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Twondon Drops Anticipated EP ‘Paradise Isn’t Free’

“TwonDon continues to show and prove that he refuses to die a “nobody.” He plans to work hard until reaching…

“TwonDon continues to show and prove that he refuses to die a “nobody.” He plans to work hard until reaching a point (paradise) where he can reap the fruits of his labor. Unfortunately, Paradise Isn’t Free.”

Baby Twon floating in a sea full of big bucks, expensive car keys, a rollie, a girl’s number, and note that reads “R.I.P Kenny,” are all ingredients that create this eye-catching cover-art to Paradise Isn’t Free by New Jersey rapper TwonDon (artwork by @KoyoDesigns). This symbolic cover art also gives clues to what this EP might entail right away.  This EP tells a story from beginning to end–taking you through the motions of feeling dispirited, zealous, grievous, motivated, proud, and whatever other emotions that triggers within you. Coincidently, I found myself listening to this EP on a Thursday evening after a discouraging day of work, and after hearing the last track ‘Successful” I was fueled with confidence for the rest of the night. With no TV or phone distracting me (besides a few tweets sharing how fire some tracks were), TwonDon and I vibed out song for song via SoundCloud.

As soon as I heard the intro begin with a reversed melody looping in the background, I grabbed my pen and paper and began breaking down this EP. With the excitement and anticipation revolving around this project, it was only right that the writer within me shared this EP through my own interpretations. With the masterminds of John Sparkz and Frankie Metalz, it is clear that this EP was well thought-out and created. Take a listen to each song as I break down the latest EP, Paradise Isn’t Free from well endowed rapper, TwonDon.

Track 1– Paradise Ave

Begins with high-energy, reversed-powerful vocals played in the background–it sounds like struggle mended into a beautiful melody. I called this song the breaking free song because TwonDon speaks on “birthing a new nation”–shaping a new idea of what it means to reach paradise. Twon mentions heavy lines like, “Holy water, I bathed in it” and “40 acres and my reparations, because my n*ggas slaving. TwonDon is demanding his respect and calling for his hardwork to finally pay off. Twon in some ways, paints images through his lyrics, of what his paradise should be like.

Track 2– My City (201)

This track embodies the idea of putting on for where you come from. TwonDon drops the line, “I can make a mil without a scholarship..” and hailing from the urban parts of the east coast (Jersey), it isn’t hard to understand what Twon means by that line. Being a part of an urban environment, you are forced to work harder than most to reach “paradise.” TwonDon even name-drops Max B and Pimp C, (two well-respected rappers), who have concretized their environments, and what it means to be hood-rich and stunt. TwonDon repeats, “Everything I do be for my city” and it is clear that he understands the necessity to pay homage to the place that made you.

Track 3 Jennifer’s Song

The recognizable melody “Do you mind if I stroke you down, I don’t mind” by classic R&B group Changing Faces, over a more up-tempo beat, sets a totally different tone for Paradise Isn’t Free. With TwonDon coming in with his most salacious sound yet, he serenades the beat with quotable lines like, “Promise you’ll get it as long as I get it, get it in all through the night.” Twon definitely shows his grown and sexy side by portraying his ability to wear his heart on his sleeve, and pursue a woman. ‘Jennifer’s Song’ makes me believe there is some connection to the phone number written on a note, on the cover art of this EP. Maybe Twon can’t envision his paradise without a lovely lady by his side?

Track 4– Black Bar Mitzvah featuring Dessy Hinds (Pro Era)

We already cracked the inside scoop on this phenomenal track weeks ago. Click here to find out what we thought about ‘Black Bar Mitzvah

Track 5 – Lately

In 2017 it isn’t common to call out “fake love” when you see it (thanks to Drake). Twon is unapologetically claiming his spot in this one with hard-hitting lines like “Fake love is all they show” and “Marshall Law, bring it to n*ggas door.” TwonDon lets it be known that he will not be slept on, and will work hard to claim a spot in “paradise,” (even with it’s price). Mentioning Marshall Law is a heavy metaphor–Twon isn’t playing with letting the world know who he is, even if that means taking over the game with a new order. Lines like “Sat with God, wrote my fate” solidifies that Twon believes that through faith and himself, his destiny is ineveitable.

