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Jamo Gang Have Big Plans For 2018

The trio have a large-scale tour and LP in store for this year!

It was back in early 2017 when rhymer El Gant, West-Coast vet Ras Kass, and Brown Bag All-Stars alumni J57 announced they were forming a super-group. In a video that featured the iconic DJ Premier dropping a heavy co-sign, Jamo Gang announced an upcoming project; a few singles and live footage followed.

That was over a year ago, and most fans had started to come to terms with the possibility that this collaborative project, like that of Liknuts, may never see the light of day.

 
Then, just last month, the trio resurfaced with new singles “All Eyes On Us” and “The Alter.” On January 30, their official EP finally hit the net.

“We were ready to release a full album back when we announced the group,” J57 tells AAHH. “We then developed a new plan to create a ton of [new] songs and release an EP followed by the LP in 2018.”

“The EP consists of songs that were intended for the first album, except for ‘Welcome to the Golden Era,’” he continues. “That was one of the new ones that were going to be on the LP, but it made so much sense to be on the EP … so that’s where it lives now.”

 
The trio initially met up while working on some songs in J57’s Brooklyn studio back in late 2015.  “We decided to form a group once we realized how incredible the songs were turning out,” El Gant recalls. “Also, ‪DJ Premier‬ said that we should make this group a priority; we agreed.”

With the EP finally out in the world, they are turning their sights on a tour and finishing the impending LP. “The LP is 98% finished,” J57 reveals. “We might add one more track, but we have a lot of songs right now for it. We’ll probably just end up selecting which ones will make the LP and whittle it down to a strong 12, maybe 14.”

“We are going to be doing a full US tour, Canadian tour, European tour and an Australian tour, all in 2018.”

The most immediately captivating aspect of the group is their undeniable chemistry, which shines through both on and off the record. “It’s interesting because on the one hand I’m working with someone who has become a very good friend over the years, so it’s very natural,” El Gant says of Ras Kass, “but on the other hand sometimes I look over and think to myself “That’s F&%king Ras Kass! I have always been a HUGE fan of his work, so it’s an honor not only to be working with him but the fact he takes my artistry and input very seriously.”

Aside from mutual respect Gant, Ras Kass is a big fan J57’s production. “I’m a big fan of things being sonic, and J57 embodies that,” he says.

 
As Ras Kass explains, J’s beats do half the work. “It’s his drums that first struck my attention, but then it was these gigantic soundscapes he presented which are very inspirational to me [as an artist]. Very often the mood alone of J’s beats tell the story that we as the MCs then accentuate.”

The question on my mind — after hearing a top-secret song from the EP’s upcoming vinyl release (via J57 himself) — is when is the LP dropping. “The LP is going to be released in fall 2018 for sure,” J57 says.

If you haven’t bumped the EP, do so immediately.


Riley here — father, artist, videographer, professional writer and SERIOUS hip-hop head. I'm a member of the Universal Zulu Nation, and I think everything is better on vinyl. Add me on Twitter! @specialdesigns
interview, unsigned hype

Reily Marte Keeps it Authentic For His Fans

“Always keep it real … people [will] feel what you’re saying in your music.”

Brooklyn-born Florida resident Reily Marte is currently making noise with his new single “Nobody Else,” which is presently steaming on all important platforms. The song is the second drop from his upcoming album Patience, a title that is a subtle plea to his fanbase. “The album stands for being patient with the songs I’m creating,” he tells AAHH. “Be patient; I got vibes for you all to listen to coming soon.”

Reily was introduced to the music industry at the young age of 13 by his father. “Dad was more focused on the Spanish scene,” he notes, “but there’s still little tips I get from him and learn from him.” Fast forward, he’s now a multi-faceted creative and a one-man team. “[I] record, mix and master all [my] songs,” he states proudly.

The upcoming LP promises to deliver a plethora of vibes to attract a multitude of different listeners to his music. “My sound can go from a dark feel to an uptempo dancehall style to a soulful RnB type of sound,” he says, citing Eli Sostre, Drake, and a handful of regional artists as influences.

“My goal in the industry is to show the younger generation that you can create different types of sounds and still get support from fans,” he states confidently. “If you’re authentic with your music people will respect it.”

“Always keep it real … people [will] feel what you’re saying in your music.”

