Editorial, interview, Interviews, Main, rileysbest

MTV Star P.Muna Preps His Official Project, ‘1991’

“I’m an artist that’s here to stay.” –P.Muna Not many artists get the kind of opportunity afforded to 27-year-old P.Muna….

“I’m an artist that’s here to stay.” –P.Muna

Not many artists get the kind of opportunity afforded to 27-year-old P.Muna. The New Yorker — born Prosper Mbongue-Muna — earned a healthy base of fans appearing as a cast member on MTV’s Are You The One?. “It was a crazy experience,” he tells AAHH. “One of the craziest experiences of my life … I was chilling with a bunch of beautiful women and got to make some money at the ends, so that’s always nice.”

The experience, aside from putting his face out there, allowed him to leverage red carpet situations, and connect some critical dots. “It was just a great outlet,” he continues. “It was different you know … it wasn’t [really] a ‘Hip Hop culture’ outlet.” He quickly adds, “at the same time my music is more universal.”

His music has heaps of crossover appeal. He only just recently popped into my radar with his visual “Game,” which was included in our #aahhtop5weekly round-up earlier this month. The track, along with his other new track, “Vice City,” are both slated to appear on his brand new project, 1991, which — although being touted on blogs as far back as late 1996, is dropping in the next month or so.

“I’m working on a project called 1991,” Muna explains, “the year I was born. I’m speaking to the generation, you know, everybody from the nineties, or around that era. Just representing.”

Eyes and ears are definitely on the kid, especially with a track record of opening/sharing stages with big names like Snoop Dogg and 2 Chainz — among others. But pressure is nothing; his dizzying amount of grind is looking like it’s about to pay off.

“I got to shoot a music video [last week] for one of my new songs called Pull Up … I am very excited about that,” he tells us. “Just working man, that’s where I’m at right now.”

Something is intriguing about his story — which mirrors the all-American Dream. He went to New York with just over $100 in his pocket and a dream of making in this industry.

“I just want to let people know I’m an artist that’s here to stay,” he tells us before hopping off of the phone call, “that’s what’s up.” He just dropped a remix of the Childish Gambino hit, “Redbone.” You can check That out, below. His new video, “Pull Up,” drops on September 1st.

https://soundcloud.com/p-muna/vice-city-ft-gio/s-ZBtaT

Riley here — father, artist, videographer, professional writer and SERIOUS hip-hop head. I'm a member of the Universal Zulu Nation, and I think everything is better on vinyl. Add me on Twitter! @specialdesigns
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Reily Marte Keeps it Authentic For His Fans

“Always keep it real … people [will] feel what you’re saying in your music.”

Brooklyn-born Florida resident Reily Marte is currently making noise with his new single “Nobody Else,” which is presently steaming on all important platforms. The song is the second drop from his upcoming album Patience, a title that is a subtle plea to his fanbase. “The album stands for being patient with the songs I’m creating,” he tells AAHH. “Be patient; I got vibes for you all to listen to coming soon.”

Reily was introduced to the music industry at the young age of 13 by his father. “Dad was more focused on the Spanish scene,” he notes, “but there’s still little tips I get from him and learn from him.” Fast forward, he’s now a multi-faceted creative and a one-man team. “[I] record, mix and master all [my] songs,” he states proudly.

The upcoming LP promises to deliver a plethora of vibes to attract a multitude of different listeners to his music. “My sound can go from a dark feel to an uptempo dancehall style to a soulful RnB type of sound,” he says, citing Eli Sostre, Drake, and a handful of regional artists as influences.

“My goal in the industry is to show the younger generation that you can create different types of sounds and still get support from fans,” he states confidently. “If you’re authentic with your music people will respect it.”

“Always keep it real … people [will] feel what you’re saying in your music.”

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#FireFriday, Editorial, interview

Famous Dex Talks New Album & Dual Identities In Exclusive Interview

“I didn’t [really] just discover them, it’s always been like that.”

