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A Beginner’s Guide to Ski Mask the Slump God

[dropcap]T[/dropcap]alent is not always exciting. There are a myriad of artists in the mainstream as well as the underground with…

[dropcap]T[/dropcap]alent is not always exciting. There are a myriad of artists in the mainstream as well as the underground with plenty of talent who don’t excite. Although Adele and Michael Buble can sing like nobody’s business, I am not particularly interested in either of them. That is not intended to be shade; that style of music, impressive as it is, just does not do it for me.

And then there is Ski Mask the Slump God. The 21-year-old South Florida rapper has talent coming out of his nose and he is, at the moment, one of the most exciting artists coming up in hip-hop. Known for his fast, wild flows and idiosyncratic personality, Ski started uploading his music online in 2015 and officially blew up last year with the releases of a four-track EP titled Slaps for My Drop-Top Minivan and his debut mixtape, You Will Regret.

In December, he teased fans with the tracklist and features for his next project, Beware the Book of Eli. With production by Timbaland on several tracks and guest appearances from Rich the Kid, Lil Yachty, Offset, and Busta Rhymes, it’s bound to be dope. Unfortunately, the tape has been delayed while the samples, one of which is the Boy Meets World theme song, get cleared. In the meantime, here are six Ski Mask tracks to get you up to speed.

“Rambo.”

The opening track on You Will Regret. This Phosphate beat features simple yet almost frightening keys and subtle record scratches over deep bass. In a way that reminds me of Rihanna’s “Work,” Ski’s words bleed together on a hook with a super catchy melody. The sole verse on the not-quite-two-minutes-long track is rapid, tight, funny, and precise. “No Hannah Montana, but bitch I look pretty on camera.”

 

“Bird is the Word.”

In a rare instance of a Soundcloud rapper pushing four minutes, Ski lethargically flips the bird to the police on a hook that is repetitive and mind-numbing in the best way. At the beginning of the track, his presence is announced by some sort of horn as if he is royalty. The most impressive aspect of this song, and others I will mention, is his ability to seamlessly alternate the speed of his flows. “I just want a cracker like a parrot named Polly.”

 

“BabyWipe.”

Produced by CashMoneyAP, this track is anchored by a snappy, funny hook that perfectly captures Ski’s electrifying personality. Once again, with unmatched finesse, he manages to completely switch up his flows halfway through both verses without a hint of awkwardness. On top of that, he drops some of the strongest bars on You Will Regret. “How is you feeling, vro? / Feeling like the four, bitch I feel fantastic / Which one would you be, though? / Mr. Fantastic cause the money like elastic.”

 

“Catch Me Outside.”

On his biggest hit to date, Ski raps over the Timbaland instrumental from Missy Elliot’s “She’s a Bitch” and shouts out Blue’s Clues on an undeniable pop hook. The shoutouts extend past the chorus, too; the verses are full of clever pop culture references to throwback figures including Garfield and Bow Wow’s character in Like Mike. “Put my sauce on lasagna, it could make Garfield purr.”

 

“With Vengeance” featuring Offset.

Another Timbaland joint, this is the first teaser track from Beware the Book of Eli and it brings a welcome change of pace. Ski momentarily drops the colorful, playful persona and raps with a deeply predatory tone. Offset steals the show with a chilling and energized guest verse that I wish we had seen more of on Culture II. “Snake venom vocals, flow got sicker / Sharper than sabers made straight from Darth Vader.”

 

“Wassup Wit the Bag” with Lar$$en and Jay Critch.

Although this is technically Lar$$en’s song, Ski and Jay unambiguously take over. I can say with confidence that this is the best banger you haven’t heard yet. Jamz’ beat, anchored by violins, is stupid fire. Ski goes full-blown ballistic on the hook and Jay snaps on his verse. “I just ate Mr. Krabs with some damn tartar sauce.”

 

I understand why many hip-hop fans are turned off by the Soundcloud wave. It is no secret that most of these guys have no interest in lyricism. In fact, from a technical perspective, some of them are simply not that good at rapping. However, I must emphasize that Ski Mask is different. He raps with skill, diversity, humor, and intelligence like not many others. I have yet to hear a song by him that did not have replay value. He is a rare and extremely young talent with enormous potential. Get on board as soon as you can.

