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James Seville’s Jamesville Is An Honest Slice Of Alt-Hip-Hop Vibes

Having first got onto New Orleans-born artist James Seville after he dropped his first release via streaming networks, Beta, he’s…

Having first got onto New Orleans-born artist James Seville after he dropped his first release via streaming networks, Beta, he’s been an exciting artist to watch grow. The initial taste of his sound provided a diverse base of alternative Hip Hop potential, and as he’s grown, the music has only become more personal, and — whether intentional or not — refined. His first official release, which comes after a string of one-off singles (which we were here for), Jamesville is an exciting blend of vibes that perfectly encapsulate the new waves blurred lines between bar-centric traditionalism and melody-driven bops.

“I open up a lot and talk about things that have helped me grow throughout the years…losing my dad, dropping out of school, falling in love, falling out of love, drinking, drugs [etc.],” James told N.O.-based Off Beat Magazine this past summer. “I like to make music that is genuinely good, and that people of all ages can enjoy. Rap music that you and your mom can bump together.”

It’s this universality and approachability that makes this latest body of work so enjoyable. With his late father being a blues musician, and having grown up engulphed in the iconically jazzy sound of “N’Awlins,” James music has this unique approach. It’s a melting pot of vibes, brimming with emotion — yet acutely aware of its contemporary appeal. This can be seen by contrasting the infectious groove of “The Kids Will Be Fine” with the sure-shot hit-appeal of “Send2Me” — which will be seeing a visual treatment this month — and “Margarita” featuring Shvkiel.

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The project kicks off with a playful vibe, with “Career Day” — complete with a skit that put us in mind (spiritually) of Kanye’s critically acclaimed debut, College Dropout. The tongue-n-cheek- theme of fuck school take your own path isn’t religiously adhered to (at least in a straight forward sense), but does carry over in the second song, “School Spirit,” which features Ayomari (an artist we’ve had on our radar for a while now).

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“I am inspired by a lot of older New Orleans musicians,” he told DNO magazine in an interview. “My mom always took me out of school and brought me to Jazz Fest ever since I can remember … I met Allen Toussaint when I was nine-years-old.”

This impending sense of making his dreams a priority is felt on the album, as is this gloss of smokey grooves that make it immediately likable. With James recently revealing that he is becoming a father this August, there is feeling that things go in full-circle. Jamesville is an encapsulation of his road up to this point; an excellent opportunity to orient yourself for what he has coming next. “I haven’t stopped smiling since Jamesville came out,” James admitted via Instagram. “I hope y’all are enjoying it.”

Riley here — father, artist, videographer, professional writer and SERIOUS hip-hop head. I'm a member of the Universal Zulu Nation, and I think everything is better on vinyl. Add me on Twitter! @specialdesigns
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Akhil Sesh – “Amazing”

Akhil Sesh is back to debut a brand-new visual in the form of “Amazing.” It’s a slick record on which…

Akhil Sesh is back to debut a brand-new visual in the form of “Amazing.” It’s a slick record on which Akhil glides across the uptempo, percussion-driven production, displaying his knack for melodies and songwriting, as his lyrics come to life across the rooftops of the city, all adding up to one “Amazing” song and video.

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Jazz Regal – “Lifetime”

Jazz Regal is likely a new name to your radar, but he’ll surely catch your attention with his newest effort…

Jazz Regal - "Lifetime"

Jazz Regal is likely a new name to your radar, but he’ll surely catch your attention with his newest effort Lifetime. It’s a short but sweet project on which Jazz’s gritty tone and vocals lead the way for his hard-hitting, reflective rhymes, adding up for a well-crafted listen from start to finish. Give it a spin here, and look out for more from him soon!

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D-Brown & 30 Boy Will Ooze Chemistry On “Full Court Pressure”

D-Brown and 30 Boy Will — two artists on my radar — have absolutely found a way to make an…

D-Brown and 30 Boy Will — two artists on my radar — have absolutely found a way to make an overcrowded lane feel like an empty highway. Their latest collaborative effort Full Court Pressure landed across my desk this week, and I’ve been cranking it ever since.

The vibe is very familiar sonically. Hard beats that remain extremely cohesive, keeping the project fairly levelled — making for a skip-free top to bottom experience, without having to readjust yourself. The sub category the duo fall into often have a tendency to keep the thematic elements of their projects quite predictable. While these two do pick the low hanging fruit at a few points (for lack of a better analogy) there is this undeniable rawness in their bars … an almost explosion of authenticity that trumps much of the fabricated storytelling new jacks have made trendy.

It’s an aura reminiscent of Jeezy in his heyday.

At a solid seven songs (with very little fat to trim) the project is an easy listen — but offers a hearty meal for those craving some substance to go along with their playlist-ready bassy beats.

There are plenty of gems here. The aptly titled “Official” was one that I immediately found myself running back a few times — as I did with the look-at-me-now vibe of “Bag Today.” The obligatory but tastefully flipped song about the females, “Preferences,” sees the two professing their taste for women with money and things of their own (among other assets).

One of the shiniest moments on the project is the infectious “Memphis,” which sports a chorus from the LP’s sole feature — the older brother of Juicy J and the co-founder of Three 6 Mafia, Project Pat — helping segue the two incredible verses by D and 30.

The track has been my most played this week (it wasn’t even close).

Their chemistry is undeniable and their ear for the perfect production to complement their tales of perseverance, street life and subdued (but still prominent) themes of opulence are on full display. While the two can really rap, it doesn’t feel like past tense, but rather present tense play by plays.

“Money doesn’t make you real,” D laments in the intro of “Official.” It’s this mantra of keeping it 100 and letting it speak for itself that drives Full Court Pressure. Cue it up, press play and enjoy.

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Pat Savii – ‘Idle Time’ [ALBUM STREAM]

Bred in Lacey, Washington but currently residing in Southern California, artist Pat Savii has always been focused on business, first…

Bred in Lacey, Washington but currently residing in Southern California, artist Pat Savii has always been focused on business, first starting to build his brand in 2014 fresh out of high school . Now with a his foot firmly in the Los Angeles area, Pat Savii has rebranded under a new imprint called Ghostowne Mobb, where his new project Idle Time will be released. With past experience working with record labels like Sony Music, Pat remains in contact with a several record labels as he continues to push his music and develop his sound. “Idle Time is a reflection of my perception and knowledge of life through hip-hop.” Pat Savii explained. “I’ve been careful articulating and I’ve been patient leading up to the release of this project because I’ve wanted this project to be perfect.” Executively produced 24seven, Pat Savii says this album, “compares and contrasts how your reality can change based off of the way you utilize your time. Essentially the album is based off of the concept ‘you will reap what you sow.’ We are hitting all experiences and walks of life, the album touches all emotions while delivering a purposeful message.”

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Sol Patches’ Album Serves As A ‘Love Letter’ To The Trans Community

Last year on Giving Tuesday (November 27),  New York-based, Chicago-born-and-raised multi-disciplined artist Sol Patches launched GoFundMe campaign to assist with...

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