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Mase Vs. Cam’ron: For The Culture

This past weekend gave 90s heads a reason to be excited; Harlem-legends Ma$e and Cam’ron went toe-to-toe is a full-on…

This past weekend gave 90s heads a reason to be excited; Harlem-legends Ma$e and Cam’ron went toe-to-toe is a full-on rap beef complete with vicious person jabs and insidious claims. But, was it all for the clicks? Their cordial agreeance to disagree and move forward via text (which Cam shared) seems to suggest it was all in good fun — or was it Ma$e being jabbed for far too long?

To appreciate the magnitude of the beef, it’s vital to understand the actual history these guys have; this wasn’t bullshit Twitter beef with a stranger.

Both Cam and [Murda] Ma$e were members of the often under-celebrated Harlem-based group Children Of The Corn, which included Herb McGruff, Cam’s cousin Bloodshed, and the late icon Big L. The group recorded roughly 30 tracks, but were largely derailed as a collective by the death of bloodshed and L. However, by the time that L was murdered in 1999, all the group’s members had signed solo-deals and ventured out on their own.

Ma$e was — without question — the most successful by the time 1998 rolled around. His debut, Harlem World, topped charts and to date has gone 4-times platinum. It was his label situation with Bad Boy that helped Cam link with Biggie Smalls, who consequently facilitated him inking a deal with  Lance “Un” Rivera “Un” Rivera. Ma$e also appeared on Cam’s first breakout single “Horse & Carriage,” and appeared in his visual for “357.”

Fast-forward to 1999, Ma$e retired from rapping to become a Christian pastor. The circumstances surrounding his departure from Harlem (and Hip Hop) were murky for years. The official story that we’ve come to accept is that Uptown-resident Baby Maine (cousin of incarcerated rapper Max B) ran Ma$e out of Harlem for having relations with his girl. It is captured in the song “Jealous Guy,” which Maine saw as extremely disrespectful. So whether or not he was fully committed, the “finding God” angle was a front of sorts.

Now, Cam and Ma$e go way back — even playing basketball together in High School, but Cam and the Dipset crew have openly talked about Ma$e for years. On wax, you can go back to Cam’s biggest album, Come With Me. He spits the following bars on “I Just Wanna” about Ma$e’s sudden departure: “I just want him to know/rock them jewels, flash that chrome/It’s all good, you can come back home if you want.”

That was the nicer acknowledgment. In fact, some of their public comments had been less than flattering; Cam was pretty loose on Instagram Live earlier this year, basically calling a spade a spade, eliciting a response from Ma$e.

Most recently, Cam dropped some pretty vicious bars on the opening verse of “It’s Killa” on The Program:

“Then I watched him play Pop Lotti against Baby Maine/ At this time I’m moving heroin in Maryland/ They both died, and this nigga turned reverand/ Had the hood hot, FBI and agents ’round/ We need a referee, shit, that shit a flagrant foul.”

That brings us to “The Omen,” and Cam’s (kind of disappointing) “Dinner Time.” The fans of us here at AAHH have concluded Ma$e was a clear winner, but — in all actuality — Hip Hop won.

In a week that also saw a new project from Fabolous and Jadakiss, NYC seems to be on a pretty nice run right now. Though neither of these artists is in any state that we could consider a prime, It had heads glued to the net in a fashion similar to the way heads were glued to Hot 97 awaiting a response record in the epic Nas and Jay-Z beef.

As a 30-something-year-old who got on to Children Of The Corn before these two dropped their other shit — I believe it was on a Stretch & Bobbito tape I copped as a kid — this battle was something special for me. I knew that the “dirt” they had on each other would be extremely deep, and as a whole, I wasn’t disappointed. I found myself saying “what a time to be alive” no less than 16 times in the past 48 hours.

While the preview for Cam’s response included mention of the fact The Program 2 is dropping January 1st (making this all seem like a commercial), I still loved it — for the culture. Ma$e is often written off as a corny rapper, but his shit when quadruple platinum. We all fucked with his music pretty heavy, is tbh Harlem World holds up 20 years later.

There is plenty of chatter centered on irrelevance, which is sad. These two came up in an era when shit was analog — no internet, no steams. Just straight up physical sales. Most newer (urban) artists will never know what it feels like sell four million full-length albums. Not singles, ALBUMS. I for one am happy that these cats are still out here. As for Ma$e, even if he fades back into obscurity, at least he can go out with his head a little higher than the last time he dipped.

Riley here — father, artist, videographer, professional writer and SERIOUS hip-hop head. I'm a member of the Universal Zulu Nation, and I think everything is better on vinyl. Add me on Twitter! @specialdesigns
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Heavy Hitters’ DJ Flee is About to Takeover

28-year-old DJ Flee, also known as Bodega Flee, is one of the hottest new tastemakers in Hip Hop. The Uptown…

28-year-old DJ Flee, also known as Bodega Flee, is one of the hottest new tastemakers in Hip Hop. The Uptown New York Dominican is a lustrious member of the legendary Hip Hop faction, The Heavy Hitters (DJ Enuff, Tony Tone). The former Basketball player made a name for himself in the city with his signature Uptown sound and irreparable tricks on the turntables.

