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#IndieSpotlight: Kaiju The Unconquerable Releases New Short Film

One part MF DOOM, one part living breathing Anime story line, Southwest Miami, rapper Kaiju The Unconquerable is in a…

One part MF DOOM, one part living breathing Anime story line, Southwest Miami, rapper Kaiju The Unconquerable is in a lane all his own. A glorified, self-identified nerd, he started rocking stages at comic conventions — and even has the credit of being the first Hip-Hop artist ever to be featured in Shonen Jump, which has been the (print) ground-zero of all things Manga since it was launch 49 years ago.

Kaiju differs from other “weirdo” rappers, though — unlike an act like DOOM, he isn’t a character (per say). His songs and his image don’t hinge on each other to coexist. I mean, he uses a healthy amount comic and anime references, but no more than your average nerd-core spitter. He thrives on a wave-appropriate trappish vibe.

Case and point is his newest release, “CYBERPUNK 2050.” Over a bouncy trap tinged instrumental, he criticizes artists who create fake personas via social media that they can’t necessarily live up to in real life. “I’m the kid with the new option, fans waiting like a shoe dropping,” he raps amid a laid back, well-paced barrage of straight bars. Like, this kid can rap!

Where the nerdery comes in is his visual treatment. In this case, “CYBERPUNK 2050” serves as the sixth installment of an ongoing series of self-directed videos that Kaiju has been dropping over the past year. It’s a complicated storyline to explain, buy in this episode; Kaiju has used a portal to the future, and — to keep it simple — is engaged in some dope martial arts hijinx that make for an entertaining and engaging 6-minute watch.

Artists are NOT putting this level of original thought process into their shit — don’t @ me!

“I love embracing who I am that’s why I respect Wu-tang so much,” he told Lisa Ford Blog last year. “Because even though they’re from the streets, they embraced the fact they were fans of martial arts movies.” It’s easy to make stylistic parallels to the dedication they have to their respective overarching themes.

Kaiju has a great back catalog, with a full-length LP, ONI, and then all the material used for his video series following. It’s not clear if there is an actual project lined up that will house records like “Forbidden” and “Note 7” ( a banger, BTW) and this new one, but get acquainted — and get ready.

You’re welcome.

Riley here — father, artist, videographer, professional writer and SERIOUS hip-hop head. I'm a member of the Universal Zulu Nation, and I think everything is better on vinyl. Add me on Twitter! @specialdesigns
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Honor Flow Productions’ “The B.L.A.C.K. Odyssey” Is An Eclectic Trip Worth Taking

Los Angeles, California, trio Honor Flow Productions embody that classic formula of rapper/DJ crews. Reminiscent — if only in actual…

Los Angeles, California, trio Honor Flow Productions embody that classic formula of rapper/DJ crews. Reminiscent — if only in actual make-up — of fellow LA crew Dilated Peoples mashed up with a sensibility of a squad like RUN DMC, they managed to create this unique vibe that sounds like Tribe Called Quest and Digable Planets melded together then moved to the West Coast to drop a new album.

Their latest LP The B.L.A.C.K. Odyssey is a unique journey and collective piece of artwork that bobs and weaves its way through vibes while maintaining an honest, down to earth, and relatable train of thought that was an absolute pleasure for our staff to follow along.

 
The 16-song efforts — whose title is an acronym for Beyond Light Years Away Carrying Knowledge — also features some of the best up-and-coming artists bubbling under the radar in the LA scene, which HFP have collectively dubbed “The B.L.A.C.K. Odyssey Players.” To support the project, they’ve released videos for two of the singles, “Alright” and “@ The Speed Of Light.”

Check those out, below, and be sure to give the LP a spin.
 

 

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#IndieSpotlight: Getting To Know Provincetown Artist Silas Luster

This week, we’re introducing you to Provincetown, Massachusetts, native Silas Luster — a filmmaker and hip-hop artist, who’s part of…

This week, we’re introducing you to Provincetown, Massachusetts, native Silas Luster — a filmmaker and hip-hop artist, who’s part of a bubbling creative collective called The BuLife. “I make music that is true to me,” he tells AAHH. “The inspiration from my everyday life, where I’m from, and what I’ve experienced so far in my life goes into music … it’s real and it’s vulnerable.”

