Hailing from — of all places, Burlington (Ontario) — rapper Soo Casa, so has appeared on the site in the past, has finally gifted his growing fan base with a self-titled body of work. At a hefty 15 songs, which includes a few songs weève already worn out (but are revisiting), he manages to craft a complete picture of his artistic vision that loosies hinted at, but failed to encapsulate fully.
“Cldhnky,” a stylized form for cold honky, “Top Ramen,” and “Ksubi Slushie” had already been floating around and found their way into our listening sessions — as early as late last year. What we found interesting was how versatile of a picture it painted of the MC. While the latter two songs have these interwoven melodies and auto-tuned vocals, “Cldhnky” had this early 2000s vibe to it, that above everything, illustrate his ability to drop rhyme patterns.
“One Take” is another spot that sees him dropping fire rapid-fire flows without missing any pockets. There is also a whole ounce of self-aware humor injected, with over-the-top bars like: “I also rock Balenciagas, put my dick in your girl’s mouth and make her Lady Gaga.”
Songs like “Perc” and “Iactuallylikelilpump” are sonically sound, and reflective of his cohort, but do little to further his artistic vision. To be candid, we’re not 100% sure what his grand idea is, and the breadth of the songs are more or less focused regarding thematic direction, but it’s song structure and delivery that helps draw out his most potent moments.
“Guacamole” comes across as one the standouts on the tracklist, with a flame emoji instrumental and that Soo rides like a dirtbike down a Philly block. “Twice That” with Kid Frankie was another moment that suited him, with this bouncy West Coast vibe that needed to be MUCH longer than a minute and forty seconds. As well, “juicehouse” produced by Platinum producer CashMoneyAP (Migos, Young Boy Never Broke Again, SahBabii, etc.) is another moment worth a few spins.
It was also refreshing to see him step out of the lane a few times and try new things. “$wang” with its heavy R&B hook, and bouncy “grinding a shorty at a summer bashment” aura was a pleasant surprise. Would also be remiss not to bring up that sample flip on “Tokyo Plugin,” which was another example of his readjusting his style slightly with pleasant results.
Overall, the Slushie God managed to give a little more definition to his range and potential. With summer coming to a close, and as the fall sets in, it’ll be interesting to see what his next moves are and if he chooses to fully marry one of the many faces he’s shown on this LP.