Main, Reviews

Big K.R.I.T

Last week saw the release of It’s Better This Way, a surprise datpiff.com release from Big K.R.I.T. hosted by DJ…

Last week saw the release of It’s Better This Way, a surprise datpiff.com release from Big K.R.I.T. hosted by DJ Drama. It’s pretty common for a sneak tape or record to drop these days, but when it’s someone as critically acclaimed as K.R.I.T. it’s hard not to pay attention.

The cover art features a character at a fork in the road. The path to the left leads to ills of the industry grind, the basic and ordinary push to find chart success and a spot in the iTunes library of the young and hip. The right path is simply better. And as K.R.I.T. has done his entire career, he continues to march to his own beat, heading right when his contemporaries keep left.

K.R.I.T. spends the majority of It’s Better detailing his independent hustle. He’s a thinker trapped in a trapping world. He’s a paper and pen writer navigating a digital game where real artists have been written off. He’s convinced there’s nothing worth hearing on the radio, and for the most part he’s right. The problem is his message feels stale. In fact, it’s one we’ve heard from K.R.I.T. his entire career. And while it’s a valid point he hammers home on the title track and “Can’t Be Still”, the dead horse is not worth the whipping he’s putting on it.K.R.I.T’s shine is blinding on cuts like “Vanilla Sky”, which channels the vibe of Outkast and D’Angelo, “How Bout That Money”, and “Piece On Chain”. He handled his own production for most of the tape, which speaks volumes of his finely tuned ear as well as his mighty pen. This stuff oozes that legendary Magic City shine, so uniquely southern it practically leaves you reeling from the Georgia humidity.

But K.R.I.T. we need to know. Why invite DJ Drama to the party? He does little for the vibe here. His cosign has become relatively irrelevant and means little to a worthy project that has plenty of legs without it. There’s enough weight here to confidently reassure the world that K.R.I.T’s lane and pedigree is not and will not be questioned. Next time, do it minus the high profile help. It’s better that way.

https://youtu.be/w87Ij7tyiEQ

My name is J.D, the music fanatic, writer, blogger, and educator. I've been in love with hip hop since Bishop got too close to the ledge. If it moves me, I'll cover it. I've written an unpublished novel, created Shiny Glass Houses, and had my work featured on the Bloglin for Mishka NYC. I'm lurking in the shadows on twitter @ThexGlassxHouse. Read. Comment. Get money.
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Features, interview, Interviews, Main

Sol Patches’ Album Serves As A ‘Love Letter’ To The Trans Community

Last year on Giving Tuesday (November 27),  New York-based, Chicago-born-and-raised multi-disciplined artist Sol Patches launched GoFundMe campaign to assist with…

Last year on Giving Tuesday (November 27),  New York-based, Chicago-born-and-raised multi-disciplined artist Sol Patches launched GoFundMe campaign to assist with the costs of gender-affirming medical processes.

“Bearing markers of both gender non-conformance and black racialization, my being is constantly under scrutiny,” she wrote about about the campaign. “With increasing anti-trans policy pressure from the state, not to mention the mind-boggling violence endured by black trans women daily, urgency is ingrained into my survival.”

Sol Patches is seeking $10,000 for medical costs, of which she’s raised more than $8,800 in the first two months of the campaign.

“I am endlessly thankful for my chosen family of siblings, mentors and loved ones for supporting me in my transition up until now, and I’m deeply grateful for every contribution,” she wrote.

In early 2018, she released her second full length project, titled Garden City, which she described as “a love letter written in music for trans people, we who dream and live to unlearn-creating in a field that denies our very existence.”

Garden City could call to mind The Garden State, New Jersey, but Sol explained the album title refers to many different things.

“One of those is the idea of a garden city first made its way to the books, in Europe when folks were trying to create utopias – the Utopian Movement,” she said. “One of the cities was supposed to be about gardens and having a city. So like, having the intersections of farming and plants and all that stuff with a city aspect. But eventually it was corrupted. A lot of rich people saw value and profit to be made, and it ultimately crumbled. So it’s definitely inspired in that tradition.”

