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D-Brown & 30 Boy Will Ooze Chemistry On “Full Court Pressure”

D-Brown and 30 Boy Will — two artists on my radar — have absolutely found a way to make an…

D-Brown and 30 Boy Will — two artists on my radar — have absolutely found a way to make an overcrowded lane feel like an empty highway. Their latest collaborative effort Full Court Pressure landed across my desk this week, and I’ve been cranking it ever since.

The vibe is very familiar sonically. Hard beats that remain extremely cohesive, keeping the project fairly levelled — making for a skip-free top to bottom experience, without having to readjust yourself. The sub category the duo fall into often have a tendency to keep the thematic elements of their projects quite predictable. While these two do pick the low hanging fruit at a few points (for lack of a better analogy) there is this undeniable rawness in their bars … an almost explosion of authenticity that trumps much of the fabricated storytelling new jacks have made trendy.

It’s an aura reminiscent of Jeezy in his heyday.

At a solid seven songs (with very little fat to trim) the project is an easy listen — but offers a hearty meal for those craving some substance to go along with their playlist-ready bassy beats.

There are plenty of gems here. The aptly titled “Official” was one that I immediately found myself running back a few times — as I did with the look-at-me-now vibe of “Bag Today.” The obligatory but tastefully flipped song about the females, “Preferences,” sees the two professing their taste for women with money and things of their own (among other assets).

One of the shiniest moments on the project is the infectious “Memphis,” which sports a chorus from the LP’s sole feature — the older brother of Juicy J and the co-founder of Three 6 Mafia, Project Pat — helping segue the two incredible verses by D and 30.

The track has been my most played this week (it wasn’t even close).

Their chemistry is undeniable and their ear for the perfect production to complement their tales of perseverance, street life and subdued (but still prominent) themes of opulence are on full display. While the two can really rap, it doesn’t feel like past tense, but rather present tense play by plays.

“Money doesn’t make you real,” D laments in the intro of “Official.” It’s this mantra of keeping it 100 and letting it speak for itself that drives Full Court Pressure. Cue it up, press play and enjoy.

Riley here — father, artist, videographer, professional writer and SERIOUS hip-hop head. I'm a member of the Universal Zulu Nation, and I think everything is better on vinyl. Add me on Twitter! @specialdesigns
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Track Seven Band Makes A Strong Reintroduction With “Memory Loss” Single

Today’s game is truly a never-ending cycle of here today and gone tomorrow. For Track Seven Band, haven’t released a…

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RELATED: #IndieSpotlight: Track Seven Band – The Try And The Fail

There is a lot to unpack with this single. Top-level, there is this flagrant (metaphorical) slap across the head — as though he’s screaming, “I’m still here, stupid.” Below the surface, Cost takes the opportunity to reiterate his position, introduces rumor inducing storylines, and takes a look back at his past.

In the first verse, he drops mention of having traveled around the world on the dime of a figure whom he chooses to keep anonymous; as he explains, this person gave him the motivation he needed to jumpstart his career, but has since “turned faces.” It’s in this act — he further notes that haters induce the same phenomenon — that he seems to have found the strength to thrive.

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The second verse begins by reiterating where he’s come from — noting that section 8 and financial aid were his life preservers in his darkest moments. He also notes that he’s still in debt (half of which he paid off with the money he made selling weed). All this isn’t done to glorify anything, but rather serve as motivation. It also hammers home the fact that he has been there and done that, too.

Perhaps in a way, he’s exuding the same motivation that he felt traveling the world.

Playing chess as opposed to checkers is a line that poignantly pops out. “Memory Loss” is a strong (re)introduction or merely business as usual — depending on your knowledge of the band. Either way, it’s drenched in that endearing sense of honesty and realness that made them a group I’ve returned to numerous times since first being introduced to their music.

It’s all about the long game, and — in the end — good music. Cost notes that he’s motivated by things that money can’t buy. That, quite often, is code for having something to lose on a deeper level. It’s in seeing an artist stick to their figurative guns without bending their ethics that true inspiration can be felt.

If you haven’t explored the past releases, do so … immediately.

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Akhil Sesh – “Amazing”

Akhil Sesh is back to debut a brand-new visual in the form of “Amazing.” It’s a slick record on which…

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Jazz Regal – “Lifetime”

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Pat Savii – ‘Idle Time’ [ALBUM STREAM]

Bred in Lacey, Washington but currently residing in Southern California, artist Pat Savii has always been focused on business, first…

Bred in Lacey, Washington but currently residing in Southern California, artist Pat Savii has always been focused on business, first starting to build his brand in 2014 fresh out of high school . Now with a his foot firmly in the Los Angeles area, Pat Savii has rebranded under a new imprint called Ghostowne Mobb, where his new project Idle Time will be released. With past experience working with record labels like Sony Music, Pat remains in contact with a several record labels as he continues to push his music and develop his sound. “Idle Time is a reflection of my perception and knowledge of life through hip-hop.” Pat Savii explained. “I’ve been careful articulating and I’ve been patient leading up to the release of this project because I’ve wanted this project to be perfect.” Executively produced 24seven, Pat Savii says this album, “compares and contrasts how your reality can change based off of the way you utilize your time. Essentially the album is based off of the concept ‘you will reap what you sow.’ We are hitting all experiences and walks of life, the album touches all emotions while delivering a purposeful message.”

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Pat Savii – ‘Idle Time’ [ALBUM STREAM]

Bred in Lacey, Washington but currently residing in Southern California, artist Pat Savii has always been focused on business, first...

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