I am an economics student at The University of Massachusetts Amherst. Beyond my studies, I work as a DJ at the university radio station: 91.1 FM WMUA Amherst. Back in July, a good friend of mine launched a political debate website called The Dialectic, where I currently work as a staff writer and the Editor-In-Chief. I love all genres of music - everything from hip-hop to post-rock to hardcore punk. Aspiring writer. Avid reader. Coffee addict.
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Filip Filipi (@FilipFilipi) – ‘Nine Roses’ (Hosted By Gucci Mane)

Today Canadian rapper Filip Filipi drops his mixtape hosted by Gucci Mane titled, Nine Roses. The project coincides with the…

Today Canadian rapper Filip Filipi drops his mixtape hosted by Gucci Mane titled, Nine Roses. The project coincides with the unveiling of his elaborate plans to build a high tech basketball court in Akron, Ohio, the home of LeBron James. The futuristic backtop is dedicated to Filipi’s former manager Kiza, their shared heritage, love for music and basketball.

“I grew up on basketball culture, I’m obsessed with basketball. If you ask me, ‘Who was the 12th man on the Celtics in 2004?’ I can tell you – I love basketball trivia. So the court was inspired by my former manager who passed away two years ago at the age of 33. It was very important for me to do something with a humanitarian aspect of my music and we decided on the proceeds of the music, the merch and with some donations, we were going to make the most high tech basketball court. It has Wifi, it has eco-friendly paint, it has solar-powered benches that have wi-fi and everything you would want. But it has an important political message that speaks on the media manipulation using motifs of Serbian art that show the area where we are from. I can’t wait to get started on it. I don’t care if I get 10 billion streams or 10 million or 10 hundred. The fact that people would come play here and contribute to the court in any way – I’m proud. It’s something for the community.”

While Filip Filipi is still building his buzz, he has been working on the craft of Hip-Hop for over a decade and has had his music placed on major nationwide television shows after his Sizzerb mixtape garnered widespread attention.

“In middle school around 10th grade, me and my friend were freestyling in class and we started recording on his computer mic at his parents’ house when we were like 15,” Filip Filipi said. “Back then, my thing was basketball, by the time I got to college I played a little bit of ball, and then I began to focus on rap. People were saying I could spit, so a few months after I started, DJ Vlad hosted my tape, and it sold like 11k physical copies. For me it was a really big deal because I’m from a small town in Canada and people were buying it in New York.”

Following up with a few more mixtapes, Filip Filipi found commercial success with his single “Boom” on the show So You Think You Can Dance. Stepping away from his more conceptual 90’s style, Filip Filipi was estranged from the rap he knew and he felt his story was becoming distorted.

“When I was coming up the sound was Dipset and that soul sample style on the beat, and every beat had the set of samples. We used to sample old Balkan and Serbian samples and really kind of made that the trademark of our production. There was a time when I started to not like the direction that Hip-Hop was taking toward Techno and EDM. To this day I listen to Tupac, Biggie, Nas, Lauren Hill, Bob Marley, The Fugees and that’s my gold standard of Hip-Hop and music. Like all the tracks remixed with the Backstreet Boys and other boy bands, that’s not Hip-Hop to me.”

Choosing to step away to focus on humanitarian work, Filip Filipi, recalls going on a hiatus from music after he felt local artists were attacking Drake on a chat group.

“I just had to step away and focus on humanitarian work. I’m from Canada, and I turned away from rap music in Canada at the worst time. Toronto was a black hole for music for a time and then Drake hit. He had been coming up with his Degrassi following but he just blew up and at that point it wasn’t really cool to blend Degrassi and rap. At one point, I remember on MSN messenger when everyone was dissing Drake and they started picking on him like a cybergang for like 30 minutes. At that time, my home country was going through a really rough time, so I was already thinking about trying to use my music to do something there. I guess that convo was the straw, because it made me focus completely on the humanitarian stuff, the organization, UN, all that. So I just exited that MSN convo and then The Weeknd, Drake and a whole bunch of other rappers broke big a month later.”

Now back for more Filip Filipi is merging the worlds of basketball and Hip-Hop in memory of his former manager. He hopes music, art and basketball will come together on the court in Akron to provide refuge for other young kids, like they had for him.

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Cameron Airborne – “No Cuffing ” ft. Jackboy

Today South Florida artist Cameron Airborne, drops the music video for his song “No Cuffin” featuring buzzing rapper Jackboy. In the Andrew Colton directed music video,…

Today South Florida artist Cameron Airborne, drops the music video for his song “No Cuffin” featuring buzzing rapper Jackboy. In the Andrew Colton directed music video, listeners get a hazy and psychedelic visual to go along with Cameron Airborne‘s catchy Summer bop. 

