Editorial, interview, Interviews, Main, rileysbest, Stream

Director Myster DL Chats About His New Cypress Hill Documentary

Myster DL, rapper and trusted video director who has an excellent portfolio of over 250 videos with acts like Redman,…

Myster DL, rapper and trusted video director who has an excellent portfolio of over 250 videos with acts like Redman, Sean Price, Styles P, Chuck D, Cormega, and more, recently dropped a new documentary about Cypress Hill, a group he fondly credits for helping him to make Hip Hop himself.

The Haunted Hill Documentary was filmed in one night in Boston, Massachusetts, at the legendary House of Blues. “I worked on the edit for a few days and sent a few drafts over to the guys and management,” DL tells AAHH. “They do a three-day tour annually—and I usually catch a couple of those shows.”

“Earlier this year I had released a video for Cypress Hill’s Eric Bobo, and we are always planning our next project,” he continues. “We are in the process of possibly doing a few music videos for the band.”

As DL explains, he’s been aquatinted with the iconic group for over a decade. “I’ve known B-Real the longest; I met him in roughly 2004 while living—and DJing—in Miami. I made an edited version of his Gunslinger Mixtape and sent it to him via AOL instant messenger. He was grateful and said if I ever needed anything to contact him.”

At first, DL didn’t take the open invitation seriously. “I just thought this was something people say and took a chance and asked him for a verse,” he recalls. “Within two hours I had an email and acappella. I put the verse on my iPod Nano and walked around listening to it for three weeks. We did a song together in 2004, and that blossomed into a cool relationship with the whole crew.”

“I have a song with B Real, Sticky Fingaz, Rockness Monsta and Kool G Rap that will premier on the soundtrack of my next film,” DL says proudly. “Cypress Hill inspired me to make music which eventually turned into a successful film career, so its a trip to even know them.”

According to DL, this is his most significant project to date. “It’s my first documentary film; however I do have a series of short documentaries called “Rewind The Scenes” where I look back at the making of some of my biggest music videos,” he explains.

The Haunted Hill Documentary is a must-watch for any Cypress fan; check it out below.

Riley here — father, artist, videographer, professional writer and SERIOUS hip-hop head. I'm a member of the Universal Zulu Nation, and I think everything is better on vinyl. Add me on Twitter! @specialdesigns
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#IndieSpotlight, Main

#IndieSpotlight: MusicbyKO “Life In Element” Is The Soundtrack For Pre-Fall Blues

A new LP floated across my desk by an Oakland, California, singer/rapper named MusicbyKO. A warm blend of jazzy 90s…

A new LP floated across my desk by an Oakland, California, singer/rapper named MusicbyKO. A warm blend of jazzy 90s Hip Hop and a cadence reminiscent of acts like Isaiah Rashad. Having shared stages with names like J.I.D. and Earthgang, he appears focused and composed — as evidenced by Life In Element, his new LP.


 
With a very consistent sound, KO slowly unravels a series of tracks that let you into his world just enough — without blatant TMI, or inducing a “yeah right” effect. What listeners get are the tales of a low-level drug dealer (this is both referenced and downplayed at different points), who is taking a chance on a dream, as he slowly but surely uncovers that everything the glimmers isn’t gold, and just because someone calls you brother, it doesn’t mean they have your back — or at the very least even your best interests at heart.

It’s an almost paranoid sense that snakes are roaming the grass that is revisited numerous times throughout the project, like on the song “La La Land,” “Empathy,” and “Let Me Talk With Ya/While I’m Here,” where he notes “I Know niggas right now that want to see me fall.”

He also paints a picture of himself as someone who overextends himself — such as on “Too Much Falls Short,” where he preaches that failing to leave your comfort zone is a fail before even leaving the running block.