Coated in Diamonds, with a Gucci bag draped at his hip, Chicago rapper Famous Dex took the stage in a black werewolf T-shirt at New York’s Gold Bar on March 27 to premiere his new album Dex Vs. Dexter, and to receive a gold certification plaque for his bouncy track “Pick It Up” with A$AP Rocky. The album, while still flux in braggadocio lyrics, demonstrates creative growth for the rapper. Released on April 6th, the date was personally chosen by Dex to coincide with the three year anniversary of his mother’s passing from breast cancer. “It’s influenced my hustle. Everything I do now has a greater purpose because of her,” Dex told Above Average Hip-Hop. “The decisions I make with my family and my career, I always consider what she would tell me.”

The project’s theme of separate entities, while not a foreign concept in Hip-Hop, paints the audacious artist as someone more than how he appears to fans. “I didn’t [really] just discover them, it’s always been like that,” the artist said of his two identities. “Dex is the romantic guy,” he said with a laugh, “Dex is single, well both Dex and Dexter are single, but Dex loves women, chilling, vibing, [and] not doing too much. Sometimes people see me on a video, and I’m really laid back, that’s Dex.” In contrast, ‘Dexter’ is the artist everyone is familiar with. “He’s a clown, wild, crazy with ad-libs and everything. Dexter is who most people know in my music.” The two characters are fully realized on the albums cover art, with “Dex” sprawled on a green leather couch with a girl on his lap, while “Dexter” zooms around the couch in an animated form.

 
In contrast to Dex’s previous work, the rapper’s official debut is heavy on pop influences. The hook on “Prove It,” is layered in a pop-rock guitar riff and steady 808 drums. “Take this ride with me, sip this Hennessy, I got bands on me…Ooh girl you so sweet,” Dex sings in the third verse. Another drastic musical departure for the mumble rapper comes in the form of “LIGHT,” a radio-ready single featuring pop-rock quartet Drax Project. “Aw man, Drax! I love those guys,” Dex said of working with the band. “It just happened, I don’t know exactly how it happened, but I’m not going to question God because it’s dope! I’ve never made a song like that before.” Dex sings on the track alongside the group, his gooey auto-tuned vocals harmonizing with Drax.

However, Dex still makes room on his debut to tackle familiar territory. “LIGHT” is followed by “Celine,” a barely-two-minute bouncy interlude that finds the rapper reassuring his fans not everything has changed. “My favorite track to get hype to is ‘Celine.’ That song is fire,” Dex said. “It’s so natural to me, and I love to perform it.” Other tracks like the lead single “Japan,” “Take Her” with Wiz Khalifa and the album’s intro “DMD” find Dex in his comfort zone as he tackles beats by Pi’erre Bourne and J Gramm, among others. “This whole album is a celebration,” Dex said. Even with a new album just released, Dex is already planning his next steps. “I’m already working on my next album, Rich Forever got something fire coming out soon, so be on the lookout for that.”

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“My Dear Melancholy” is Bone-Chillingly Beautiful

Judging from the dark subject matter that has typified Abel “The Weeknd” Tesfaye’s catalogue to date–which includes rampant drug abuse,…

Judging from the dark subject matter that has typified Abel “The Weeknd” Tesfaye’s catalogue to date–which includes rampant drug abuse, his struggles as a homeless young-adult, and suicidal thoughts–few could have guessed that it would be his short stint with a former Disney Channel star that would leave him at his lowest. The Starboy crooner leaves little to speculation on his latest commercial release, My Dear Melancholy, a succinct six-song EP inarguably based on the fallout after his recent fling with pop star Selena Gomez. 

While The Weeknd’s anguish seems genuine and makes you feel for the guy, it’s impossible to ignore the glaring irony in his recent complaints, one, given Gomez’ goody-two-shoes persona, and even more so given the overtly misogynistic lyrics that Tesfaye is so well known for. Here are a few in case you need a reminder (no pun intended):

From the track “Party Monster” off of Starboy: “Woke up by a girl I don’t even know her name.”

From the smash hit “The Hills” off of the 2015 release Beauty Behind the Madness: “I only call you when it’s half past five, the only time I’d ever call you mine.”

Later on the same track, “I just fucked two bitches ‘fore I saw you.” 

Lastly, on the track “Reminder,” also off of Starboy: “When I travel ’round the globe, make a couple mil’ a show, and I come back to my city, I fuck every girl I know.” 