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#FireFriday, Editorial, interview

Famous Dex Talks New Album & Dual Identities In Exclusive Interview

“I didn’t [really] just discover them, it’s always been like that.”

Coated in Diamonds, with a Gucci bag draped at his hip, Chicago rapper Famous Dex took the stage in a black werewolf T-shirt at New York’s Gold Bar on March 27 to premiere his new album Dex Vs. Dexter, and to receive a gold certification plaque for his bouncy track “Pick It Up” with A$AP Rocky. The album, while still flux in braggadocio lyrics, demonstrates creative growth for the rapper. Released on April 6th, the date was personally chosen by Dex to coincide with the three year anniversary of his mother’s passing from breast cancer. “It’s influenced my hustle. Everything I do now has a greater purpose because of her,” Dex told Above Average Hip-Hop. “The decisions I make with my family and my career, I always consider what she would tell me.”

The project’s theme of separate entities, while not a foreign concept in Hip-Hop, paints the audacious artist as someone more than how he appears to fans. “I didn’t [really] just discover them, it’s always been like that,” the artist said of his two identities. “Dex is the romantic guy,” he said with a laugh, “Dex is single, well both Dex and Dexter are single, but Dex loves women, chilling, vibing, [and] not doing too much. Sometimes people see me on a video, and I’m really laid back, that’s Dex.” In contrast, ‘Dexter’ is the artist everyone is familiar with. “He’s a clown, wild, crazy with ad-libs and everything. Dexter is who most people know in my music.” The two characters are fully realized on the albums cover art, with “Dex” sprawled on a green leather couch with a girl on his lap, while “Dexter” zooms around the couch in an animated form.

 
In contrast to Dex’s previous work, the rapper’s official debut is heavy on pop influences. The hook on “Prove It,” is layered in a pop-rock guitar riff and steady 808 drums. “Take this ride with me, sip this Hennessy, I got bands on me…Ooh girl you so sweet,” Dex sings in the third verse. Another drastic musical departure for the mumble rapper comes in the form of “LIGHT,” a radio-ready single featuring pop-rock quartet Drax Project. “Aw man, Drax! I love those guys,” Dex said of working with the band. “It just happened, I don’t know exactly how it happened, but I’m not going to question God because it’s dope! I’ve never made a song like that before.” Dex sings on the track alongside the group, his gooey auto-tuned vocals harmonizing with Drax.

However, Dex still makes room on his debut to tackle familiar territory. “LIGHT” is followed by “Celine,” a barely-two-minute bouncy interlude that finds the rapper reassuring his fans not everything has changed. “My favorite track to get hype to is ‘Celine.’ That song is fire,” Dex said. “It’s so natural to me, and I love to perform it.” Other tracks like the lead single “Japan,” “Take Her” with Wiz Khalifa and the album’s intro “DMD” find Dex in his comfort zone as he tackles beats by Pi’erre Bourne and J Gramm, among others. “This whole album is a celebration,” Dex said. Even with a new album just released, Dex is already planning his next steps. “I’m already working on my next album, Rich Forever got something fire coming out soon, so be on the lookout for that.”

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“My Dear Melancholy” is Bone-Chillingly Beautiful

Judging from the dark subject matter that has typified Abel “The Weeknd” Tesfaye’s catalogue to date–which includes rampant drug abuse,…

Judging from the dark subject matter that has typified Abel “The Weeknd” Tesfaye’s catalogue to date–which includes rampant drug abuse, his struggles as a homeless young-adult, and suicidal thoughts–few could have guessed that it would be his short stint with a former Disney Channel star that would leave him at his lowest. The Starboy crooner leaves little to speculation on his latest commercial release, My Dear Melancholy, a succinct six-song EP inarguably based on the fallout after his recent fling with pop star Selena Gomez. 

While The Weeknd’s anguish seems genuine and makes you feel for the guy, it’s impossible to ignore the glaring irony in his recent complaints, one, given Gomez’ goody-two-shoes persona, and even more so given the overtly misogynistic lyrics that Tesfaye is so well known for. Here are a few in case you need a reminder (no pun intended):

From the track “Party Monster” off of Starboy: “Woke up by a girl I don’t even know her name.”

From the smash hit “The Hills” off of the 2015 release Beauty Behind the Madness: “I only call you when it’s half past five, the only time I’d ever call you mine.”

