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Stalley Rides Solo on ‘Tell the Truth Shame the Devil’

Stalley always fit like the round piece of a square puzzle within Rick Ross’ Maybach Music Group. He’s spent his…

Stalley always fit like the round piece of a square puzzle within Rick Ross’ Maybach Music Group. He’s spent his career flirting with flash; seemingly content with his 6th man status while the rest of the Maybach roster were pushed that extra mile towards chart success. His new EP, Tell the Truth Shame the Devil, showcases Stalley stepping out on his independent shit and he results are pure fire.

Tell the Truth Shame the Devil boxes Stalley out of his comfort zone and strays far from the Midwestern soul sampling that has become a trademark of his work. The project is produced entirely by Supah Mario, the former janitor-turned producer with credits from Drake to Young Thug. Mario maximized Stalley’s lyrical power by laying instruments over trap drums, creating a cohesive atmosphere rather than relying on trap’s frenetic monotony that has nearly played itself out in 2017.

The project kicks off with the gritty “1 Deep (Solo)”, Stalley’s glorious middle finger salute to the corporate world. He’s firing shots at what can only be perceived as his previous employers over a ferocious beat. “These niggas full of lies, I got trust issues. And I ain’t sending shots, I’m sending scud missiles. No subliminal’s, directly in your fuckin’ face. No back and forth banter; I do the Porsche, Phantom. I ran my course granted, I been lappin’ you niggas since the jet landed.” Shots fired.

Stalley quickly finds his footing on “Jean Jacket” where he spits, “artists nowadays is new slaves, trying to appeal to the Masters, tap dancin’ to get a check, who can run to it faster.” This obvious frustration with the label process provides a firm backbone for the entire EP; exploring the notion that the independent grind pays out exactly what you put in.

“My Line” featuring Migos is the EP’s true single. The song rides a predicable wave and has all the makings of a run of the mill release in 2017, but doesn’t wear out its welcome with multiple listens. Migos bring the star quality to a track that will likely introduce Stalley’s Blue Collar Gang mentality to a brand new audience. His fans may argue that the Migos connection doesn’t gel straight away; but it plays like a brilliant business move for a rapper who is clearly tired of playing the sidelines.

Whether or not Stalley finds his pot of gold is yet to be seen. His catalog is strong, his fan base is loyal, and his live show is on point; yet he’s still lurking inches from the spotlight. Tell the Truth Shame the Devil is a swing for the fences, employing some very familiar tricks that have made less talented rappers a boatload of cash. Trap-Stalley might be a blip on his career radar, but who can be mad at the man for chasing a bag?

My name is J.D, the music fanatic, writer, blogger, and educator. I've been in love with hip hop since Bishop got too close to the ledge. If it moves me, I'll cover it. I've written an unpublished novel, created Shiny Glass Houses, and had my work featured on the Bloglin for Mishka NYC. I'm lurking in the shadows on twitter @ThexGlassxHouse. Read. Comment. Get money.
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You Should Be Excited About Rich the Kid’s Debut Album

Whatever title Rich settles on, you can rest assured that this album is going to be good

Atlanta via New York City rapper and Rich Forever Music founder Rich the Kid is set to drop his solo debut full-length in 2018.

After years of mixtapes and collaborations with artists such as Migos, Young Thug, and 21 Savage, Rich invested in himself and founded his label, Rich Forever Music, in the early spring of 2016. The first artists to hop on board were Chicago rapper Famous Dex and producer The Lab Cook, with whom Rich collaborated on the label’s first two tapes, Rich Forever Music and Rich Forever 2. In the fall of 2016, fellow New York City spitter Jay Critch signed to Rich Forever and, less than a year later, appeared with Rich and Dex on Rich Forever 3 – one of the best mixtapes of 2017, in my opinion.

https://twitter.com/richthekid/status/949364231475834880

Concerning his solo work, Rich signed to Interscope Records last summer and got to work on his full-length debut. The hype only grew in September when Rich dropped one hell of a single, “New Freezer,” with Kendrick Lamar. The landmark track rides an icy trap beat and showcases Rich’s talent as a hook-writer. Oh, and Kendrick snaps. Hard.

Only a few days into the new year, Rich announced via Twitter that Rich Forever 4 is on the way, featuring the same trio as its predecessor. On January 7, he posted an Instagram video of himself rapping along to an unreleased track with the caption “Finished my album last night now what should I call it?”

Whatever title Rich settles on, you can rest assured that this album is going to be good.

https://www.instagram.com/p/BdqhQ33hcgR/

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Migos Announce “Culture II” Release Date + Cover Art

One year after Migos “changed the culture” with their sophomore album, they plan to do it once more. Migos announced…

One year after Migos “changed the culture” with their sophomore album, they plan to do it once more. Migos announced Culture II via Instagram on Monday night, with a release date of January 26, almost one year after Culture (now certified platinum), took the world by storm, moving 131,000 copies in its first week. The announcement comes after a late 2017 interview with Montreality, where Quavo was vocal about the group’s new sound.