“The beat was a collaborative track with K.E. on the Track. He laced up the beat and I got Jackboy on there for the hook too. It’s just real catchy, we shot the video for the track and it just a had kind of club or pop vibe to it. It’s definitely a Summer song and its very upbeat and kind of fast paced, it def keeps the head nodding.”

Combing elements of guitar and singing, Cameron Airborne has found a lane doing his own thing combining it all with rap after performing in a band early on in his career.

“I play guitar because I had played in a band before and I ended up rapping. It gave me stage experience and the drive to want to do my own thing.” Cameron Airborne explained.  “I branched out and started doing my own music and I always wrote my own poetry so transitioning to rapping was natural. I can make trap music, I can make pop catchy sounding music and I can make real lyrical stuff too.  When I put out a projects I try to put out a little something for everyone to take something away from the project.”

Although most of the world has been shut down over the past few months with COVID-19, Cameron Airborne remains busy producing instrumentals and gearing up for his own studio where he will be able to record artists there. 

“Im just on the independent grind, I’m opening up my own studio and that way I can make money, just recording and doing sessions,” Cameron Airborne explained.   “I’ve been producing my own instrumentals and so I have a lot of music lined up and some big features tucked away for the right time to present them.”

 

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Dallas Rapper Fat Yunginn Signs with Cash Money Records

Recently Dallas, Texas rapper Fat Yunginn and Cash Money Records are happy to announce the Pleasant Grove rapper’s signing to their iconic rap label. Pictured above with Birdman and Ronald “Slim” Williams, this young upstart…

Recently Dallas, Texas rapper Fat Yunginn and Cash Money Records are happy to announce the Pleasant Grove rapper’s signing to their iconic rap label. Pictured above with Birdman and Ronald Slim” Williams, this young upstart has officially inked a deal with one of the most iconic Hip-Hop/Rap labels in the history of music. 

First getting notoriety for his song “Sack Up” in 2016, Fat Yunginn says he always wanted to sign with Cash Money Records and that it’s a “perfect match.”

“I grew up off Cash Money, I grew up listening to them. I ain’t gonna lie I always wanted to be on Cash Money and I always wanted to sign with them. I don’t really go off what other people say or what they do and say about Cash Money. Birdman came up talking about he was the #1 Stunna and if you listen to my flow you can hear my ooh flow fits with this brand. Sack Season / Cash Money Records. It’s a perfect match.”

Raised in Dallas’ Pleasant Grove, Fat Yunginn drew inspiration from his father’s passing and from there began to take off on the strip club scene in Dallas. 

“I’m from Dallas Texas, from a hood out there called Pleasant Grove. I started doing music once my Pops passed away and I just took to music and it was just going up from there. Once I dropped Sack Up it went crazy in the strip clubs and so after that I started taking it more seriously. One night I went in the strip club and tipped a couple of females and this big DJ in Dallas named DJ Hit That began spinning it.  It took off from there and I did my first paid show off that song,” Fat Yunginn said.   “As far as Dallas and the surrounding areas I was able to perform Sack Up out there and I was able to build up my brand. We’re called Sack Season Ent, but we call ourselves Sack Babies. Anything that has to do with a sack of money we about that. Thats basically how they know me around here.”

Going forward Fat Younginn is preparing for the release of his next single called, “Show My Ass” featuring fellow Dallas rapper Yella Beezy.

“I got another song called Show My Ass thats another club banger with Yella Beezy and we gonna release that one through Cash Money. I got the visual for my next track, it’s just to get my sound out there a little more and my ooh flow. Its my ad lib you can hear in a lot of my songs. Then I have another with Rylo Rodriguez and another one with Euro Gotti. I got a lot of unreleased music I can’t wait for the fans to hear it,” he added.  “I can get in there and start from scratch, the ooo flow, I have fun in the studio. When I came up with the ooh flow I was just playing around people have just been gravitating towards it.”

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Gabby and Madi Re-Imagine Classic with “Swing My Way”

This week  Gabby and Madi serves up their rendition of K.P. and Envyi’s classic hit “Swing My Way”, with a…

This week  Gabby and Madi serves up their rendition of K.P. and Envyi’s classic hit “Swing My Way”, with a 2020 spin by producer justdoitBRISK. The teen duo have been blazing new trails with young audiences, delivering single after single in recent months. Check out their latest, “Swing My Way” here.

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