Main, Must Read, New Music, Reviews

2nd Annual Milk and Cookies Music + Food Festival Re-Cap

This past weekend was definitely one for the books! The highly anticipated 2nd Annual Milk and Cookies Music + Food…

This past weekend was definitely one for the books! The highly anticipated 2nd Annual Milk and Cookies Music + Food Festival kicked off on April 7th at 787 Windsor in Atlanta. The event highlighted well-known locals along with some big names from the music industry. There were also tasty food and dessert trucks that served ticket holders all evening long.

The event started with ATL native, Dj Decoteau of Bae Worldwide; following Tim Gunter who both ripped the turntables as the venue began to fill up. Later, Summer Walker, the first female artist of LVRN, took to the stage to perform for her very first time. Energetic local talent Bosco, came out jumping as the crowd went wild. After her epic performance, I was able to steal a quick question from her. I asked how she’s feeling at this point in her music career. Bosco stated she’s feeling super inspired and excited for her career. She also talked to me about who in the music game influences her. It wasn’t a surprise when she dropped names such as Erykah Badu and Lauren Hill and of course loves her indie artists.

Sahbabii followed, tearing the stage down with their mega hit “Pull Up With Ah Stick” and “Purple Ape.” Their hype man brought out a life-size blunt that filled the sky with a purple haze that surely set the tone for the rest of the evening. When ATL native Xavier Omar hit the stage next, he started with a rendition of the infamous “Pokémon Go” track. He then brought out some major R&B vibes when he performed his hit “Blind Man” and his band was definitely one of a kind.

Around 7pm, the sun disappeared and chilling temperatures and rainfalls came as a surprise. However, none of that stopped the amazing Singer, Songwriter Alina Baraz when it was her time to shine. Her album The Color of You that debut just one day prior to the Milk and Cookies Music Festival was in perfect timing. She performed two songs from her album and some good throwbacks.

“I want my fans to know I love and thank them very much for all the support they have shown.”
—Alina Baraz

Hours before she took the stage, she held a private meet and greet with her fans that were in VIP. Right before her team shuffled her back to her trailer, I was able to grab a quick interview. I was curious where her inspiration came from for her new album; Baraz mentioned how she didn’t necessarily have a plan for the album, stating she would go into the studio and let her vibes do the writing. Her album is based off things that have happened from her past. I asked Baraz what is one thing she wants her fans to know; she said “I want my fans to know I love and thank them very much for all the support they have shown.”

The last to perform was none other than Tory Lanez. After just playing one song, his humble spirit wouldn’t allow him to continue performing on stage while the crowd stood in the rain. Lanez continued his set while jumping into the hands of his screaming fans and standing on speakers. He shut the stage down with songs from his 2nd album Memories Don’t Die which released March 2nd. He also reminisced with the crowd while performing hits “Luv” and “Say It.”

To go along with the great music vibes, there were mouth-watering treats and culture filled food trucks. The menus consisted of everything from funnel cakes and hibachi grills on wheels, to curry chicken and of course cookies and ice cream. There were also local graffiti artists in attendance that added their touch to the former steam-boiler manufacturing facility turned industrial art space which is now called 787 Windsor.

It’s safe to say that the 2nd Annual Milk and Cookies Music + Food Festival was a total hit! Despite the weather, everyone, including the artist truly enjoyed the entire event. I’m sure we’ll all be anticipating the 3rd year, as well.

Below, catch some shots of some of the artist who performed!

2nd Annual Milk and Cookies Music + Food Festival Re-Cap

2nd Annual Milk and Cookies Music + Food Festival Re-Cap

2nd Annual Milk and Cookies Music + Food Festival Re-Cap

2nd Annual Milk and Cookies Music + Food Festival Re-Cap

2nd Annual Milk and Cookies Music + Food Festival Re-Cap

Main, Reviews

Did Denzel Curry’s Ta13oo live up to its hype? (mostly)

During the week of July 23rd, Denzel Curry (aka Ultimate Denzel Curry aka Zeltron aka Aquarius Killer aka Denny Cascade…

During the week of July 23rd, Denzel Curry (aka Ultimate Denzel Curry aka Zeltron aka Aquarius Killer aka Denny Cascade aka the Black Metal Terrorist) dropped his long-awaited album, Ta13oo.