Track 6Supreme featuring JAG

Now this here is the IDGAF track. Twon’s energy is high and consistent throughout his entire verse. This track is up-tempo and raw to the point where you need to let that bitch breathe. Twon comes in crazy with lines like “Told me to pick Malcolm or Martin, I’ll pick the balcony later”–showing that he’s not here to play nice when it comes to leaving his footprints in the game. TwonDon is gifted in showing the rawness and versatility of his lyricism and content–he has great control over his energy and tonality. The beat slightly changes and becomes more gory as JAG comes in throwing crazy metaphors that may go over your head at first, but makes you chuckle as well. JAG’s style of rap is distinctly different from Twon’s, but they both portray confidence over cockiness, in their own right.

Track 7– Successful

Connecting to the style of the first track ‘Paradise Ave,’– ‘Succesful’ comes in with a mellow-subtle voice singing in the background, reversed. This time sounding more euphoric and relieved in a way, this song gives the listener an immediate feeling of  resilience. The title ‘Successful’ couldn’t speak more clearly to what the track is about. Every lined rapped makes you feel that you still have a chance at success no matter where you come from, or what you are going through. “The journey to your dreams can have you feeling stressful, but we just dying to be successful.” Twon mentions the obstacles he overcame, as well as close friends, and how he kept believing in himself, and instilling drive in others. After listening to ‘Successful’ it is likely to feel inspired and determined to beat the odds. Twon makes it clear that his success will be a “paradise” that is created especially for him. He may have to pay the price of being judged, losing friendships, being hated on, and staying true to himself when others make him feel other wise, but in all, it may be a price that has to be paid.

TwonDon continues to show and prove that he refuses to die a “nobody.” He plans to work hard until reaching a point (paradise) where he can reap the fruits of his labor. Unfortunately, Paradise Isn’t Free.

Paradise Isn’t Free available now on Soundcloud, iTunes, and Spotify!

Follow TwonDon on Social Media @TWONDONUC

Listening party for Paradise Isn’t Free EP is set to take place June 3rd, 2017, in Newark, NJ at secret location via @WolfJuiceShop. Hit up Wolf to RSVP!

Amber Corrine or call me AC, (its fine) lol. YouTube personality| videographer-singer-writer-photographer. I like to dabble in all kinds of media. I am a two-time college grad and I run my own beauty&lifestyle website www.ambercorrine.com
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2nd Annual Milk and Cookies Music + Food Festival Re-Cap

This past weekend was definitely one for the books! The highly anticipated 2nd Annual Milk and Cookies Music + Food…

This past weekend was definitely one for the books! The highly anticipated 2nd Annual Milk and Cookies Music + Food Festival kicked off on April 7th at 787 Windsor in Atlanta. The event highlighted well-known locals along with some big names from the music industry. There were also tasty food and dessert trucks that served ticket holders all evening long.

The event started with ATL native, Dj Decoteau of Bae Worldwide; following Tim Gunter who both ripped the turntables as the venue began to fill up. Later, Summer Walker, the first female artist of LVRN, took to the stage to perform for her very first time. Energetic local talent Bosco, came out jumping as the crowd went wild. After her epic performance, I was able to steal a quick question from her. I asked how she’s feeling at this point in her music career. Bosco stated she’s feeling super inspired and excited for her career. She also talked to me about who in the music game influences her. It wasn’t a surprise when she dropped names such as Erykah Badu and Lauren Hill and of course loves her indie artists.

Sahbabii followed, tearing the stage down with their mega hit “Pull Up With Ah Stick” and “Purple Ape.” Their hype man brought out a life-size blunt that filled the sky with a purple haze that surely set the tone for the rest of the evening. When ATL native Xavier Omar hit the stage next, he started with a rendition of the infamous “Pokémon Go” track. He then brought out some major R&B vibes when he performed his hit “Blind Man” and his band was definitely one of a kind.

Around 7pm, the sun disappeared and chilling temperatures and rainfalls came as a surprise. However, none of that stopped the amazing Singer, Songwriter Alina Baraz when it was her time to shine. Her album The Color of You that debut just one day prior to the Milk and Cookies Music Festival was in perfect timing. She performed two songs from her album and some good throwbacks.