 

Sol Patches also said the Garden City title has a Chicago connection, as the city’s seal includes the Latin phrase “Urbs in Horto,” or “City in a Garden.”

“I was also working with this brilliant poet and singer and creator (Chaski), and we were talking about the abandoned lots in Chicago and talking about how those deeply have affected us,” Sol explained. “It’s always been so inspiring when I think about growing up on the South Side and the West Side, and there not being many well-put-together playgrounds… And how folks made these lots a place of many happenings. And so that at its core is what inspired the LP.”

Garden City was released in early 2018, nearly two years after Sol Patches’ previous full-length As 2 Water Hurricanes, which boosted her profile in the Chicago music scene – particularly within the DIY community – landing her features in the Chicago Reader and South Side Weekly.

“As 2 Water Hurricanes was first ever project that I released, and I wrote it at a time where there were so many protests and calls-to-action in Chicago,” she said. “I was also involved in those actions and organizing those. And at the same time I was young as hell – I’m still young as hell – and it was written from the perspective of a genderqueer kid, who doesn’t know if they’re gonna make it past 18. And Garden City is more so like the aftermath. And how do I not die for my people, how do I live for the various people, who’ve given all they can to help support me. Like, how do I live for them? So that’s the tone I think, that shows the difference.”

 

Sol said during the time leading up to Garden City, she improved on their technical abilities as a producer and sound engineer. She produced most of the record, with additional production from her sibling Eiigo Groove, as well as Chaski (who also executive produced the album), Eve Carlstrom and Little Bear. The record also features collaborations with artists such as Rich Jones, Plus Sign, Ano Ba, Sasha No Disco and Mykele Deville.

Garden City wasn’t the only release Patches delivered in 2018. In late May, she quietly put out a more experimental project, titled Blue Transitions.

Blue Transitions, even more so than her previous work, is a freeform expression of art and identity. Sol Patches is working on re-releasing that project, which is expected to be released on most streaming platforms, including Spotify and Apple Music.

Lead photo by: Chaski

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Reviews, unsigned hype

Marcoof500 – “Marco The Merchant” #Review

From the onset of his debut project, 2018’s The Travels Of Marco, Marcoof500 — an entrepreneur in every sense of the…

From the onset of his debut project, 2018’s The Travels Of Marco, Marcoof500 — an entrepreneur in every sense of the word — the Virginia upstart has been feeding his extremely loyal cult following with a steady slew of releases. Since that initial warning shot, he dropped the 4-song Kitchen Chronicles EP, which featured (among other things) the song “10 O’Glock” — a record he’s chosen to make the cut for his latest LP, Marco The Merchant.

The nine-song affair is an exciting blend of stylistic elements with varying degrees of commercial viability and earworm appeal. “10 O’Glock” for example has this vintage No Limit appeal to it sonically, that grow on you with Marco’s bars and loud, but noteworthy adlibs like “fuck Trippie Redd,” or the “Left-right uppercut that ends the song off.”3

While he uses a familiar formula on a number of the songs — that still manage to work — like the piano-driven “500k,” it’s when he puts his marketability on display that you get a full spectrum of his vision. “Pesos” is a definite standout, with an instrumental that sounds ripe for a YG feature. It’s one of the sole records that you could easily hear at the club, or within a mix show format, with its repetitive chorus that you’ll find yourself singing throughout your daily moves.

Another surprisingly flame emoji record is “Designer,” which we found ourselves returning to throughout the past week. Over the blown out bass of the lo-fi banger, he finds his footing and keeps the flow steady, with a razor-sharp barrage of bars that is perfectly encased by the soundscape.

With his label 500entertainmentllc and a track record of having toured as far as Japan, he’s clearly defined his lane and is keeping his overall aesthetic on the right track. Even when his material works harder to merely fit in with the wave, it manages to swim with the best of them — but when he’s hot, he’s hot. His journey is exciting to witness, and by intertwining it into his music, he’s giving his music not just a personal touch, but an inspirational gloss for a generation of new listeners and artists looking to see who ultimately floats to the top.