That’s just the first few layers of this project; touching on socio-economic issues facing the black community nationwide, and even relationships (see the super dope “Spirit Rise”), he creates a lot of depth. Though the vibe is consistent — almost bordering on redundant — it manages to remain engaging. Also, that instrumental on “A Devil’s Advocate Corner” is a bucket of flame emojis doused in gasoline.

 
Like a bride on her wedding day, Life In Element is something old and something new; all that Hip Hop is dead shit goes out teh window when you hear younger cats with cohesive projects like this. With enough amazing quotables to create a success Instagram daily quote account (“I couldn’t heal in eth place I got sicker”) and an admirable ear for production, MusicbyKO NEEDS to be on your radar. It’s just good for the soul.

Early.

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interview, Interviews

#Interview: RoQy TyRaiD in ‘PLYNwcha’

RoQy TyRaiD drops a brand-new single “PLYNwcha” produced by NYC’s Motif Alumni with a psychedelic backbeat over hypnotic chants that…

RoQy TyRaiD drops a brand-new single “PLYNwcha” produced by NYC’s Motif Alumni with a psychedelic backbeat over hypnotic chants that groove. With an edgy prose, RoQy TyRaiD takes Hip Hop to the next level and Above Average Hip Hop wanted to know more. What can be said about his subject matter personifies the culture that raised him. Coming up in the game can be a struggle, but for RoQy, it’s all about keeping it real. “I don’t have to play by the rules. I’m going to do what I want, and I’m going to find my success regardless,” says RoQyTyRaiD.   

 

I get placed on this green planet for a finite amount of time and I don’t feel like I’m surrendering any of that to people who are championing consistencies and stratification and all of that nonsense. – RoQy TyRaiD

However, there are different modes of success, and whether it equates to monetizing your product or artistically expressing and further developing your brand, the rapper RoQy TyRaiD stays true to his values in the culture that brought him his new single “PLYNwcha.”

Tell me about RoQy TyRaiD. Who are you and where are you from?   

I reside in Phoenix, Arizona. I’m originally from southern California, born and raised. I’m just here to advance my artistic pursuits and find myself deeper in the culture that inspired me and gave me a live soundtrack. I feel that artists, at the end of the day, are just glorified fans. I’m finding my way further in the culture that inspired me, and this is why I’m here.

Some would describe you as a socially conscious rapper. How would you describe your subject matter?

I mean, people have classified me like that. I’m just more aware to life. I mean, it happens to fall in it in terms of just discerning your surroundings. Unfortunately, and fortunately as opposed to politics and things related, social climate plays a role. So, I could say, you know, they’re right. I’m just a normal dude.  I mean sometimes the content touches on political topics.

What is your most recent single?

It’s called “PLYNwcha.” It’s me flexing my capabilities lyrically, providing some hype music. I’m breaking away from the direction that I was sent down artistically and just getting back to making music that makes you want to throw a merch table across the venue. I detail instances where I was just being delivered pipe dreams just waiting for this nonexistent idea of success or mythical ideas and just really being fed up with it. I guess I deliver it in a more aggressive energy forward manner. But what it is — I have no time.

I’m not like a 21-year-old dude who can play trial and error. I get placed on this green planet for a finite amount of time and I don’t feel like I’m surrendering any of that to people who are championing consistencies and stratification and all of that nonsense. We’re with the advent of social media, Internet, and advancing technology. I don’t have to play by your rules. I’m going to do what I want and I’m going to find my success regardless. I guess it’s realizing that feeling and you know, taking the gloves off.

It sounds like you have a different set of values on what constitutes success. Would you say that is accurate?

Absolutely, my role is looked at differently from the next man or woman. Even describing the adversities and the games and you know, standards you have to abide by. For example, I have two sold-out dates in the UK, another one lined up press and individuals waiting to get the piece of this new music and you know, I think that reflects taking your destiny by your own hands as opposed to abiding by what you’re told to do.

