ScHoolboy Q – Blank Face LP (Review)

Dr. Dre once famously said that this [music] business is entertainment; to believe it to be anything else then that would be “stupid [sic].” ScHoolboy Q, when examined under this lens — for me — has made him...

Get Money: Let’s Cut Quan Some Slack

[dropcap]I[/dropcap] suggest we cut Rich Homie Quan a little slack. Did he break your heart yesterday and epically fudge up a performance of “Get Money?” Yes — but, before he has a chance to [maybe] come up with...

On A Mission: J. Anise Has Bars

“I want the world to know that there can be more than one successful female hip-hop artist. I also want people to realize they can be themselves and not copy everything you see.” –J. Anise A fresh EP...

#IndieSpotlight: Will EQ – Dark Years (Interview)

Hip-hop — as a vehicle capable of social change — often comes down to a series of cosigns, which is understandable in a sea of millions of voices struggling to be heard. Well, 30-year-old emcee Will EQ has...

2Pac Producer Signs Licensing Deal With Candlewick Press

Harold Scrap Fretty, the multi­platinum music producer, best known for “Only God Can Judge Me” by 2Pac, recently signed a licensing deal with Candlewick Press — a division of Harper Books. The licensing deal is in conjunction with...

#IndieSpotlight: F.A.A.N.A.N. – Contradiction

“Eminem’s style was so free and I always wanted to have that in my music. I liked 50 cent’s arrogance. Then you have the conscious types like Kendrick and J.Cole…I incorporate all of that in my music.” –F.A.A.N.A.N....

Snoop Dogg – Coolaid (Review)

“First N–ga taught that crippin’ to your kids, huh,” proclaims Snoop Dogg — and rightfully so. Unless the average middle class American [white] kid was jamming to groups to Compton’s Most Wanted, which wasn’t a sure bet in...

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