There Can Be More Than One, Right?

By now you’ve seen and heard the throwback magic that is Bruno Mars’ “Finesse” remix featuring Cardi B. After a…

By now you’ve seen and heard the throwback magic that is Bruno Mars’ “Finesse” remix featuring Cardi B. After a fantastic start to 2018 — being inducted into the elite group of artists to have their first three Billboard Hot 100 hits in the top 10 — many detractors are beginning to come around. Including me, to be honest.

It’s also given more fire to the Nicki Minaj is washed, and Cardi is (in fact) the new queen argument. Seven years of accolades aside, it’s hard to argue that she isn’t running shit at this moment. Nicki must feel some sense of competition, clearly, as her work ethic over the past few months has been hectic.

The question is, though, why does Cardi’s success automatically mean Nicki is washed? Without a defined head to head competition up for public judging, why does it feel like we can only have one female rapper in the spotlight. Let me clarify; there are LOTS of talented female artists out right now. But not many that are moonwalking across a mainstream plateau as high as Nicki and Cardi are currently.

We don’t do this to male artists. Well, we do, but not like this. In fact, I’d argue in the sea of extreme similarities and arguable mediocrity, and we give a lot of males artists a pass to shine in the same sky.

I think that perhaps I started to wrap my mind around this after hearing this mega-mix that melded a host of female artists on the “Finesse” instrumental. Nicki and Cardi back to back sound phenomenal. Like, the fact they aren’t putting together a collaborative EP — or at least a legit collabo (not a forced one like “Motorsport”) is a missed opportunity for Hip Hop in my humblest opinion. The fact that Kim and Foxy never did that was a missed opportunity for Hip Hop.

This isn’t Highlander. There can be more than one. Stop gassing up bullshit. Hip Hop is a competitive culture, but sometimes we just want to have fun, too.

Hopefully, 2018 will be the year that some of the most prominent female acts — again I’m squarely aiming this criticism at significant acts — can start forming super groups and collaborating like some of their male counterparts.

Riley here — father, artist, videographer, professional writer and SERIOUS hip-hop head. I'm a member of the Universal Zulu Nation, and I think everything is better on vinyl. Add me on Twitter! @specialdesigns
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World Premiere: Bhadwaiz Drops New Single “My Wave”

“When people hear this for the first time, I want them to take notice of what I’m trying to do and what lane I’m in.”

Ohio-based rapper Bhadwaiz likens himself as someone who brings hope to those around him; a shining example that following your dreams can pay off. “All I really wanna do is ride my wave,” he says confidently. Having generated some buzz on the Ohio scene for a minute, his first release of 2018, “My Wave,” is poised to take him to the next level.

“Straight to the point, I want this song to be the anthem for people who want to do their own thing, their way—and without any doubt,” he says. “This song is a mixture of contemporary and traditional hip-hop. When I say that, I mean the production is similar to what you hear today, but the lyrics are what makes the track stand out.”

“When people hear this for the first time, I want them to take notice of what I’m trying to do and what lane I’m in,” he continues. “I want people to appreciate this track in all aspects, and I know they will. I’m very confident if done right; it will be my breakout track, and I can’t wait for what’s in store after this.“

“My Wave” by Bhadwaiz will be available for purchase through iTunes — or whatever streaming network floats your boat. Check out the exclusive premiere, below.

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Kash Doll Drops New Mixtape ‘Brat Mail’

Detroit native Kash Doll has decided to surprise her fans with a special delivery on her birthday. The rapper releases…

Detroit native Kash Doll has decided to surprise her fans with a special delivery on her birthday. The rapper releases new mixtape, Brat Mail.

Kash started taking music seriously while working in the strip club as an exotic dancer. “I never really danced, Kash Doll tells The Fader. “I used to walk across the stage rapping songs, and they used to just throw me all the money.” She started gaining a buzz from her well-received single covering AV’s “Run Me My Money” and her 2015 mixtape, Keisha vs. Kash Doll. The next year, Drake slid in her DM to ask if she would like to perform at his Detroit stop on his Summer Sixteen tour. And Of course, she said yes. Her 2017 smash hit, “For Everybody” is one of my favorite tracks by the rapper. Inspired by Hype Williams’ film, Belly, Kash raps from a side chick and wife’s point of view which racked up over 10 million views via Youtube.

Kash Doll Drops New Mixtape 'Brat Mail'

The nine-track project features guest appearances from Natasha Mosley and Scrilla. Known for making boss moves and flaunting it in her lyrics, Kash reminds us why she’s up next up in the game. “My neck froze, it’s all ice/Put a ring on it, and name it Mr. Nice/His credit score 800, call him Mr. Right,” she raps on “Dancin.”

Her fans, which she calls “Bratz” couldn’t be more thrilled about new music by Kash.

“Today is not only special because of my birthday, but it’s the day my father passed,” says Kash Doll. “Brat Mail is a collection of songs I’ve teased on my socials that my Bratz have been waiting for.

Listen to Brat Mail below.

“For Everybody” video.

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Manny P Makes Debut With Single/Video “Facts” [Interview]

Manny P is an artist to put on your watchlist for the coming months. In the meantime, check out his latest visual, “Facts.”

