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Eminem: Kamikaze- A Relapse of Epic Proportion

Poor Eminem. He’s damned if he do and damned if he don’t. His last album, 2017’s pop-heavy Revival, flopped by…

Poor Eminem. He’s damned if he do and damned if he don’t. His last album, 2017’s pop-heavy Revival, flopped by way of social media yet wasn’t a total disaster. It moved units and afforded him headlining spots on the summer festival circuit- but it didn’t give the fans what they needed. Or did it?

This conundrum surrounds Eminem’s career. When he’s on there’s only a handful of rappers alive who can compete with his pen and his fury. But when he bogs down projects with introspection- giving us a break from his hyper-aggro screaming at the mic- it feels like we’ve been cheated. Stans can’t deal with the sappy pop-crossovers, and today’s charts simply do not have space for good old-fashioned rap acrobatics. So what’s an aging top-five-dead-or-alive rapper to do?

Marshall Mathers unleashed Kamikaze as his response to the Twitter army (and critics) who condemned him- an unexpected and venomous (although carefully measured) surprise album packed with more syllables than a semester’s worth of English-as-a-second language classes. As we all secretly hoped for, rappers ain’t safe from Em’s verbal barrage of double and triple time bars on Kamikaze, and if you have time to unpack these 13 tracks you’ll find some genuine heat.

Unfortunately, if you really unpack these ferocious bars you’ll find a grumpy old man rapping for the simple sake of reminding us how technically skilled he truly is. The problem is we’ve known that for ages. Reverting back to early 2000’s Eminem complete with the use of “faggot”- his favorite homophobic slur on the otherwise bulletproof “Fall”- does little to contribute to his relevance in 2018.

There are a few maniac standouts on Kamikaze, songs that young rappers should study for the intricate art of word play and cadence (check “The Ringer”, and “Not Alike” featuring Royce Da 5’9). Yet, those lessons are harder to learn when it’s impossible for the listener to catch their breath. For most of the record, Em is in such rapid-fire mode that you absolutely have to run back verses and entire songs to truly digest his messages. Rap nerds and old heads will revel in the task, but is that what the game needs these days? I’d argue no

Kamikaze is a rare full-on barrage of supernatural MC’ing; but it comes and goes without much meaning when the target becomes Machine Gun Kelly-who tweeted about Eminem’s attractive daughter back in 2012. Is there really a hip-hop fan alive willing to side with MGK on this one? And if you’re looking for the most lukewarm, mediocre diss track (possibly ever recorded) check out MGK’s response, “Rap Devil”, a headscratcher that splits its time attempting to discredit Em while simultaneously praising his longevity and abilities. You either want the smoke or you don’t? Like it or not, the whole thing feels like a charade.

Eminem has always carried a chip on his shoulder. When the critics go low, he goes lower. While Kamikaze is far from a low point in what will be viewed someday as a catalog of studio hits and misses, it’s far from the return to form that it was intended to be. He might not be afraid to take a stand, but it’s become tiring trying to figure out exactly who Eminem is standing against.

My name is J.D, the music fanatic, writer, blogger, and educator. I've been in love with hip hop since Bishop got too close to the ledge. If it moves me, I'll cover it. I've written an unpublished novel, created Shiny Glass Houses, and had my work featured on the Bloglin for Mishka NYC. I'm lurking in the shadows on twitter @ThexGlassxHouse. Read. Comment. Get money.
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Kaiju Returns With A Dope New Anime Crossover “Glasscase”

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Kaiju The Unconquerable is back; one of the best-kept secrets on AAHH continues with his string of high-quality visuals with his latest Anime crossover concept, “Ep.9: Glasscase.” This time around, he plays the role of Sie — a transporter finds himself in a tight situation when he runs into a kidnapping of a gorgeous girl by the name of
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Vast Aire & COSMIQ Tease Upcoming EP With New Single

The free EP drops on Thanksgiving Day

Vast Aire (Cannibal Ox) and producer COSMIQ dropped a brand new single called “Shadow Dancer” on Halloween day — in advance of the Thanksgiving release of their long-awaited EP Live From The Aireport FreEP. Sponsored by UndergroundHipHopBlog, the critically acclaimed MC is dropping a handful of additional singles leading up to the release. “Blessings to my true fans,” Vast wrote via the new single’s YouTube.

RELEVANT: Check Out Our Interview With The Duo Here

In an interview earlier this year, Vast and COSMIQ told AAHH about the upcoming EP. “I would look at it as Live From The Aireport FreEP is just a series of dope new records from [my crew] IGC, and all the people connected to IGC,” COSMIQ said. “Just giving fans a window into what we’ve been working on.”

Vast added “The EP is on a similar wavelength [as the upcoming album], but it’s not all COSMIQ … [he] will be on it, and he’ll be helping to guide it, but it’s not gonna be all him. I’m gonna have guest producers, and there’s gonna be more interaction with different MCs.”

The duo promise the impending album, Aireplane, will be cinematic in nature, with multiple layers of complex rhyming sure to make real heads — and longtime fans — swoon. That is set to dro this winter (though no exact date is confirmed). For now, we can look forward to Live From The Aireport FreEP this Thanksgiving.

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