Later on the same track, “I just fucked two bitches ‘fore I saw you.” 

Lastly, on the track “Reminder,” also off of Starboy: “When I travel ’round the globe, make a couple mil’ a show, and I come back to my city, I fuck every girl I know.” 

With that being said, musically, My Dear Melancholy is bone-chillingly beautiful. The Weeknd returns to his dark and cavernous House of Balloons roots on the project while still maintaining his newfound pop sensibilities. Rattling bass, slow, driving percussion, and subtle, haunting synths and keys cproductions. The production on most of My Dear Melancholy leaves room for Tesfaye’s vocals to take the driver’s seat, unlike that of the brighter and grandiose Starboy. From a lyrical standpoint, the EP is peppered with moving, weighty bars:

Off of “Wasted Times:” “I don’t wanna wake up if you ain’t laying next to me.”

Off of “Call Out My Name,” the opener: “I almost cut a piece of myself for your life,” a reference to Gomez’ recent search for a kidney donor

Tesfaye saves the best for last, providing the most melodically beautiful and lyrically clever portion of the EP on the closing track “Privilege,” as he repeats in a despondent, Vocoder-enhanced tone: “I got two red pills, to take the blues away.”

It is hard to deny the allure of much of The Weeknd’s work, regardless of lyrical content, due to the singer’s angelic voice and cutting-edge production. On My Dear Melancholy, Tesfaye achieves success from both a melodic and lyrical standpoint, substituting (for the most part) tales of apathetic sexual encounters for raw, vulnerable descriptions of his recent struggle with heartbreak. The Weeknd has finally found the middle ground between his groundbreaking, alt-R&B House of Balloons project and the poppy, Funk-infused Starboy. Lastly, to those Weeknd Stans worried about the Toronto star returning to normalcy, the singer explains on “Privilege:” 

“And I’ma fuck the pain away, and I know I’ll be okay…But I’ma drink the pain away, I’ll be back to my old ways.” 

Not to worry people; the Abel we’ve come to know, and love isn’t going anywhere.

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Cardi B’s Debut Album “Invasion of Privacy” Is Out Now

It’s almost a week since Cardi B’s debut album, Invasion of Privacy dropped. Her fans, the Bardi Gang, are more than…

It’s almost a week since Cardi B’s debut album, Invasion of Privacy dropped. Her fans, the Bardi Gang, are more than pleased with the LP, which has aldo managed to make those who weren’t fans, into new ones..

“I like proving niggas wrong, I do what they say I can’t,” raps Cardi B on “I Like It”

I can’t think of an artist that has had as bomb a breakout year as Cardi B has. She gave us the summer 2017 hit, “Bodak Yellow,” and since then, she’s been on the Billboard charts back to back (to back). The last ten months have been especially great to her, let alone this week. After releasing Invasion of Privacy, Cardi revealed her pregnancy with rapper Offset on “Saturday Night Live”; also, she was the first person ever to co-host The Tonight Show Starring Jimmy Fallon.

Invasion of Privacy is an upfront look into Cardi’s everyday life. She’s confident, vulnerable and full of witty remarks. Laced into 13 tracks, the newly minted Quality Control management signee made anthems for the rest of the year. “Get Up 10” sets the bar for what’s to come on the project. Inspired by Meek Mill’s “Dreams and Nightmares” intro, Cardi’s version is also broken into two parts about her ascension to the riches from the rags.

As well, the album includes “Bartier Cardi” with 21 savage, which recently earned platinum certification, and is still doing numbers.

 

Cardi B money moves on this album show her versatility. She dabbles into the trap sound with “Drip” featuring the Migos, shows her confidence and positive vibes on “Best Life” featuring Chance the Rapper, and gets very personal with “Be Careful,” a track addressing an unfaithful partner/boyfriend. Cardi is not the one to mess with!

Social media pundit-turned reality TV star-turned rapper is a way of saying that this girl from the Bronx, is made of grind and determination. You don’t have to like her music, the way she talks, or her persona, but you have to respect her hustle. She came from the bottom and executed her way to the top.

Listen to Cardi B’s debut album below.

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Smokepurpp Has Dropped Two Dope Music Videos in Five Days

It appears that 20-year-old South Florida rapper and Soundcloud (rap) pioneer Smokepurpp is a fan of horror films. The Deadstar...

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