“I want my fans to know I love and thank them very much for all the support they have shown.”
—Alina Baraz

Hours before she took the stage, she held a private meet and greet with her fans that were in VIP. Right before her team shuffled her back to her trailer, I was able to grab a quick interview. I was curious where her inspiration came from for her new album; Baraz mentioned how she didn’t necessarily have a plan for the album, stating she would go into the studio and let her vibes do the writing. Her album is based off things that have happened from her past. I asked Baraz what is one thing she wants her fans to know; she said “I want my fans to know I love and thank them very much for all the support they have shown.”

The last to perform was none other than Tory Lanez. After just playing one song, his humble spirit wouldn’t allow him to continue performing on stage while the crowd stood in the rain. Lanez continued his set while jumping into the hands of his screaming fans and standing on speakers. He shut the stage down with songs from his 2nd album Memories Don’t Die which released March 2nd. He also reminisced with the crowd while performing hits “Luv” and “Say It.”

To go along with the great music vibes, there were mouth-watering treats and culture filled food trucks. The menus consisted of everything from funnel cakes and hibachi grills on wheels, to curry chicken and of course cookies and ice cream. There were also local graffiti artists in attendance that added their touch to the former steam-boiler manufacturing facility turned industrial art space which is now called 787 Windsor.

It’s safe to say that the 2nd Annual Milk and Cookies Music + Food Festival was a total hit! Despite the weather, everyone, including the artist truly enjoyed the entire event. I’m sure we’ll all be anticipating the 3rd year, as well.

Below, catch some shots of some of the artist who performed!

2nd Annual Milk and Cookies Music + Food Festival Re-Cap

2nd Annual Milk and Cookies Music + Food Festival Re-Cap

2nd Annual Milk and Cookies Music + Food Festival Re-Cap

2nd Annual Milk and Cookies Music + Food Festival Re-Cap

2nd Annual Milk and Cookies Music + Food Festival Re-Cap

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“My Dear Melancholy” is Bone-Chillingly Beautiful

Judging from the dark subject matter that has typified Abel “The Weeknd” Tesfaye’s catalogue to date–which includes rampant drug abuse,…

Judging from the dark subject matter that has typified Abel “The Weeknd” Tesfaye’s catalogue to date–which includes rampant drug abuse, his struggles as a homeless young-adult, and suicidal thoughts–few could have guessed that it would be his short stint with a former Disney Channel star that would leave him at his lowest. The Starboy crooner leaves little to speculation on his latest commercial release, My Dear Melancholy, a succinct six-song EP inarguably based on the fallout after his recent fling with pop star Selena Gomez. 

While The Weeknd’s anguish seems genuine and makes you feel for the guy, it’s impossible to ignore the glaring irony in his recent complaints, one, given Gomez’ goody-two-shoes persona, and even more so given the overtly misogynistic lyrics that Tesfaye is so well known for. Here are a few in case you need a reminder (no pun intended):

From the track “Party Monster” off of Starboy: “Woke up by a girl I don’t even know her name.”

From the smash hit “The Hills” off of the 2015 release Beauty Behind the Madness: “I only call you when it’s half past five, the only time I’d ever call you mine.”

Later on the same track, “I just fucked two bitches ‘fore I saw you.” 

Lastly, on the track “Reminder,” also off of Starboy: “When I travel ’round the globe, make a couple mil’ a show, and I come back to my city, I fuck every girl I know.” 

With that being said, musically, My Dear Melancholy is bone-chillingly beautiful. The Weeknd returns to his dark and cavernous House of Balloons roots on the project while still maintaining his newfound pop sensibilities. Rattling bass, slow, driving percussion, and subtle, haunting synths and keys cproductions. The production on most of My Dear Melancholy leaves room for Tesfaye’s vocals to take the driver’s seat, unlike that of the brighter and grandiose Starboy. From a lyrical standpoint, the EP is peppered with moving, weighty bars:

Off of “Wasted Times:” “I don’t wanna wake up if you ain’t laying next to me.”

Off of “Call Out My Name,” the opener: “I almost cut a piece of myself for your life,” a reference to Gomez’ recent search for a kidney donor

Tesfaye saves the best for last, providing the most melodically beautiful and lyrically clever portion of the EP on the closing track “Privilege,” as he repeats in a despondent, Vocoder-enhanced tone: “I got two red pills, to take the blues away.”