Whether it’s on some smooth Valee-esque vibes, or if it’s on some darker street fare like “Will They?” there’s a sense of authenticity that shines through. Marcoof500 is that dude!

Take Marco The Merchant for a spin, below.

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#IndieSpotlight, Main

#IndieSpotlight: Tre Cartel’s Collaborative EP With CashMoney AP Is A Moment For The ATL MC

ATL MC Tre Cartel is someone who we’ve championed quite a bit in the past, which it’s exciting to finally…

ATL MC Tre Cartel is someone who we’ve championed quite a bit in the past, which it’s exciting to finally get his three-song EP Obtain This Grain — as it feels like a moment for him. Produced entirely by CashMoney AP — a platinum-selling beatsmith whose crafted hits for the likes of Lil Wayne, YoungBoy Never Broke Again, Ski Mask The Slump God, Tory Lanez, Dave East, Jay Critch, and MANY more — the offering is concise but poignant.

 
It kicks off with “That Guy,” which is a dollar-sign tinged profession of why he’s that catch that “she” has been looking for — featuring a guest verse from YFA King, who smashes the melodic flow. “Knock Your Hustle” is another song aimed at a female, quite cohesively playing off the thematic elements of the first track.

The special sauce though is the absolute banger “Formula,” in which he notes “I think I found out the formula,” adding that he’s just warming up. His evolved Migo-esque flow with his cadence and the gorgeous flute in the bridge of the record make this song almost ironic in it’s prophetic in its overall message.

At three songs, it’s an appetizer at best; yet Tre Cartel appears to have hit his stride over this batch of insanely fire beats supplied by CashMoney. While we may see him open up a little more below the surface when we’re blessed with a larger body of work to digest, Obtain This Grain has a hearty helping of replay value worth adding to your playlist if you’re in search of the next-big-thing to pop from the hotbed that is Atlanta.

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#IndieSpotlight, interview, Interviews, Main

#IndieSpotlight: Reíne Imoan Sets The Tone With Her Soulful Debut “Soul Sista”

Long Island, New York, singer Reíne Imoan is about to make a splash in 2019 with her debut VWR. Her…

Long Island, New York, singer Reíne Imoan is about to make a splash in 2019 with her debut VWR. Her first official single “Soul Sista” produced by Shepard X is out now — and as Imoan recounts to AAHH, the track was fun to create. “It was made off of groove and straight vibes … brings me back to the late 90’s early 2000’s, which was one of my fave eras of music.

“I remember Shepard X introducing the beat to me with the concept and instantly I started bopping and knew I had to have it,” she continues.

She has always been involved in music — and it all started with her father, who used to play his vast music collection constantly. “From Roots Reggae to R&B soul every Sunday dinner,” she recalls with a smile.

“I remember singing the first verse I ever wrote to my friends and they hyped me so much,” she says. That push made me want to keep going and see what else I can do. I searched on youtube for beats and just kept writing. I felt it in my heart that this is what I’d be doing for sure.”

All roads have led to her upcoming project, but she’s not rushing anything. “I want to take my time with this one and give people something they can relate and bump to,” she says adding that the collaborations lined up are worth waiting for. I used to rush things because I saw other people putting stuff out … I was just so eager to get out there. But I had to center myself and say Fuck that, take your time and don’t let others make you feel like you have to rush anything. Quality over quantity, always.”

Ultimately, she’s crafting a first impression that she hopes will be great. “I’m working every day and practicing my craft to be one of the best entertainers in the industry. I plan on writing songs for other singers and artist in the industry, along with working with them on projects,” she says, describing her long-term objectives.

“After I drop my EP, I’m going to keep creating and see where the universe lands me. I plan on doing lots of performances this year and putting myself out there. Later in my career, I plan on dabbling into acting — another art that I’ve always enjoyed. When God gives you a talent, I believe you have to share it with the world.”

Check out her debut single, “Soul Sista,” below.

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Black Scale Fall 2015 Lookbook

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