Main

Producer & DJ Diablo Is Surfing The New Wave On A Gucci Surfboard

Currently on tour with “Gucci Gang” rapper Lil Pump, he’s on a come up!

Photo credit: @karlyshoots


Whether or not you agree or even fuck with this new wave of artists flooding the industry, they’re here to stay — and they’re doing numbers. The ascent has been pretty steady, which I think many may not realize. Thriving in a generation that started sharing the dankest of the dank memes by the time they were in high school, they’ve turned consistent grind and work ethic via services like SoundCloud into vehicles to propel themselves to Billboard fame, selling out shows and making racks (and racks).

In the thick of it all is Ecuadorian DJ and producer Diablo, a 21-year-old LA-based Florida transplant. His close friendships with some acts like Lil Pump and Wifisfuneral has afforded him an impressive catalog of production credits and, well, a pretty awesome life.

Currently, he’s been seen rocking across the country with Pump, whose “Gucci Gang” has spent 17 weeks on Billboard’s Hot 100, peaking #3.

“I started seriously getting into [music] production around 15,” he tells me, “but, I always had a passion for music.”

His first notable placement was with his good friend Wifisfuneral, a south Florida rapper who (first) gained widespread critical acclaim with the release of “Light-Skinned Trick Daddy” back in 2014, and (just last year) at SXSW, signed a major label deal with Interscope/Alamo Records. “[I] Love that guy,” Diablo says. “He’s gonna blow up … feels insane to see that hard work pays off.”

“What’s crazy is most of these artists are good friends of mine, so when I see my brothers succeed it brings me happiness,” he continues. “I’m just happy that I get a chance to work with such diverse musicians.”

To date, Diablo’s biggest song out is his collaboration with Lil Pump, “Boss,” which went Gold, and is about to certify Platinum.

“I was already traveling back and forth so much I said ‘fuck it imma move here,’” he tells me about his recent (quasi-permanent) move to LA from Florida. “Not to mention, it’s a dope environment, and it keeps me creative and motivated.”

“[The scene] is bigger, and it’s getting more attention, which is dope,” he notes. But, he seems most grateful for the opportunity to be in the epicenter of the game’s current wave. “I’m glad I get to be apart of such fascinating time in music and hip-hop history,” he says proudly.

He’s been touring with Pump et al., for the last little while, but 2018, he’s planning on taking things to the next level. “I’m going to release an album with insane production and features,” he tells me. “I’ll also be playing more live shows this year — and festivals. A lot more collaborations, and consistent music.”

“This year is all about working with as many artists as I can and expanding as an artist,” he says at the conclusion of our chat. “Shout out to all my brothas Pump, Craig Xen, Smokepurpp, Wifi, Trunks, and Ski Mask … everyone has such a bright future to come.”

With this much under their belts — and all under 25 — it’s hard not to see Diablo’s vision. I mean, according to this Twitter post, he co-produced a song with Diplo called “Illuminati” for Ski Mask featuring Lil Yachty. 2018 is off to a great start!

 

https://twitter.com/diablosucks/status/941450816665374721

Riley here — father, artist, videographer, professional writer and SERIOUS hip-hop head. I'm a member of the Universal Zulu Nation, and I think everything is better on vinyl. Add me on Twitter! @specialdesigns
Related Articles
Uncategorized

You Should Be Excited About Rich the Kid’s Debut Album

Whatever title Rich settles on, you can rest assured that this album is going to be good

Atlanta via New York City rapper and Rich Forever Music founder Rich the Kid is set to drop his solo debut full-length in 2018.

After years of mixtapes and collaborations with artists such as Migos, Young Thug, and 21 Savage, Rich invested in himself and founded his label, Rich Forever Music, in the early spring of 2016. The first artists to hop on board were Chicago rapper Famous Dex and producer The Lab Cook, with whom Rich collaborated on the label’s first two tapes, Rich Forever Music and Rich Forever 2. In the fall of 2016, fellow New York City spitter Jay Critch signed to Rich Forever and, less than a year later, appeared with Rich and Dex on Rich Forever 3 – one of the best mixtapes of 2017, in my opinion.

https://twitter.com/richthekid/status/949364231475834880

Concerning his solo work, Rich signed to Interscope Records last summer and got to work on his full-length debut. The hype only grew in September when Rich dropped one hell of a single, “New Freezer,” with Kendrick Lamar. The landmark track rides an icy trap beat and showcases Rich’s talent as a hook-writer. Oh, and Kendrick snaps. Hard.

Only a few days into the new year, Rich announced via Twitter that Rich Forever 4 is on the way, featuring the same trio as its predecessor. On January 7, he posted an Instagram video of himself rapping along to an unreleased track with the caption “Finished my album last night now what should I call it?”

Whatever title Rich settles on, you can rest assured that this album is going to be good.

https://www.instagram.com/p/BdqhQ33hcgR/

Continue Reading
Uncategorized

Migos Announce “Culture II” Release Date + Cover Art

One year after Migos “changed the culture” with their sophomore album, they plan to do it once more. Migos announced…

One year after Migos “changed the culture” with their sophomore album, they plan to do it once more. Migos announced Culture II via Instagram on Monday night, with a release date of January 26, almost one year after Culture (now certified platinum), took the world by storm, moving 131,000 copies in its first week. The announcement comes after a late 2017 interview with Montreality, where Quavo was vocal about the group’s new sound.

