on his live stream,” he tells AAHH. “He reposted my song on Soundcloud and that instantly gave me the boost I needed.”

https://www.instagram.com/p/BryY1HZDPqc/?utm_source=ig_web_button_share_sheet

The attention earned him an invite to freestyle on the famed Most Wanted Radio on North Carolina’s 72.9. “[That appearance] gave me a local/regional platform in my city to build on,” he says. His first 30 days in the game saw him earn 50,000+ (organic) plays, 5,000+ likes and features on Funkmaster Flex’s Facebook and Tokyo Tonis Instagram — and even a like by JuiceWrld which is akin to proof of attention.

“I also have struck a distribution deal with AWAL where I can get my music out to performance centers and all major platforms,” he adds proudly. All quite impressive for a young upstart with four songs to his credit — all of which he produced and recorded independently in his bedroom. There is also a lot of foresight on his part, as he’s launched his own imprint, 333 Records, which is the primary owner/publisher of his music.

Born on the island of Jamaica, and later relocating to North Carolina, Dylan describes his sound as a mixture of dancehall and American rap. “[That blend] makes me sound extremely different from other artists,” he says proudly. “I started off as a producer so when it came to the point of me creating (my own) music I could produce myself without any help.

https://www.instagram.com/p/BrqkiZbjP0H/?utm_source=ig_web_button_share_sheet

 

With the recent success energizing his grind, he reveals to AAHH that he is currently working on his debut album, which he plans to release in 2019 — though he has no set date.

“My goal is to come into the game and actually change it,” he says humbly. “I want to inspire people to try out different things instead of investing all their money into education.”

Continue Reading
Featured, Main

Last ‘On The Cusp’ Playlist Of 2018

On The Cusp is a living playlist dedicated to showcasing the buzzing new music on our radar — as curated…

On The Cusp is a living playlist dedicated to showcasing the buzzing new music on our radar — as curated by our writer Riley Wallace. For all inquiries and submissions, hit up the playlist’s official Twitter feed.

This week’s cover artist is EverythigOShaun.

Continue Reading
More in Main, Reviews
Han Sino Drops His Opus ‘Exquisite Gardenz’

There is something inherently perfect about the right soundtrack for your movements at the right time. In a wave of...

Close