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Teka$hi 6ix9ine is Proving To Be 2018’s most unusual rapper

Controversial rapper Teka$hi 6ix9ine, real name Daniel Hernandez, is one of 2018’s most idiosyncratic underdogs. The Brooklyn native began his…

Controversial rapper Teka$hi 6ix9ine, real name Daniel Hernandez, is one of 2018’s most idiosyncratic underdogs. The Brooklyn native began his career as a Soundcloud artist and gained national attention after his rainbow-colored hair, bright gummy grills, and stylized “69” tattoos across his body painted him as the “final boss” of Soundcloud Rappers in an internet meme.

Teka$hi 6ix9ine is Proving To Be 2018’s most unusual rapper

While his striking image spread online,6ix9ine’s song “Gummo” began amassing millions of views on YouTube after its October release, eventually reaching #12 on the Billboard Hot 100. The song sports aggressive lyrics over a trappy Pierre Bourne instrumental, with the “Scum Gang” rapper screaming: “She wanna fuck but keep her clothes on, I only want the jaw, man that’s all I really use her for, as I kick her out the door.”

In December, Teka$hi plead guilty for the use of a child in a sexual performance. According to court documents and XXL, the charges stem from an incident that occurred at a friends apartment in Harlem on February 21, 2015. Detective Maureen Sheehan stated the victim, who was 13 years old at the time, was seen in a series of videos “completely nude sitting on the lap of the defendant [Hernandez]…[with] his arms around the child.”

In an interview with DJ Akademiks, Teka$hi at first denied the allegations.

“When she came in she asked me how old I was, and I told her I was 18, and I assumed she was older. The way she was asking made me think she was older.”

Teka$hi also denounced his actions based on his age, saying he was “a kid,” and “17 years young,” when according to court documents his birthday is in 1996 — making him 18 during the time of the assault. “I’m not touching the girl,” the rapper went on to say to Akademiks, “I’m not having sexual intercourse with the girl, I’m not doing nothing.”

6ix9ine plead guilty to the charges in November and will be sentenced on January 30, 2018. The artist has been ordered not to post sexually explicit or violent images featuring women/children to social media. He also must obtain his GED, not commit another crime for two years and “write a letter to his victim and her family detailing why his participation in the videos was harmful to her and her family.”

Teka$hi will receive three years probation if he meets these qualifications, and won’t have to register as a sex offender. The rapper faces one to three years in prison if any of these conditions aren’t met.

 

With Teka$hi’s Hyper-Violent Shock Rap coming into mainstream playing alongside other controversial acts like XXXTENTACION, it will be a defining next few months for the Hip-Hop industry. Will labels support those with disturbing pasts like Teka$hi 6ix9ine, and if so, will listeners be able to stomach any tracks the artists release from here on out?

Fellow Soundcloud artists Trippie Redd and Ski Mask The Slump God have already distanced themselves from X and Teka$hi. Redd said via Instagram “I’m sorry brozay, 1400 don’t support pedophiles,” and Ski Mask said X is “crazy as hell.”

In the meantime, Teka$hi shows no signs of slowing down. The rapper recently released his “Keke” music video featuring Fetty Wap and A Boogie With A Hoodie, and is gearing up to release his debut Kooda tape very soon.

https://instagram.com/p/Bdo3JPsHNyV/

In addition to the criminal charges, 6ix9ine has also gotten a bashing via Twitter this month after a video posted by Ugly God revealed his chains were fake. Producer Pierre Bourne also came out and dismissed his track “Gummo,” saying the instrumental was meant for Trippie Redd, and not for 6ix9ine. With the hate flowing in, Teka$hi’s seems to hold his head high.

“I run New York, I’m in fucking charge right now, whatever I say goes,” he told DJ Akademiks recently. Fans, while skeptical, will soon see if his words hold merit.