According to Curry’s Twitter, he waited 13 months to drop the project that had been ready for the shelves since 2017, building up hype and making multiple public statements on the state of Hip Hop culture during the interim. Ta13oo serves as a follow up to the well-received album Imperial which was first released as a free album on Soundcloud and then tweaked for major distribution in 2016.

When news came that Curry’s album was going to drop the Carol City emcee claimed that it would be a game-changing album designed to shake up the rap world. To further differentiate himself from other artists he dropped the album in three parts (or acts) on three different days. Each act was labeled Light, Gray, and Dark respectively. And as if this wasn’t enough of a statement in itself, Curry further promoted his album by dropping the highly sophisticated single and video “CLOUT COBAIN | CLOUT CO13AIN” a week prior; a song that is designed to be an introspective and critical examination of dangerous trends in Hip Hop and the commoditization of the modern artist.

Upon my first listen I was surprised to hear how different this album was compared to Curry’s previous work. Act One: Light, packs in his smoothest and most positive songs at the head of the album; leaving the listener unprepared for the dark turn it quickly makes. And while the title track that opens act one is a sad love song that drones about a girl who has suffered abuse and touches on the idea of our society’s taboos, it hails in darkness compared to supercharged songs like “BLACK METAL TERRORIST” that finish out the album. Act Two holds some very impressive bangers reminiscent of Imperial’s first version, including my favorite track “MAD I GOT IT,” which describes envy from different perspectives while stomping over a bass heavy, head pounding instrumental produced by pop outlet Hippie Sabotage and Finatik N Zak.

Unfortunately, at this point in the project, a lot of songs sounded very familiar. If you were on the edge of your seat waiting on this project to drop like I was, you know that most songs were released as singles even before acts One Two and Three came out. In fact, six of the project’s 13 songs were dropped beforehand which made the scattered album drop feel awkward and spread out; especially since each four-song act dropped separately in the midst of all these singles. On Friday the 27th every single and act were reverted back to one album on all major streaming platforms and remain that way now.

 
Despite its awkward and fragmented release, Ta13oo is a much better listen when similar to grayscale with Denzel’s anger and social commentary growing more and more intense as it progresses; eventually combining to become a dark, dark album. Zeltron fans probably expected this after his EP, 13, dropped last summer, giving us six tracks of absolute insanity. The EP was hyper-aggressive in production as well as lyricism with songs like “Hate Government” and “Heartless,” that foreshadowed Ta13oo’s approach and sound.

The project does shift gears away from Denzel’s older music, especially my favorite Curry project to date: Planet Shrooms. Planet Shrooms was a bold and experimental project that used unconventional beats and vocal distortion to display its psychedelic themes and imagery. It sounds like a rap album from the future- with imagery describing drive by’s on hoverboards, green colored guns, and an obsession with the year 2077. This EP was also stacked with features from some of Curry’s go-to guys like JK the Reaper and Nell who added some of the project’s most memorable bars and supported Denzel’s phonkiest, most out there tracks. Much of the production also included live instrumentation which really made it stand out and feel extremely advanced for a free project released on Soundcloud- where it remains exclusively today.

The HiphopDX community rated Ta13oo a bit above 4.5/5, and overall the project has been very well received by fans and reviewers. I think this album did live up to its hype and will age better than 2018’s other notable releases because of its lyrical complexity and flawless production. Stream the album today and check out the provocative video for “Clout Cobain” if you haven’t already.