Discovered by the same legends responsible for presenting the world to today’s legends from across the U.S. like DJ Felli Fel, Bootleg Kev, and Peter Parker. Flee has quickly become one of the most notable faces of the brand with his fast-growing fanbase and credible ear for breaking the undeniable next superstars to the East Coast.

Through his journey in radio, Flee has had the opportunity to discover plenty of new genres of Hip Hop that would help transform his style. Experimenting with trendy genres like Dirty South and Gangsta bouncing West Coast with a blend of his Dominican roots.

In Boston, Miami, Orlando, and New York, Flee is the most sought-after radio DJ in the ever-changing broadcast market. Keeling the prestigious pride and name of the Heavy Hitters brightly lit outside of the East Coast. Artists like Zoey Dollaz can credible a large amount of their popularity to DJ Flee’s exposure.

Hard work, dedication, experience has earned DJ Flee the tastemaking position he firmly sits in within today’s Hip Hop. Ready to transition himself into superstar status, the promising DJ continues to develop a signature style that infusion the old school traditions and new school evolution to the East Coast. Heatseeking, DJ Flee is easily becoming one of the biggest DJs in Hip Hop today, honestly, it’s only a matter of time before he is the biggest DJ in today’s Hip Hop. So stay tuned.

DJ Flee’s journey continues on, follow the Heavy Hitter sound today via Instagram and Twitter.

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@KorleonKOJ – “Motion”

Today RichBoy Ent. CEO and founder Korleon aka “The King of Jackson (K.O.J).” releases his new song, “Motion,” debuting the new track with a music video on YouTube.  Released just…

Today RichBoy Ent. CEO and founder Korleon aka “The King of Jackson (K.O.J).” releases his new song, “Motion,” debuting the new track with a music video on YouTube.  Released just in time for Memorial Day, the highly anticipated music video for “Motion” precludes a host of releases by the ATL veteran by way of Jackson, Mississippi. Hoping to continue the momentum, Korleon will drop his mixtape The Four in the coming weeks, which will be followed up by Strictly 4 My Sippers this Summer.

Basically I’m just tappin in with the ladies. They rock with me and I rock with them equally so I felt I needed to satisfy my female fan base and cater to them. I wanted to create something that they could vibe to and something where I remained true to myself,” Korleon K.O.J. explained. “I feel like it’s a way better look for me to be with 7 different women in all shades and colors around the city, rather than me rolling around with 20 of my ni**as.”

Within the last two years Korleon launched a new studio in Atlanta called Walker St. 2.0 where his RichBoy Ent. team has been building a movement. To date Korleon and his team have recorded a host of artists including multi-platinum artist Slim Jxmmi of Rae Sremmurd, Mase, Jose Guapo, Big Bank Black and of course D4L’s Fabo.

“We opened back up the studio in March of 2017, we’ve had a lot of indies, superstars and its just been a blessing, I’m just glad that we have been able to make it happen. Its been a whole host of people to record there over the past few years,” Korleon said of his studio. “Of course me and Fabo been working on music together and I got The Four project that will preclude the Strictly 4 My Sippers project. I got the visual coming for Colorado soon and I got some stuff coming up with DJ Twin in the immediate future sometime in July.”

K.O.J. is often seen touring alongside and has frequently collaborated with on tracks with Fabo, who he says is his brother and day 1.

“Fabo my brother, Giksquad! Those my brothers. We been down since day one and we gonna be down forever, that’s my brother. He stays booked out and if you go through the archives, I’m at most shows, so it’s really just mores what’s continuing to go on. We were at Rolling Loud and everything, he stays booked.”

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#IndieSpotlight: Major D-Star Drops Off “Stack Pray & Stay Out The Way” Visual

Gotta love when an artist you like drop a project you’re feeling, and proceeds to give a visual identity to…

Gotta love when an artist you like drop a project you’re feeling, and proceeds to give a visual identity to the records you were feeling the most. That’s the case for AAHH mainstay Major D-Star; after releasing his long-awaited Trap Star  mixtape back in February, he is dropping off “Stack Pray & Stay Out The Way,” a song I personally described as an illustration of his immense focus on his “current hustle of choice, music.”

RECENT: Major D-Star Drops “Trap Star” Mixtape

The video, like his others, delivers on quality. Directed by Wally Woo, with a multitude of scenery interspersed around a loose storyline of himself working as a mechanic — which he playfully describes as his way of “stacking and staying out the way” in the into — it gives ample life to one of his project’s most infectious earworms. If you have yet to bump his full mixtape, go ahead and click here; either way, press play on this catchy little banger, below.

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