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#IndieSpotlight: Dough the Freshkids’ ‘Black Rome’ Is A Buzzworthy Slice Of Hip Hop Goodness

There have been many eras in Hip Hop, but none as forgotten as the Nubian era, which was characterized by…

There have been many eras in Hip Hop, but none as forgotten as the Nubian era, which was characterized by a heightened sense of knowledge of self and anti-oppressive forces that be. The ironic commercial appeal of empowering groups like Public Enemy or Brand Nubian eventually morphed into the current era where “rap” has become a business move/career choice rather than a voice of the underdog filled with subversive talking points that rival university lectures.

This is what I found so intriguing about the new project Black Rome by Dough the Freshkid — representing Crenshaw, California. The follow up to his free tape Six Shots and released via his independent label Every Penny Count, the 15-song effort is a blend of vibes, ranging from an early millennium G-Unit mixtape structure (see the chorus on “Cookin’”), 90s east coast soundscapes (see “We Rich” with its scratch hook), to deeply reflective contextual content aimed at giving opposing viewpoints to widely accepted “fact.”

 
An example of this is the title track, which focuses on the idea that a false image of “white Jesus” was shaped by artist Leonardo DaVinci. Its execution is reminiscent of similar records, such as “Why Is That” by BDP and “Nature Of The Threat” by Ras Kass. This song could literally be transcribed into an incredibly compelling University level essay.

 
Elsewhere on the record, he traverses themes such as the (historical) political and social-economic climate in the United States (see “God’s Curse” verse two) to gang life in LA. Nothing is ever glorified, and everything comes off as methodically thoughtful. On the track “I See He Blued Up,” he addresses industry Crippin,’ as well as unnecessary killing in the streets. “Man up, out the choppas down and out your hands up,” he raps, pointing to the glorification of needless gun violence.

 
Some of the standouts include the gorgeous instrumental that rides with the top down on “Palm Trees II” featuring Tropic626— which I found myself revisiting quite a few times this week — and the unspoken dopeness of “Still Arlington (1994)” which featured Wee Dogg.

“I never promote crack in my raps, I only promote facts in my raps,” he implores as the project comes to a close with the dramatically honest, autobiographical “Sincerely Me.” Even at its most informative and reflective, Dough manages to make this project an incredibly digestible gem packed with lots of wisdom and great talking points. Worth a spot on your end of year playlist if you’re looking for some undeniable fire that is still creeping under the radar.

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Outside The Box: Discover The Positive World Of Krhazey Whytheycallhimthat

Every once in a while you come across an artist who falls outside the box of industry convention; by that…

Every once in a while you come across an artist who falls outside the box of industry convention; by that I — of course — an artist who doesn’t seem motivated by the basics that have poisoned the soul of the culture. An artist that puts his music first. Brooklyn MC Krhazey Whytheycallhimthat is one of those artists. “A positive change in consciousness has the power to topple barriers almost as easy as a negative change creates them,” he tells AAHH describing his mantra for creating.

If that doesn’t create an immediate sense of urgency for his music, then I don’t know what to tell you.

Off the bat, there is something endearing about his admirable need for not only a purpose but to give back. Early on in his career, he began volunteering his time — and his unique brand of Hip Hop to the 25-year-old Art Start. The program dedicates itself to New York City’s underserved youth, delivering consistent creative workshops inside homeless shelters, alternative to incarceration programs, and partnering youth agencies.

“The program gave me a sense of direction, understanding and a hope for change; real change in myself and my environment,” he says.

 
What I find so cool about his music is the way that it all seems to contrast and compliment itself at the same time. His latest joints are a great example. “Jack Frost” for example has this bouncy ballad behind it, paired with these haunting lyrics that have this almost literal intention of describing this cold-heartedness developed though…well…life. Then there’s “23:5,” which has this almost “Marvin’s Room” feel to it — complete with a call to his ex. But it spirals into this realization that the liquor is a crutch, followed an aggressive assertion of the path before him.

Then the vibe of his latest “Makeda” is a pseudo-love track with hella depth, and again a completely different vibe.

Everything I hear from this kid I like. Even going back to the summer, with his super dope single/video “BTD,” with it’s kind of goofy visual concept.

 
Without being driven by the same old, his music has this certain unspoken originality to it. Even the fact that he rocks an anime-inspired kung-fu headband ends up coming across like DOOM’s mask in a sense. It’s hard not to get into.

