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The Evolution Of Jay IDK

Maryland rapper Jay IDK (IDK for short) has finally found his way into people’s playlists, which according to his song…

Maryland rapper Jay IDK (IDK for short) has finally found his way into people’s playlists, which according to his song “Dirty Scale” probably just saved him from the looming grips of the devil.

IDK broke through to his widest audience yet after featuring on A$AP Ferg’s new single: “Kristi,” and Denzel Curry’s “No Wave” and “Uh Huh.” These big name collabs helped people who were busy snoozing find out about the rapper’s prior work, which when listened to in-depth puts IDK in the running for the next big lyrical voice in hip-hop.

But trying to understand IDK’s style isn’t easy. Throughout his four projects, the rapper has shown how effortlessly he can fluctuate and change. His first mixtape Sex, Drugs, and Homework felt like it was leaning towards 
“turn up music” with songs like “2 Hoes” and features from artists like Jerren Benton. But this project became an introduction to IDK’s inner conflict and most formative life experiences. His next two mixtapes, Subtrap and Empty Bank, contain a few prominent trap anthems like “God Said Trap,” introducing a new feel to the rapper’s trademark storytelling, while his newest album, IWASVERYBAD, delivers on all of these fronts.

IDK forged his way into hip-hop by telling stories in his music and waiting for people to want to hear them. No matter what his subject is, the rapping always reflects his experiences or revelations. This is what stuck out the most to me about IDK. Even when the music transformed to speaking about crime, robbery, and violence, it never became “trap.” The music simply reflected his experiences with the lifestyle. Same goes for Sex, Drugs, and Homework. This mixtape was brutally honest when talking about the painful experience of having to balance education and artistry, and IDK did so in a unique way that differentiated him from artists who talk about lifestyles they don’t live.

The rapper’s newest project: IWASVERYBAD seems to encapsulate everything that IDK was saying in his prior work. It begins with a song that recycles past references to Satan and then introduces the album with choir-like singing and a heartfelt verse describing his transition from a normal middle-class kid to drug dealer turned rapper. This journey is also reflected in the cover art where IDK is stood back to the camera in an orange jumpsuit with a dove perched on his left shoulder. The rest of the album continues weaving this story into its diverse and highly musical production, with some impressive features from Swizz Beats, Chief Keef, and MF DOOM. This project is brutally honest about the rapper’s criminal history but also about his relationship with his late mother. On songs like “No Shoes on the Rug, Leave Them at the Door” and “Black Sheep, White Dove” IDK passionately raps about his family relations and creates a testament to his mother and what she taught him during his life. These tracks beautifully contrast the aggressiveness sprinkled throughout the tape and allowed IDK to show off his lyrical ability as well as his impressive singing skills.

According to IDK, IWASVERYBAD was released by Adult Swim after he reached out to the channel’s creative director Jason DeMarco on Twitter. Adult Swim is known for partnering with innovative rappers, and apparently, IDK was the perfect fit for their musical pallet.

Jay IDK’s most recent collaborations with Denzel Curry and Ferg have truly elevated him to a new level of rapping ability. He spits bars with whole new energy on these songs, proving to his fans that he is far from the end of his creative development. Now, all we have to do is sit back and wait to see what this promising MC is capable of on future tracks and an album he claims to have just started via Twitter.

Currently obtaining my undergrad for Film & Media Studies in beautiful Tampa Bay Florida, I love hiking, biking, rock climbing, surfing, and most importantly: hip hop. My favorite rapper is MF DOOM and my top writer is Hunter S. Thompson.
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Sol Patches’ Album Serves As A ‘Love Letter’ To The Trans Community

Last year on Giving Tuesday (November 27),  New York-based, Chicago-born-and-raised multi-disciplined artist Sol Patches launched GoFundMe campaign to assist with…

Last year on Giving Tuesday (November 27),  New York-based, Chicago-born-and-raised multi-disciplined artist Sol Patches launched GoFundMe campaign to assist with the costs of gender-affirming medical processes.

“Bearing markers of both gender non-conformance and black racialization, my being is constantly under scrutiny,” she wrote about about the campaign. “With increasing anti-trans policy pressure from the state, not to mention the mind-boggling violence endured by black trans women daily, urgency is ingrained into my survival.”

Sol Patches is seeking $10,000 for medical costs, of which she’s raised more than $8,800 in the first two months of the campaign.

“I am endlessly thankful for my chosen family of siblings, mentors and loved ones for supporting me in my transition up until now, and I’m deeply grateful for every contribution,” she wrote.

In early 2018, she released her second full length project, titled Garden City, which she described as “a love letter written in music for trans people, we who dream and live to unlearn-creating in a field that denies our very existence.”

Garden City could call to mind The Garden State, New Jersey, but Sol explained the album title refers to many different things.

“One of those is the idea of a garden city first made its way to the books, in Europe when folks were trying to create utopias – the Utopian Movement,” she said. “One of the cities was supposed to be about gardens and having a city. So like, having the intersections of farming and plants and all that stuff with a city aspect. But eventually it was corrupted. A lot of rich people saw value and profit to be made, and it ultimately crumbled. So it’s definitely inspired in that tradition.”

 

Sol Patches also said the Garden City title has a Chicago connection, as the city’s seal includes the Latin phrase “Urbs in Horto,” or “City in a Garden.”

“I was also working with this brilliant poet and singer and creator (Chaski), and we were talking about the abandoned lots in Chicago and talking about how those deeply have affected us,” Sol explained. “It’s always been so inspiring when I think about growing up on the South Side and the West Side, and there not being many well-put-together playgrounds… And how folks made these lots a place of many happenings. And so that at its core is what inspired the LP.”