It is hard to deny the allure of much of The Weeknd’s work, regardless of lyrical content, due to the singer’s angelic voice and cutting-edge production. On My Dear Melancholy, Tesfaye achieves success from both a melodic and lyrical standpoint, substituting (for the most part) tales of apathetic sexual encounters for raw, vulnerable descriptions of his recent struggle with heartbreak. The Weeknd has finally found the middle ground between his groundbreaking, alt-R&B House of Balloons project and the poppy, Funk-infused Starboy. Lastly, to those Weeknd Stans worried about the Toronto star returning to normalcy, the singer explains on “Privilege:” 

“And I’ma fuck the pain away, and I know I’ll be okay…But I’ma drink the pain away, I’ll be back to my old ways.” 

Not to worry people; the Abel we’ve come to know, and love isn’t going anywhere.

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Cardi B’s Debut Album “Invasion of Privacy” Is Out Now

It’s almost a week since Cardi B’s debut album, Invasion of Privacy dropped. Her fans, the Bardi Gang, are more than…

It’s almost a week since Cardi B’s debut album, Invasion of Privacy dropped. Her fans, the Bardi Gang, are more than pleased with the LP, which has aldo managed to make those who weren’t fans, into new ones..

“I like proving niggas wrong, I do what they say I can’t,” raps Cardi B on “I Like It”

I can’t think of an artist that has had as bomb a breakout year as Cardi B has. She gave us the summer 2017 hit, “Bodak Yellow,” and since then, she’s been on the Billboard charts back to back (to back). The last ten months have been especially great to her, let alone this week. After releasing Invasion of Privacy, Cardi revealed her pregnancy with rapper Offset on “Saturday Night Live”; also, she was the first person ever to co-host The Tonight Show Starring Jimmy Fallon.

Invasion of Privacy is an upfront look into Cardi’s everyday life. She’s confident, vulnerable and full of witty remarks. Laced into 13 tracks, the newly minted Quality Control management signee made anthems for the rest of the year. “Get Up 10” sets the bar for what’s to come on the project. Inspired by Meek Mill’s “Dreams and Nightmares” intro, Cardi’s version is also broken into two parts about her ascension to the riches from the rags.

As well, the album includes “Bartier Cardi” with 21 savage, which recently earned platinum certification, and is still doing numbers.

 

Cardi B money moves on this album show her versatility. She dabbles into the trap sound with “Drip” featuring the Migos, shows her confidence and positive vibes on “Best Life” featuring Chance the Rapper, and gets very personal with “Be Careful,” a track addressing an unfaithful partner/boyfriend. Cardi is not the one to mess with!

Social media pundit-turned reality TV star-turned rapper is a way of saying that this girl from the Bronx, is made of grind and determination. You don’t have to like her music, the way she talks, or her persona, but you have to respect her hustle. She came from the bottom and executed her way to the top.

Listen to Cardi B’s debut album below.

<iframe src=”https://tools.applemusic.com/embed/v1/album/1368105671?country=ca&at=11l4Qg&ct=invasionofprivacy” height=”500px” width=”100%” frameborder=”0″></iframe>

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Scottie Jax Is Prepping Posthumous LP To Drop In 2100

This man is intent on leaving a legacy.

You may not have heard of rapper/producer Scottie Jax, but he’s been on and cracking for the better part of the last decade. His first solo mixtape Plan For Tomorrow (from 2009) was hosted by the illustrious DJ Lazy K and featured verses from some of the game’s most respected: French Montana, Max B, Styles P of the mighty D-Block, and the late Fatal Hussein of the Outlawz. He’s since released numerous projects, beats tapes, and — shit — even a videogame last year entitled Ohio Hustler.

But, Scotty is intent on leaving a legacy.

The largely self-produced artist has a new album in the works, entitled Future History; mysteriously (and cryptically), he refers to is as the “Scottie Jax album you will never hear.” He notes in his release details that it’s set to release in the year 2100. “I feel that it’s not about the person who leaves the legacy, but the legacy itself,” he writes. “I will no longer be living, so the least I can try to do is make the world a better place than it was when I was living on it.” There is no word on the platform he will choose for this LP — as there’s no telling if they will still be around. We can only hope he drops the LP long before that.

In the meantime (the very long meantime) you can check out a large portion of his catalog via Soundcloud.

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