“We’re creating a whole new sound [with this album.] Hip-Hop has changed in a big way, so you could mark this down as we changing.” –Quavo (to Montreality)

The album is led by the Pharrell-produced single “Stir Fry,” and the Cardi-B assisted “Motorsport” — both of which are tearing up the Billboard Hot 100. While little is known about the project, Quavo promises top quality production. “CULTURE II WAIT TILL U C WHO EXECUTIVE PRODUCED IT” the rapper tweeted back in October. Check out the announcement below, and pray the trio release the tracklist soon.

C U L T U R E II

A post shared by Migos (@migos) on

Continue Reading
Uncategorized

Lil Pump’s Team Finesses Their Way Out Of WB Deal

With a successful debut album under his belt and a “xan-free” 2018 ahead, Lil Pump is now entering the new…

With a successful debut album under his belt and a “xan-free” 2018 ahead, Lil Pump is now entering the new year as an independent artist. According to Billboard, The “Designer” rapper recently terminated his contract with Warner Bros., stating he was only 16 when he signed.

Famed entertainment attorney John Branca wrote a letter to the label on Pump’s behalf, reaffirming the age issue, and further arguing the contract was “never certified by the court,” Billboard states. Warner Bros. Larry Mattera, the labels VP of commerce and marketing, said:

“We, as a company and as a label, needed to build and establish more of a presence in the urban space. They (clearly) had insights and relationships on the urban side of the business in the network landscape.”

The “Gucci Gang” rapper is well positioned as an independent artist and is rumored to be fielding offers anywhere from $8 to $12 million, according to Complex. The young Soundcloud breakout is already a high-paid sensation. In December, TMZ reported that Pump received a $345,000 advance on his debut album, in addition to 15% royalties. The album moved 46,000 copies its opening week, and its lead single “Gucci Gang” is still moving. Former Warner Bros. CEO Cameron Stang Praised the rappers business savvy, telling Billboard: “They’re innovative spirits, and they don’t take no for an answer. Pump is an incredible artist; he’s got fantastic charisma and a huge personality, with lots of talent and no fear.”

Lil Pump isn’t the only one making serious moves in 2018. Fellow Soundcloud rapper and childhood friend Smokepurpp recently signed to Travis Scott’s Cactus Jack Records and is finishing up a highly-anticipated collab album with Murda Beatz. Pump recently released his latest track “Trap Jumpin” featuring Juicy J, which you can find below.

Continue Reading
Uncategorized

“Money Power Respect” Turns 20

It’s a glimmering artifact that marked the end of Bad Boy’s golden era.

1996, I’m up at 2 am on a Friday dubbing College radio — as was the routine at the time — and then I hear it, “You’ll See” by The LOX featuring the Notorious B.I.G. Over the repurposed instrumental of Faith Evan’s “Used To Love Me,” the trio (though obviously younger) had that signature chemistry that we’ve always collectively loved them for, and of course a flame emoji Biggie verse. The song was dubbed off that original tape so many times the tape popped.

“Money Power Respect” Turns 20

The following year, we became even better versed with the Yonkers trio, as they made incredibly high profile appearances; first on Puffy’s “All About The Benjamins,” Ma$e’s “24 Hours To Live” and then on Mariah Carey’s “Honey” remix. By the time “If You Think I’m Jiggy” dropped on white label samplers, the hype for their debut album Money Power Respect was tremendous.

20 years later, it remains one of those albums that has stuck with me; though dipped in elements from the grandiose height of Jiggy” era, which was stamped with big budget videos and shiny suits, the album holds up with its incredible production and (timeless) street-hop lyricism.

When I call an album timeless, I base that title on the ability to rock an album all these years later and still have the same impact as it did the first time I rocked it. To put that statement into perspective, playing the debut album by Das Efx today likely doesn’t create the same charm as it did back in the day.

The title track of this album can still be played anywhere — at any time — and garner a positive reaction. The shit is a classic. But, apparent hits aside, it’s B-sides like the Carl Thomas “Let’s Start Rap Over,” which is an homage to rap legends of the 80s, or the spacey “All For The Love” instrumental that genuinely carry this project.

Ending with the touching “We’ll Always Love Big Poppa,” a tribute to Biggie, the album ultimately stands up as the end of the golden era of Bad Bay Entertainment. With Ma$e’s eventual departure from the game, Biggie returning to the essence, and Puff’s solo career taking on a new life of its own — on top of The Lox’s campaign to be released from the label — shit was never really the same. The label had hits and had a more than a few new “superstars” on its ever-changing roster, but nothing felt as powerful and impactful as their original run.

Money Power Respect is a classic album. Plain and simple. Whether you’re a Young head wondering how The Lox came to be so revered, or an old head who hasn’t bumped this album since your teens, It’s worth revisiting — in fact, here it is. Press play and let it run.

Continue Reading
More in Main
South African Rhymer Shane Eagle Is Bridging The Gap

“I want to bring Africa to the world in a way that hasn't happened yet.”

Close