Continue Reading
New Music

The Aztext – “Everyday Sun”

Continue Reading
New Music

DJ D Glove & Larry Gordon Drop “Good Time” Video

It’s unique for an artist to be able to honestly describe their current release cycle as an authentic learning experience,…

It’s unique for an artist to be able to honestly describe their current release cycle as an authentic learning experience, but for singer Larry Gordan, his affiliation with HBCU Records is just that. A fully functioning student-run record label at the Mike Curb Institute at Bethune-Cookman University in Daytona Beach, Florida, HBCU is helping groom a whole new generation of A&R’s, executives, and entrepreneurs in the city, while helping Gordan — a star on the rise — get his name out the masses.

Having recently wrapped a tour with Akon’s Konvict Kartel, the talented singer’s latest single “Good Time,” a collaboration with DJ D Glove, a Florida-based Army veteran, is a bop and a half. Having hit countless stages across the country, entertained icons, and had his music appear on both television and the big screen — including having his song played on an episode of Love & Hip Hop Atlanta — Gordan is putting in the groundwork for success.

Check out the official visual for “Good Time,” below.

Continue Reading
Reviews, unsigned hype

Han Sino Drops His Opus ‘Exquisite Gardenz’

There is something inherently perfect about the right soundtrack for your movements at the right time. In a wave of…

There is something inherently perfect about the right soundtrack for your movements at the right time. In a wave of commercial Hip Hop — with the genre being at its absolute height regarding actual quantifiable popularity — it may be hard to explain to someone why instrumental LPs are so vital for your soul. But in the word of King Push: “if you know you know.”

I continuously thirst for new instrumental soundtracks, and French producer/poet/creative Han Sino is someone that I’ve covered in the past — in particular his project titled Glucose. He creates this refreshing blend of funk grooves, jazz, ambient hip-hop, and atmospheric melodies that seriously make for a trippy experience, dependant on how you consume his ambitious projects.

Relevant: Check out the run-down of Han’s LP Glucose

His latest output, Exquisite Gardenz, is one which Han himself considers to be his opus. Much like his previous release — during my first few listens, I noticed that the core bass lines created that signature continuous flow that moved the 12-song soundscape along. The best way to describe this project is that if a crate digger were to randomly come across this during a record shop excursion, and take it home and drop the needle anywhere, they’d be excited as hell to fire up the MPC and start chopping. It’s gorgeous.

Beginning with the atmospheric intro track “Exquisite,” we’re introduced to an Asian influence that creeps in throughout the project. The second track “Red Fishes” gave me chills off the top, as the bassline was reminiscent of the iconic bass strums from Eric B. & Rakim’s “Don’t Sweat The Technique.” Rather than commit to a hip-hop-centric platter, though, it expands into this difficult to describe Sunday afternoon, soulful, 70’s vibe — accentuated with these ambient wind chimes that make for a crazy audio trip.

Later on in the tracklist, I found myself drawn to the mysterious vibe of “Deep Lagoonz,” with an almost video game vibe, set-off with this super cool flute, and some frantic strings that add this odd amount of tension to track. The strings in the album closer “Gardenz” also had me intrigued; groovy, jazzy, and insanely engrossing.

As Han himself says in the album’s liner notes, “I hope you will [take] this Opus as a proposition to see life differently, and bite it to the fullest … drunk of the liquor of paradise.” This should be the goal of any great instrumental affair — a soundtrack to the movie that is your life; whether you’re getting lost in a world of writing or banging it which you’re trekking through the metropolis after dark. Exquisite Gardenz is a beautiful body of work. If you’re into nu jazz, rare groove, or a fan of instrumental hip-hop, you’ll want to give it a spin.

Continue Reading
More in Main, Must Read, New Music, Reviews
“My Dear Melancholy” is Bone-Chillingly Beautiful

Judging from the dark subject matter that has typified Abel “The Weeknd” Tesfaye’s catalogue to date–which includes rampant drug abuse,...

Close