Features, interview, Interviews, Main

Sol Patches’ Album Serves As A ‘Love Letter’ To The Trans Community

Last year on Giving Tuesday (November 27),  New York-based, Chicago-born-and-raised multi-disciplined artist Sol Patches launched GoFundMe campaign to assist with…

Last year on Giving Tuesday (November 27),  New York-based, Chicago-born-and-raised multi-disciplined artist Sol Patches launched GoFundMe campaign to assist with the costs of gender-affirming medical processes.

“Bearing markers of both gender non-conformance and black racialization, my being is constantly under scrutiny,” she wrote about about the campaign. “With increasing anti-trans policy pressure from the state, not to mention the mind-boggling violence endured by black trans women daily, urgency is ingrained into my survival.”

Sol Patches is seeking $10,000 for medical costs, of which she’s raised more than $8,800 in the first two months of the campaign.

“I am endlessly thankful for my chosen family of siblings, mentors and loved ones for supporting me in my transition up until now, and I’m deeply grateful for every contribution,” she wrote.

In early 2018, she released her second full length project, titled Garden City, which she described as “a love letter written in music for trans people, we who dream and live to unlearn-creating in a field that denies our very existence.”

Garden City could call to mind The Garden State, New Jersey, but Sol explained the album title refers to many different things.

“One of those is the idea of a garden city first made its way to the books, in Europe when folks were trying to create utopias – the Utopian Movement,” she said. “One of the cities was supposed to be about gardens and having a city. So like, having the intersections of farming and plants and all that stuff with a city aspect. But eventually it was corrupted. A lot of rich people saw value and profit to be made, and it ultimately crumbled. So it’s definitely inspired in that tradition.”

 

Sol Patches also said the Garden City title has a Chicago connection, as the city’s seal includes the Latin phrase “Urbs in Horto,” or “City in a Garden.”

“I was also working with this brilliant poet and singer and creator (Chaski), and we were talking about the abandoned lots in Chicago and talking about how those deeply have affected us,” Sol explained. “It’s always been so inspiring when I think about growing up on the South Side and the West Side, and there not being many well-put-together playgrounds… And how folks made these lots a place of many happenings. And so that at its core is what inspired the LP.”

Garden City was released in early 2018, nearly two years after Sol Patches’ previous full-length As 2 Water Hurricanes, which boosted her profile in the Chicago music scene – particularly within the DIY community – landing her features in the Chicago Reader and South Side Weekly.

“As 2 Water Hurricanes was first ever project that I released, and I wrote it at a time where there were so many protests and calls-to-action in Chicago,” she said. “I was also involved in those actions and organizing those. And at the same time I was young as hell – I’m still young as hell – and it was written from the perspective of a genderqueer kid, who doesn’t know if they’re gonna make it past 18. And Garden City is more so like the aftermath. And how do I not die for my people, how do I live for the various people, who’ve given all they can to help support me. Like, how do I live for them? So that’s the tone I think, that shows the difference.”

 

Sol said during the time leading up to Garden City, she improved on their technical abilities as a producer and sound engineer. She produced most of the record, with additional production from her sibling Eiigo Groove, as well as Chaski (who also executive produced the album), Eve Carlstrom and Little Bear. The record also features collaborations with artists such as Rich Jones, Plus Sign, Ano Ba, Sasha No Disco and Mykele Deville.

Garden City wasn’t the only release Patches delivered in 2018. In late May, she quietly put out a more experimental project, titled Blue Transitions.

Blue Transitions, even more so than her previous work, is a freeform expression of art and identity. Sol Patches is working on re-releasing that project, which is expected to be released on most streaming platforms, including Spotify and Apple Music.

Lead photo by: Chaski

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Future Honors His Grandmother At FreeWishes Golden Wishes Gala

Over the weekend, multi-platinum recording artist and Atlanta-native Future paid respect to a very important piece of life, Family. At…

Over the weekend, multi-platinum recording artist and Atlanta-native Future paid respect to a very important piece of life, Family. At his FreeWishes Foundation hosted 8th annual Golden Wishes Gala honoring Metro Atlanta Seniors. More than 750 seniors dressed in their finest attire attended the annual Gala.

Seniors danced the night away to live jazz music provided by the Douglas Whatley Jr. Band and hits spun by DJ Bluue. The seniors enjoyed a luscious Thanksgiving styled dinner in the spectacular setting of the Ocean’s Ballroom. Seniors learned about Future’s FreeWishes foundation, their ongoing community events, and ways to be involved.

Guest speaker, Fulton County Commissioner Natalie Hall, spoke about the “future” she envisioned for Atlanta seniors. Future and his mother, FreeWishes Foundation co-founder, Stephanie Jester, presented a surprise community service award to Emma Jean Boyd, Future’s grandmother.

A final performance by the legendary Jazz and R&B vocalist, Jean Carne, wrapped up the warm and positive evening. Along with Freebandz, the event was sponsored by Jet One Charter, Anthem Blue Cross Blue Shield, Aetna, Luxury Connections, Zaxby’s, Chick-Fil-A, JenCare and InTouch Properties.