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Main

Video Spotlight: Mean Joe Scheme & Optiks

In this video spotlight, Joe and Optiks discuss the new project, the state of east coast hip-hop, and what to expect from BEAMS. Be sure to check out both singles below, and follow @meanjoescheme and @thisisoptiks on your socials.

NYC artists Mean Joe Scheme and Optiks are putting the finishing touches on BEAMS, their new collaborative project. If “Cannonball” and “Hands Down” are any indication, we’re in for a viscous slice of hybrid hip-hop- a fusion of beats, rhymes, and anxious 2018 energy.

In this video spotlight, Joe and Optiks discuss the new project, the state of east coast hip-hop, and what to expect from BEAMS. Be sure to check out both singles below, and follow @meanjoescheme and @thisisoptiks on your socials.

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Main, Reviews

Eminem: Kamikaze- A Relapse of Epic Proportion

Poor Eminem. He’s damned if he do and damned if he don’t. His last album, 2017’s pop-heavy Revival, flopped by…

Poor Eminem. He’s damned if he do and damned if he don’t. His last album, 2017’s pop-heavy Revival, flopped by way of social media yet wasn’t a total disaster. It moved units and afforded him headlining spots on the summer festival circuit- but it didn’t give the fans what they needed. Or did it?

This conundrum surrounds Eminem’s career. When he’s on there’s only a handful of rappers alive who can compete with his pen and his fury. But when he bogs down projects with introspection- giving us a break from his hyper-aggro screaming at the mic- it feels like we’ve been cheated. Stans can’t deal with the sappy pop-crossovers, and today’s charts simply do not have space for good old-fashioned rap acrobatics. So what’s an aging top-five-dead-or-alive rapper to do?

Marshall Mathers unleashed Kamikaze as his response to the Twitter army (and critics) who condemned him- an unexpected and venomous (although carefully measured) surprise album packed with more syllables than a semester’s worth of English-as-a-second language classes. As we all secretly hoped for, rappers ain’t safe from Em’s verbal barrage of double and triple time bars on Kamikaze, and if you have time to unpack these 13 tracks you’ll find some genuine heat.

Unfortunately, if you really unpack these ferocious bars you’ll find a grumpy old man rapping for the simple sake of reminding us how technically skilled he truly is. The problem is we’ve known that for ages. Reverting back to early 2000’s Eminem complete with the use of “faggot”- his favorite homophobic slur on the otherwise bulletproof “Fall”- does little to contribute to his relevance in 2018.

There are a few maniac standouts on Kamikaze, songs that young rappers should study for the intricate art of word play and cadence (check “The Ringer”, and “Not Alike” featuring Royce Da 5’9). Yet, those lessons are harder to learn when it’s impossible for the listener to catch their breath. For most of the record, Em is in such rapid-fire mode that you absolutely have to run back verses and entire songs to truly digest his messages. Rap nerds and old heads will revel in the task, but is that what the game needs these days? I’d argue no

Kamikaze is a rare full-on barrage of supernatural MC’ing; but it comes and goes without much meaning when the target becomes Machine Gun Kelly-who tweeted about Eminem’s attractive daughter back in 2012. Is there really a hip-hop fan alive willing to side with MGK on this one? And if you’re looking for the most lukewarm, mediocre diss track (possibly ever recorded) check out MGK’s response, “Rap Devil”, a headscratcher that splits its time attempting to discredit Em while simultaneously praising his longevity and abilities. You either want the smoke or you don’t? Like it or not, the whole thing feels like a charade.

Eminem has always carried a chip on his shoulder. When the critics go low, he goes lower. While Kamikaze is far from a low point in what will be viewed someday as a catalog of studio hits and misses, it’s far from the return to form that it was intended to be. He might not be afraid to take a stand, but it’s become tiring trying to figure out exactly who Eminem is standing against.

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Aaron Cohen Wraps A Fruitful 2017 With A Trippy New Video

Every single year I make a heap of predictions about all the artists I’ve dedicated my pen game to—and I’m...

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