Rapper Manny P regards himself as molded by the culture of the world, having lived in Los Angeles, New Jersey, Vermont, London, and currently, the Mecca, New York City. “Music has always been apart of my life … since before I was born,” the Mexican rapper tells AAHH. “My mom did a lot of musical theatre back then, so [I] was backstage immersed in all that while still in the womb.

Currently working on his debut album, Manny has been recording music since High School. “My sound kinda goes anywhere from really abstract, highly personal, to turn up raps,” he says. “I don’t stick to one type of beat/sound. One minute I’m on a dark ass lofi beat rapping the whole shit in a real monotone voice, and the next I’m loud and expressive over something more up-tempo.”

“Different beats give me different energies … they put me in different places in my head,” he continues. “All the pieces come together [though] to make up the full picture.”

Manny cites Pro Era head honcho Joey Bada$$ as the reason He started rapping seriously. “I was chilling with some homies real late one school night, and one of them had thrown on ‘Suspect’ from his first mixtape 1999,” he notes. “I penned my first shit to that beat. The verse still sits at the top of my google doc … like 50 pages ago. Through him I learned about pro era, then beast coast, and all that spiritual third eye indigo shit – I used to be on that.”

He recently dropped his official debut single on all streaming services and doesn’t plan on slowing his pace going forward. “I’m working on a lot of music, getting a live set together so I can start doing some more shows, and eventually I’ll have an album,” he says.

Manny P is an artist to put on your watchlist for the coming months. In the meantime, check out his latest visual, “Facts,” a colourfully trippy, and engaging visual feast to accompany the must-bump single. Manny has a clear delivery, and some surprisingly focused bars for new artist. The instrumental has a soulful undertone, dripping with a late 90s southern tinge that seems to get more infectious with each listen.

Add this joint to your playlists!


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Mixtape Review: Logic – Bobby Tarantino II

Logic has become a superstar in the two years since his last mixtape, and he wants to celebrate. I think you should join him.

Dr. Jekyll and Mr. Hyde. Bruce Wayne and Batman. Logic and Bobby Tarantino. To establish an alter ego is no easy task, and the Maryland rapper has done just that with Bobby Tarantino II. The (somewhat) surprise mixtape is the sequel to the well-received project Logic dropped in the summer of 2016, which gave rise to fan favorites such as “Flexicution” and “The Jam.” This time around, Logic did not feel compelled to drag out the hype; he dropped the three singles, which we recently discussed on the site, over the course of a week.

In some respects, the new effort is similar to its predecessor: a tight tracklist, an abundance of bangers, and a self-congratulatory sentiment. Whereas Everybody gave us the super deep, this right here is just the jam. However, despite the isolationist spirit expressed throughout the 12 tracks (‘I don’t trust nobody/Put my homies on the payroll’), Bobby Tarantino II is more collaborative than the original. On “Indica Badu,” laidback yet anthemic, Logic and Wiz Khalifa share their love for pot over a gorgeous instrumental and an Erykah Badu sample. Wiz kills it on his guest verse and Logic kicks it up to a rare falsetto on the hook. 2 Chainz comes through with a verse on “State of Emergency,” a hook-less track with production from DJ Khalil, Tariq Beats, and Vontae Thomas. The synth-heavy instrumental is alien, unsettling, and mesmerizing. “Wassup” features long-time friend Big Sean; although it bangs, it feels a bit monotonous after ten tracks with similar lyrical content.

Critics have long claimed that Logic borrows too much from his contemporaries, and there is no doubt that these accusations will emerge on the internet this week. The pre-chorus on “BoomTrap Protocol,” a densely layered and beautifully assembled track, screams Travis Scott. I have no idea who 6ix sampled on this song, but it sounds dope. The Rodeo rapper and producer clearly influenced “Wizard of Oz” as well. Don’t get me wrong – this track bumps. However, one cannot ignore the melodic use of autotune and Scott’s signature ‘yeah! yeah!’ ad-lib. Finally, as much as I dig it, the beat on “Yuck” immediately brings to mind Drake’s “10 Bands.”

Perhaps the most admirable characteristic of Bobby Tarantino II is the sonic diversity. “Midnight,” a two-part track courtesy of 6ix and Frank Dukes, is uncharted territory for Logic. The first half is a melodic ode to Logic’s resistance of the club lifestyle in which so many of his contemporaries indulge. After the beat switch, Logic puts together another super sticky hook and drops a killer verse dense with clever similes. Then, on “Warm It Up,” he does a complete 180 and throws it back to the sound of his Young Sinatra days. Co-written by Nas, this braggadocious track rides a strong old-school vibe and a banger of a drum beat. It’s a dynamic cut: Logic goes hard on the verses and dials it way back on the hook. “Contra,” despite the trendier beat, brings a similar sentiment. The pre-chorus is catchy as hell and Logic pushes the envelope on the verses with some impressive rhyme schemes.

The introductory skit featuring Rick and Morty establishes a distinction between “album Logic” and “mixtape Logic.” I tend to agree. If you’re looking for the introspective, vulnerable, and critical tone of Everybody, this is not the mixtape for you. And that’s okay. Logic has previously stated that he drops these tapes to hold his fans over until the next album. On the other hand, if you’re looking for a fun, sonically diverse project full of banger beats and braggadocious bars, you’re going to enjoy Bobby Tarantino II. Logic has become a superstar in the two years since his last mixtape, and he wants to celebrate. I think you should join him.

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