“There is content and emotion only my close friends know, things that I don’t like to speak on, that I put in my music,” he adds.

We initially got into Silas over the holidays after he floated me a visual for a “ZeZe” freestyle, that had this hard to explain flow that had us intrigued. We uncovered lots of quality stuff while digging around.

“I like to show people a different perspective,” he says. “I know my sound is different, my story has layers to it … if you give my music a little effort, you will understand my dedication and the depth in my artwork.”

 
Silas has been making both films and music since a youngster — messing around with a camera and whatever recording program he could get his hands on back in high school. “I took it more serious around 2014,” he explains. That’s when I linked with @RichmondVisionStudio and really started locking in the studio recording.

To date, he’s released one solo mixtape, Frick It, and a few mixtapes with the BuLife collective: The Rosenhan Experiment, Cape Tippin, and The Nor’Easter Tape. Most recently, they dropped last year’s Beauty of the Day.

 
Right now though, it’s all about Silas and his solo flex. “I’m working on my EP which will be fully produced by my homie TMAC [droppin in March]. I’m also always working on different music videos, films and my debut album.”

Having independently toured the North East with BuLife, he’s looking forward to locking down a couple dates for the near future — on top of just stacking up music. “We working,” he says. “A lot of music, visuals, shows, and creative content coming in 2019. Look out for us. BuLife!”

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Last ‘On The Cusp’ Playlist Of 2018

On The Cusp is a living playlist dedicated to showcasing the buzzing new music on our radar — as curated…

On The Cusp is a living playlist dedicated to showcasing the buzzing new music on our radar — as curated by our writer Riley Wallace. For all inquiries and submissions, hit up the playlist’s official Twitter feed.

This week’s cover artist is EverythigOShaun.

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#IndieSpotlight: Dylan 333 Is Breaking The Mold

Some follow the obvious that optically appears to be the most comfortable; North Carolina native Dylan 333 is breaking the…

Some follow the obvious that optically appears to be the most comfortable; North Carolina native Dylan 333 is breaking the mould. With only a month having elapsed since he first decided to try his hand at a career in music, he managed to amass some admirable number and gain the attention of one of the SoundCloud generation’s most notorious influencers, Adam22.

“The first week of my second song release — ‘Drum Talk’ — I caught the attention of Adam22 [nojumper] and was posted on his live stream,” he tells AAHH. “He reposted my song on Soundcloud and that instantly gave me the boost I needed.”

https://www.instagram.com/p/BryY1HZDPqc/?utm_source=ig_web_button_share_sheet

The attention earned him an invite to freestyle on the famed Most Wanted Radio on North Carolina’s 72.9. “[That appearance] gave me a local/regional platform in my city to build on,” he says. His first 30 days in the game saw him earn 50,000+ (organic) plays, 5,000+ likes and features on Funkmaster Flex’s Facebook and Tokyo Tonis Instagram — and even a like by JuiceWrld which is akin to proof of attention.

“I also have struck a distribution deal with AWAL where I can get my music out to performance centers and all major platforms,” he adds proudly. All quite impressive for a young upstart with four songs to his credit — all of which he produced and recorded independently in his bedroom. There is also a lot of foresight on his part, as he’s launched his own imprint, 333 Records, which is the primary owner/publisher of his music.

Born on the island of Jamaica, and later relocating to North Carolina, Dylan describes his sound as a mixture of dancehall and American rap. “[That blend] makes me sound extremely different from other artists,” he says proudly. “I started off as a producer so when it came to the point of me creating (my own) music I could produce myself without any help.

https://www.instagram.com/p/BrqkiZbjP0H/?utm_source=ig_web_button_share_sheet

 

With the recent success energizing his grind, he reveals to AAHH that he is currently working on his debut album, which he plans to release in 2019 — though he has no set date.

“My goal is to come into the game and actually change it,” he says humbly. “I want to inspire people to try out different things instead of investing all their money into education.”

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Vast Aire And Cosmiq Give Fans A Taste Of The New LP

It takes a great deal of confidence to walk into the fold of a group like Canibal Ox, whose LP...

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