“We’re creating a whole new sound [with this album.] Hip-Hop has changed in a big way, so you could mark this down as we changing.” –Quavo (to Montreality)

The album is led by the Pharrell-produced single “Stir Fry,” and the Cardi-B assisted “Motorsport” — both of which are tearing up the Billboard Hot 100. While little is known about the project, Quavo promises top quality production. “CULTURE II WAIT TILL U C WHO EXECUTIVE PRODUCED IT” the rapper tweeted back in October. Check out the announcement below, and pray the trio release the tracklist soon.

C U L T U R E II

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Lil Pump’s Team Finesses Their Way Out Of WB Deal

With a successful debut album under his belt and a “xan-free” 2018 ahead, Lil Pump is now entering the new…

With a successful debut album under his belt and a “xan-free” 2018 ahead, Lil Pump is now entering the new year as an independent artist. According to Billboard, The “Designer” rapper recently terminated his contract with Warner Bros., stating he was only 16 when he signed.

Famed entertainment attorney John Branca wrote a letter to the label on Pump’s behalf, reaffirming the age issue, and further arguing the contract was “never certified by the court,” Billboard states. Warner Bros. Larry Mattera, the labels VP of commerce and marketing, said:

“We, as a company and as a label, needed to build and establish more of a presence in the urban space. They (clearly) had insights and relationships on the urban side of the business in the network landscape.”

The “Gucci Gang” rapper is well positioned as an independent artist and is rumored to be fielding offers anywhere from $8 to $12 million, according to Complex. The young Soundcloud breakout is already a high-paid sensation. In December, TMZ reported that Pump received a $345,000 advance on his debut album, in addition to 15% royalties. The album moved 46,000 copies its opening week, and its lead single “Gucci Gang” is still moving. Former Warner Bros. CEO Cameron Stang Praised the rappers business savvy, telling Billboard: “They’re innovative spirits, and they don’t take no for an answer. Pump is an incredible artist; he’s got fantastic charisma and a huge personality, with lots of talent and no fear.”

Lil Pump isn’t the only one making serious moves in 2018. Fellow Soundcloud rapper and childhood friend Smokepurpp recently signed to Travis Scott’s Cactus Jack Records and is finishing up a highly-anticipated collab album with Murda Beatz. Pump recently released his latest track “Trap Jumpin” featuring Juicy J, which you can find below.

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“Money Power Respect” Turns 20

It’s a glimmering artifact that marked the end of Bad Boy’s golden era.

1996, I’m up at 2 am on a Friday dubbing College radio — as was the routine at the time — and then I hear it, “You’ll See” by The LOX featuring the Notorious B.I.G. Over the repurposed instrumental of Faith Evan’s “Used To Love Me,” the trio (though obviously younger) had that signature chemistry that we’ve always collectively loved them for, and of course a flame emoji Biggie verse. The song was dubbed off that original tape so many times the tape popped.

“Money Power Respect” Turns 20

The following year, we became even better versed with the Yonkers trio, as they made incredibly high profile appearances; first on Puffy’s “All About The Benjamins,” Ma$e’s “24 Hours To Live” and then on Mariah Carey’s “Honey” remix. By the time “If You Think I’m Jiggy” dropped on white label samplers, the hype for their debut album Money Power Respect was tremendous.

20 years later, it remains one of those albums that has stuck with me; though dipped in elements from the grandiose height of Jiggy” era, which was stamped with big budget videos and shiny suits, the album holds up with its incredible production and (timeless) street-hop lyricism.

When I call an album timeless, I base that title on the ability to rock an album all these years later and still have the same impact as it did the first time I rocked it. To put that statement into perspective, playing the debut album by Das Efx today likely doesn’t create the same charm as it did back in the day.

The title track of this album can still be played anywhere — at any time — and garner a positive reaction. The shit is a classic. But, apparent hits aside, it’s B-sides like the Carl Thomas “Let’s Start Rap Over,” which is an homage to rap legends of the 80s, or the spacey “All For The Love” instrumental that genuinely carry this project.

Ending with the touching “We’ll Always Love Big Poppa,” a tribute to Biggie, the album ultimately stands up as the end of the golden era of Bad Bay Entertainment. With Ma$e’s eventual departure from the game, Biggie returning to the essence, and Puff’s solo career taking on a new life of its own — on top of The Lox’s campaign to be released from the label — shit was never really the same. The label had hits and had a more than a few new “superstars” on its ever-changing roster, but nothing felt as powerful and impactful as their original run.

Money Power Respect is a classic album. Plain and simple. Whether you’re a Young head wondering how The Lox came to be so revered, or an old head who hasn’t bumped this album since your teens, It’s worth revisiting — in fact, here it is. Press play and let it run.

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