Watch the recap now on YouTube.

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Track Seven Band Makes A Strong Reintroduction With “Memory Loss” Single

Today’s game is truly a never-ending cycle of here today and gone tomorrow. For Track Seven Band, haven’t released a…

Today’s game is truly a never-ending cycle of here today and gone tomorrow. For Track Seven Band, haven’t released a project since 2016’s The Try And The Fail, the uphill battle it seems is reigniting the flame within casual fans who may have moved on to the next one. It’s this overarching idea that guides Cost’s pen for their brand new single “Memory Loss.”

RELATED: #IndieSpotlight: Track Seven Band – The Try And The Fail

There is a lot to unpack with this single. Top-level, there is this flagrant (metaphorical) slap across the head — as though he’s screaming, “I’m still here, stupid.” Below the surface, Cost takes the opportunity to reiterate his position, introduces rumor inducing storylines, and takes a look back at his past.

In the first verse, he drops mention of having traveled around the world on the dime of a figure whom he chooses to keep anonymous; as he explains, this person gave him the motivation he needed to jumpstart his career, but has since “turned faces.” It’s in this act — he further notes that haters induce the same phenomenon — that he seems to have found the strength to thrive.

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The second verse begins by reiterating where he’s come from — noting that section 8 and financial aid were his life preservers in his darkest moments. He also notes that he’s still in debt (half of which he paid off with the money he made selling weed). All this isn’t done to glorify anything, but rather serve as motivation. It also hammers home the fact that he has been there and done that, too.

Perhaps in a way, he’s exuding the same motivation that he felt traveling the world.

Playing chess as opposed to checkers is a line that poignantly pops out. “Memory Loss” is a strong (re)introduction or merely business as usual — depending on your knowledge of the band. Either way, it’s drenched in that endearing sense of honesty and realness that made them a group I’ve returned to numerous times since first being introduced to their music.

It’s all about the long game, and — in the end — good music. Cost notes that he’s motivated by things that money can’t buy. That, quite often, is code for having something to lose on a deeper level. It’s in seeing an artist stick to their figurative guns without bending their ethics that true inspiration can be felt.

If you haven’t explored the past releases, do so … immediately.

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interview

Texas’ Lil X Is Ready To Takeover As The ‘New Kid on the Block’

The rapper Lil X, born in El Paso, Texas, is crafting an undeniable path to the top right now. Young,…

The rapper Lil X, born in El Paso, Texas, is crafting an undeniable path to the top right now. Young, rowdy, and popular, he is achieving viral attention with his new project, New Kid on the Block, and the project’s breakout hits, “Galaxy” and “Bands All Done”. On the verge of becoming a social firestorm, we sit down with the star on the rise to get familiar with who he is, where he’s from, what he’s about and what he has in store.

[AAHH]: What was it like growing up where you are from?

[Lil X]: It was fine, I got to do what I wanted. El Paso is right on the border of Mexico so there is lots of tradition and mixed culture.

Has your family been supportive of your career?

Yes my family has been supportive and I know they are trying to understand what I’m doing and one day fully learns what I’m creating and what I’m making.

If you had to choose one record for someone to listen to from you, what would it be?

Greatness, its uplifting and gives off a different feel. I personally say most people would enjoy this song.

Was “New Kid on the Block” your debut project or can new fans find more of your catalog elsewhere?

It was mostly my debut project but im going to be releasing more music soon.

Can you describe the creative process behind “New Kid on the Block”?

Well I sat down in my room and I played the beat and found were the words would fit and then created the correct melody and bam I took out each song one by one.

What are the singles from your latest project?

Galaxy, Pouri’n, and Bands All Done.

Any notable producers you are working with or want to work with?

I think Reazy Renegade is a great producer I work with. I would like to work with Molly Raw and Muder Beats in the future.

Any big-name features in the vault that we could expect anytime soon?

I have a couple of people that I’m talking with but I don’t want to give them up yet.

You’re only 16 so we wanted to ask you a random question. Can you name 5 Lil Wayne records? If so what are your favorite 5?

Yes I’m going to go with How to love, A Milli, Mona Lisa, 6 Foot 7 Foot, and Lollipop.

If you could choose 3 people to be on your next project who would it be?

I would probably go with Tavis Scott, Lil Skies, and Lil Uzi Vert.

Any label attention or calls right now?

I have a lot of different things happening and I’m looking for my best options before I sign to anything.

For more on Lil X, follow the rising star on Instagram.

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Akhil Sesh – “Amazing”

Akhil Sesh is back to debut a brand-new visual in the form of “Amazing.” It’s a slick record on which…

Akhil Sesh is back to debut a brand-new visual in the form of “Amazing.” It’s a slick record on which Akhil glides across the uptempo, percussion-driven production, displaying his knack for melodies and songwriting, as his lyrics come to life across the rooftops of the city, all adding up to one “Amazing” song and video.

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#IndieSpotlight: Tre Cartel’s Collaborative EP With CashMoney AP Is A Moment For The ATL MC

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