And the spirit of giving back, which inspired him to start his own foundation — Young Heroes Undefeated — is an added layer that makes you want to root for him. “We make original comic books for children with special needs and use the profits to send the kids and their families on all expense paid vacations,” he explains of the foundation’s mission.

With a four comic series being released next year — on top of a solo LP and a project from my his Audio Temple — there is a lot to look forward to here. He’ll be launching a kickstarter for his foundation in coming weeks; stay tuned to our Instagram for details on how to support something positive.

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#Indiespotlight: Prototype & Lazarus The Kid’s ”Voicemail” Is A Journey Worth Taking

Duo Prototype & Lazarus The Kid Just dropped a new project, and believe me, it’s worth a spin. On a…

Duo Prototype & Lazarus The Kid Just dropped a new project, and believe me, it’s worth a spin. On a rainy day, I rode around giving this one a fair shake and was taken for more of a journey than I expected. 

The concise EP is immensely musical, with these lush, expansive musical landscapes for Prototype to literally bleed his heart out upon; there is no hyperbole in the emotion packed within these five tracks. Atop soulful samples, energetic drum patterns, and pretty piano keys, there’s a sense of loss and sadness that lingers amongst the celebration and assertion of the dream chase. 

Immediately on the heartfelt “Color,” we’re introduced to demise of a powerful relationship in Prototypes life — one which he gave his all to, and once thought would possibly end in marriage. It’s a loss that is later encapsulated with an emotionally charged piano interlude brimming with a heavy-hearted sense of despair. 

There’s also the loss of Jason Kalinga, who is actually featured “Simba.” The second verse of “Better Way” is a letter to his lost friend, who was another powerful figure in his life.

Amongst the deep moments standing as an endearing open book into his world, there is an incredible sense of confidence; Prototype is chasing the vision in his head — and it’s hard to imagine anyone attempting to detract him from his vision after taking in this project. 

Ending off with the crown jewel, “November 15,” Prototype & Lazarus The Kid position themselves as exciting artists putting out music with not only a purpose  but a strong sense of its emotional connection. They know what they’re doing, and it’s something that hinges more on the artistic merit side of things than the trendy shit. This isn’t for cool points, it’s a therapeutic listen made for longevity. This is a catalog worth keeping an eye on.

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#Indiespotlight: Prototype & Lazarus The Kid’s ”Voicemail” Is A Journey Worth Taking

Duo Prototype & Lazarus The Kid Just dropped a new project, and believe me, it’s worth a spin. On a…

Duo Prototype & Lazarus The Kid Just dropped a new project, and believe me, it’s worth a spin. On a rainy day, I rode around giving this one a fair shake and was taken for more of a journey than I expected. 

The concise EP is immensely musical, with these lush, expansive musical landscapes for Prototype to literally bleed his heart out upon; there is no hyperbole in the emotion packed within these five tracks. Atop soulful samples, energetic drum patterns, and pretty piano keys, there’s a sense of loss and sadness that lingers amongst the celebration and assertion of the dream chase. 

Immediately on the heartfelt “Color,” we’re introduced to demise of a powerful relationship in Prototypes life — one which he gave his all to, and once thought would possibly end in marriage. It’s a loss that is later encapsulated with an emotionally charged piano interlude brimming with a heavy-hearted sense of despair. 

There’s also the loss of Jason Kalinga, who is actually featured “Simba.” The second verse of “Better Way” is a letter to his lost friend, who was another powerful figure in his life.

Amongst the deep moments standing as an endearing open book into his world, there is an incredible sense of confidence; Prototype is chasing the vision in his head — and it’s hard to imagine anyone attempting to detract him from his vision after taking in this project. 

Ending off with the crown jewel, “November 15,” Prototype & Lazarus The Kid position themselves as exciting artists putting out music with not only a purpose  but a strong sense of its emotional connection. They know what they’re doing, and it’s something that hinges more on the artistic merit side of things than the trendy shit. This isn’t for cool points, it’s a therapeutic listen made for longevity. This is a catalog worth keeping an eye on.

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