Garden City was released in early 2018, nearly two years after Sol Patches’ previous full-length As 2 Water Hurricanes, which boosted her profile in the Chicago music scene – particularly within the DIY community – landing her features in the Chicago Reader and South Side Weekly.

“As 2 Water Hurricanes was first ever project that I released, and I wrote it at a time where there were so many protests and calls-to-action in Chicago,” she said. “I was also involved in those actions and organizing those. And at the same time I was young as hell – I’m still young as hell – and it was written from the perspective of a genderqueer kid, who doesn’t know if they’re gonna make it past 18. And Garden City is more so like the aftermath. And how do I not die for my people, how do I live for the various people, who’ve given all they can to help support me. Like, how do I live for them? So that’s the tone I think, that shows the difference.”

 

Sol said during the time leading up to Garden City, she improved on their technical abilities as a producer and sound engineer. She produced most of the record, with additional production from her sibling Eiigo Groove, as well as Chaski (who also executive produced the album), Eve Carlstrom and Little Bear. The record also features collaborations with artists such as Rich Jones, Plus Sign, Ano Ba, Sasha No Disco and Mykele Deville.

Garden City wasn’t the only release Patches delivered in 2018. In late May, she quietly put out a more experimental project, titled Blue Transitions.

Blue Transitions, even more so than her previous work, is a freeform expression of art and identity. Sol Patches is working on re-releasing that project, which is expected to be released on most streaming platforms, including Spotify and Apple Music.

Lead photo by: Chaski

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#IndieSpotlight: Tre Cartel’s Collaborative EP With CashMoney AP Is A Moment For The ATL MC

ATL MC Tre Cartel is someone who we’ve championed quite a bit in the past, which it’s exciting to finally…

ATL MC Tre Cartel is someone who we’ve championed quite a bit in the past, which it’s exciting to finally get his three-song EP Obtain This Grain — as it feels like a moment for him. Produced entirely by CashMoney AP — a platinum-selling beatsmith whose crafted hits for the likes of Lil Wayne, YoungBoy Never Broke Again, Ski Mask The Slump God, Tory Lanez, Dave East, Jay Critch, and MANY more — the offering is concise but poignant.

 
It kicks off with “That Guy,” which is a dollar-sign tinged profession of why he’s that catch that “she” has been looking for — featuring a guest verse from YFA King, who smashes the melodic flow. “Knock Your Hustle” is another song aimed at a female, quite cohesively playing off the thematic elements of the first track.

The special sauce though is the absolute banger “Formula,” in which he notes “I think I found out the formula,” adding that he’s just warming up. His evolved Migo-esque flow with his cadence and the gorgeous flute in the bridge of the record make this song almost ironic in it’s prophetic in its overall message.

At three songs, it’s an appetizer at best; yet Tre Cartel appears to have hit his stride over this batch of insanely fire beats supplied by CashMoney. While we may see him open up a little more below the surface when we’re blessed with a larger body of work to digest, Obtain This Grain has a hearty helping of replay value worth adding to your playlist if you’re in search of the next-big-thing to pop from the hotbed that is Atlanta.

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#IndieSpotlight: Reíne Imoan Sets The Tone With Her Soulful Debut “Soul Sista”

Long Island, New York, singer Reíne Imoan is about to make a splash in 2019 with her debut VWR. Her…

Long Island, New York, singer Reíne Imoan is about to make a splash in 2019 with her debut VWR. Her first official single “Soul Sista” produced by Shepard X is out now — and as Imoan recounts to AAHH, the track was fun to create. “It was made off of groove and straight vibes … brings me back to the late 90’s early 2000’s, which was one of my fave eras of music.

“I remember Shepard X introducing the beat to me with the concept and instantly I started bopping and knew I had to have it,” she continues.

She has always been involved in music — and it all started with her father, who used to play his vast music collection constantly. “From Roots Reggae to R&B soul every Sunday dinner,” she recalls with a smile.

“I remember singing the first verse I ever wrote to my friends and they hyped me so much,” she says. That push made me want to keep going and see what else I can do. I searched on youtube for beats and just kept writing. I felt it in my heart that this is what I’d be doing for sure.”

All roads have led to her upcoming project, but she’s not rushing anything. “I want to take my time with this one and give people something they can relate and bump to,” she says adding that the collaborations lined up are worth waiting for. I used to rush things because I saw other people putting stuff out … I was just so eager to get out there. But I had to center myself and say Fuck that, take your time and don’t let others make you feel like you have to rush anything. Quality over quantity, always.”

Ultimately, she’s crafting a first impression that she hopes will be great. “I’m working every day and practicing my craft to be one of the best entertainers in the industry. I plan on writing songs for other singers and artist in the industry, along with working with them on projects,” she says, describing her long-term objectives.

“After I drop my EP, I’m going to keep creating and see where the universe lands me. I plan on doing lots of performances this year and putting myself out there. Later in my career, I plan on dabbling into acting — another art that I’ve always enjoyed. When God gives you a talent, I believe you have to share it with the world.”

Check out her debut single, “Soul Sista,” below.

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Last ‘On The Cusp’ Playlist Of 2018

On The Cusp is a living playlist dedicated to showcasing the buzzing new music on our radar — as curated…

On The Cusp is a living playlist dedicated to showcasing the buzzing new music on our radar — as curated by our writer Riley Wallace. For all inquiries and submissions, hit up the playlist’s official Twitter feed.

This week’s cover artist is EverythigOShaun.

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EP Review: Diplo – “California”

Admittedly, I’m not much of an EDM guy. Although I can certainly appreciate a dancehall banger in a social environment,...

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