With that being said, musically, My Dear Melancholy is bone-chillingly beautiful. The Weeknd returns to his dark and cavernous House of Balloons roots on the project while still maintaining his newfound pop sensibilities. Rattling bass, slow, driving percussion, and subtle, haunting synths and keys cproductions. The production on most of My Dear Melancholy leaves room for Tesfaye’s vocals to take the driver’s seat, unlike that of the brighter and grandiose Starboy. From a lyrical standpoint, the EP is peppered with moving, weighty bars:

Off of “Wasted Times:” “I don’t wanna wake up if you ain’t laying next to me.”

Off of “Call Out My Name,” the opener: “I almost cut a piece of myself for your life,” a reference to Gomez’ recent search for a kidney donor

Tesfaye saves the best for last, providing the most melodically beautiful and lyrically clever portion of the EP on the closing track “Privilege,” as he repeats in a despondent, Vocoder-enhanced tone: “I got two red pills, to take the blues away.”

It is hard to deny the allure of much of The Weeknd’s work, regardless of lyrical content, due to the singer’s angelic voice and cutting-edge production. On My Dear Melancholy, Tesfaye achieves success from both a melodic and lyrical standpoint, substituting (for the most part) tales of apathetic sexual encounters for raw, vulnerable descriptions of his recent struggle with heartbreak. The Weeknd has finally found the middle ground between his groundbreaking, alt-R&B House of Balloons project and the poppy, Funk-infused Starboy. Lastly, to those Weeknd Stans worried about the Toronto star returning to normalcy, the singer explains on “Privilege:” 

“And I’ma fuck the pain away, and I know I’ll be okay…But I’ma drink the pain away, I’ll be back to my old ways.” 

Not to worry people; the Abel we’ve come to know, and love isn’t going anywhere.

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Cardi B’s Debut Album “Invasion of Privacy” Is Out Now

It’s almost a week since Cardi B’s debut album, Invasion of Privacy dropped. Her fans, the Bardi Gang, are more than…

It’s almost a week since Cardi B’s debut album, Invasion of Privacy dropped. Her fans, the Bardi Gang, are more than pleased with the LP, which has aldo managed to make those who weren’t fans, into new ones..

“I like proving niggas wrong, I do what they say I can’t,” raps Cardi B on “I Like It”

I can’t think of an artist that has had as bomb a breakout year as Cardi B has. She gave us the summer 2017 hit, “Bodak Yellow,” and since then, she’s been on the Billboard charts back to back (to back). The last ten months have been especially great to her, let alone this week. After releasing Invasion of Privacy, Cardi revealed her pregnancy with rapper Offset on “Saturday Night Live”; also, she was the first person ever to co-host The Tonight Show Starring Jimmy Fallon.

Invasion of Privacy is an upfront look into Cardi’s everyday life. She’s confident, vulnerable and full of witty remarks. Laced into 13 tracks, the newly minted Quality Control management signee made anthems for the rest of the year. “Get Up 10” sets the bar for what’s to come on the project. Inspired by Meek Mill’s “Dreams and Nightmares” intro, Cardi’s version is also broken into two parts about her ascension to the riches from the rags.

As well, the album includes “Bartier Cardi” with 21 savage, which recently earned platinum certification, and is still doing numbers.

 

Cardi B money moves on this album show her versatility. She dabbles into the trap sound with “Drip” featuring the Migos, shows her confidence and positive vibes on “Best Life” featuring Chance the Rapper, and gets very personal with “Be Careful,” a track addressing an unfaithful partner/boyfriend. Cardi is not the one to mess with!

Social media pundit-turned reality TV star-turned rapper is a way of saying that this girl from the Bronx, is made of grind and determination. You don’t have to like her music, the way she talks, or her persona, but you have to respect her hustle. She came from the bottom and executed her way to the top.

Listen to Cardi B’s debut album below.

<iframe src=”https://tools.applemusic.com/embed/v1/album/1368105671?country=ca&at=11l4Qg&ct=invasionofprivacy” height=”500px” width=”100%” frameborder=”0″></iframe>

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AAHH EXCLUSIVE: Bay Area Artist LaFreshman Drops ‘Friends’

LA-transplant LaFreshman, aka Simba Short, is the new face of Bay Area new-age R&B. After a string of successful singles...

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